Wednesday, December 2, 2020
Alan Cumming and Patti LuPone add their voices to this season’s tidings, plus a gender-bending Scrooge and a live broadcast of “The Grinch Musical!”
SOURCE: The New York Times Subscription at 01:36PMSunday, November 29, 2020
As Split Britches, Peggy Shaw and Lois Weaver have made off-kilter theater for 40 years. Memory loss, and a pandemic, haven’t stopped their creating.
SOURCE: The New York Times Subscription at 03:03PMWednesday, November 18, 2020
Constance Wu and Samira Wiley star in a Zoom-ified Chekhov play, and Ars Nova punches above its weight with a 24-hour telethon.
SOURCE: The New York Times Subscription at 01:03PMMonday, November 9, 2020
With nods to Duchamp and Dada, this interactive production raises questions about fate, narrative convention and the process of making art.
SOURCE: The New York Times Subscription at 03:03PMWednesday, November 4, 2020
Watch a theater maker’s story of becoming an elected official, Greek tragedies transposed to Chicano America and Daniel Kitson’s tour of the ghostly empty theaters of Britain.
SOURCE: The New York Times Subscription at 01:12PMSunday, October 25, 2020
In Aaron Posner’s play, there is more than one John Quincy Adams, but only one way to ensure that American democracy endures.
SOURCE: The New York Times Subscription at 04:54PMThursday, October 22, 2020
The timing could not be better for Heidi Schreck’s affecting play about the Constitution’s impact on our daily lives, now streaming on Amazon.
SOURCE: The New York Times Subscription at 01:54PMWednesday, October 21, 2020
New York cabaret houses beef up there digital offerings, and two theater adaptations of “Night of the Living Dead” arrive in time for Halloween.
SOURCE: The New York Times Subscription at 03:12PMTuesday, October 20, 2020
Michael Breslin and Patrick Foley’s virtual play includes a YouTuber, an influencer and a meme machine. Sometimes total chaos ensues.
SOURCE: The New York Times Subscription at 03:54PMFriday, October 16, 2020
Stars including Marisa Tomei, Billy Porter and Rosie O’Donnell dramatize the words of real-life nurses pushed to the brink by the pandemic.
SOURCE: The New York Times Subscription at 02:48PMWednesday, October 7, 2020
Plus: A marquee cast tackles a Kenneth Lonergan play, and Glenn Close, Beanie Feldstein, Audra McDonald and Melissa Errico go digital.
SOURCE: The New York Times Subscription at 02:24PMTuesday, October 6, 2020
Who gets to stay? The digital adaptation of a 2018 satire asks the playgoing audience to weigh in from home.
SOURCE: The New York Times Subscription at 02:32PMThursday, September 24, 2020
The interstellar adventure deftly mixes the lo-fi aesthetics of budget science fiction with dopey humor and experimental theater’s sensibility.
SOURCE: The New York Times Subscription at 03:54PMWednesday, September 23, 2020
In a fall season without many live shows, everything is up for grabs. That includes the canon of classics — and where Bill Irwin might be performing.
SOURCE: The New York Times Subscription at 10:18AMWednesday, September 16, 2020
Before lockdown, she won praise for three fierce Off Broadway performances. Next: starring in an online reading of a rarely seen Pulitzer Prize finalist.
SOURCE: The New York Times Subscription at 03:32PMFriday, September 11, 2020
Six months dark. Thousands of artists out of work. Could this disaster have a surprise ending? Five critics on what must change, onstage and off.
SOURCE: The New York Times Subscription at 05:18AMWednesday, September 9, 2020
The Billie Holiday Theater offers a live performance of “12 Angry Men…and Women: The Weight of the Wait” in front of a Black Lives Matter mural.
SOURCE: The New York Times Subscription at 02:54PMWednesday, August 26, 2020
Festivals from Sydney and Edinburgh move online, and Richard Nelson mixes in another of his theatrical franchises to conclude a Zoom trilogy.
SOURCE: The New York Times Subscription at 01:42PMThursday, August 13, 2020
This month, watch Ming Peiffer’s play about the women’s suffrage movement and a virtual reading that reunites Ed Harris and Bill Pullman.
SOURCE: The New York Times Subscription at 03:48PMWednesday, August 5, 2020
What happens when the edgy Ice Factory festival goes online? A sense of discovery tempered by frustrating technological glitches.
SOURCE: The New York Times Subscription at 05:06PMThursday, July 30, 2020
Sunday, July 26, 2020
This staging by the National Theater of Greece was broadcast live on Saturday from the amphitheater of Epidaurus.
SOURCE: The New York Times Subscription at 02:36PMWednesday, July 15, 2020
Most of them are available on short notice, after all. Live readings with some of the New Group’s original casts and an Ian Dury jukebox musical are among this week’s highlights.
SOURCE: The New York Times Subscription at 02:24PMFriday, July 10, 2020
The Oregon Shakespeare Festival’s streaming series begins with a “historical fable” about Catholic orphans and their new families in 1904 Arizona.
SOURCE: The New York Times Subscription at 02:06PMFriday, July 3, 2020
Even in lockdown, it’s still hard to cut a streaming deal for a professional show. Here’s what viewers can expect, for now.
SOURCE: The New York Times Subscription at 01:36PMThursday, July 2, 2020
“She Kills Monsters” is hugely popular in high schools and colleges. Even in lockdown, performers have found novel ways to make the battles come alive.
SOURCE: The New York Times Subscription at 10:48AMThursday, June 25, 2020
The online bounty also includes a rare Lorraine Hansberry play, two Lincoln Center stagings and black British responses to the killing of George Floyd.
SOURCE: The New York Times Subscription at 03:24PMWednesday, June 24, 2020
His new memoir “Lot Six” traces the Syrian-Jewish enclave that spawned him, the instructor who unnerved him, and the biting comedy that made his name.
SOURCE: The New York Times Subscription at 01:48PMWednesday, June 3, 2020
If BAM is your jam (or places like it), here are digital offerings that offer weird Americana and bold visions from Europe. Plus: a 24-hour variety show.
SOURCE: The New York Times Subscription at 03:06PMThursday, May 28, 2020
With actors on payroll, Seacoast Rep has removed seats, added tech equipment and is selling tickets for a musical livestreamed every weekend.
SOURCE: The New York Times Subscription at 05:06PMWednesday, May 27, 2020
Versions of the “Carousel” song by Aretha Franklin, Gerry and the Pacemakers and Liverpool F.C. fans have turned it into something universal.
SOURCE: The New York Times Subscription at 11:06AM 
