All stories by David Kaufman on BroadwayStars

Saturday, March 7, 2020

Incantata by David Kaufman

Some books and movies and poems do not lend themselves to theatricalization, and that’s certainly the case with "Incantata," which is currently being given its American premiere at the Iri…

Linked From www.theaterscene.net at 10:25AM
Wednesday, February 19, 2020

The Confession of Lily Dare by David Kaufman

The inestimable Charles Busch has come up with something of a dud, as well as redundant, with his latest play, "The Confession of Lily Dare." Even its title leaves a lot to be desired. Base…

Linked From www.theaterscene.net at 03:49PM
Tuesday, February 18, 2020

Frankenstein by David Kaufman

If it sounds challenging to do a two-performer version of "Frankenstein," it proves just that in the current production at the CSC, being performed in repertory with a new stage version of "…

Linked From www.theaterscene.net at 12:29AM
Monday, February 17, 2020

The Sabbath Girl by David Kaufman

The trite set-up makes all of the characters one-dimensional, with the Jewish Seth a “knish maker” and shop owner on “Hester Street, Angie groping to find herself--not to mention a par…

Linked From www.theaterscene.net at 03:19PM
Saturday, January 25, 2020

How to Load a Musket by David Kaufman

An essay more than a play, with players as opposed to characters, "How to Load a Musket" is a racist diatribe that fails to make its points coherently. The costumes and appointments on the w…

Linked From www.theaterscene.net at 04:19PM
Monday, October 21, 2019

The White Chip by David Kaufman

Written by Sean Daniels, "The White Chip" is reportedly an autobiographical play, directed with an earnest finesse by Sheryl Kaller who sometimes has difficulty keeping her three different p…

Linked From www.theaterscene.net at 03:41PM
Tuesday, October 1, 2019

Bad News! i was there… by David Kaufman

The latest offering by JoAnne Akalaitis, "Bad News! i was there…" is something of a misnomer, since none of us was there for the “bad news” of the ancient Greeks, which is what Akalai…

Linked From www.theaterscene.net at 12:04PM
Thursday, September 26, 2019

Betrayal by David Kaufman

Imported from London and directed with finesse by Jamie Lloyd, Tom Hiddleston (Robert), Zawe Ashton (Emma), and Charlie Cox (Jerry), all making their Broadway debuts, are practically choreog…

Linked From www.theaterscene.net at 11:59PM
Friday, August 2, 2019

Two’s a Crowd by David Kaufman

Co-written by and starring Rita Rudner (who is not only a playwright and performer but also an author, film writer, producer and director, with many TV appearances to her credit), "Two’s a…

Linked From www.theaterscene.net at 12:32PM
Friday, July 26, 2019

“the way she spoke” by David Kaufman

Written by Isaac Gomez, who lives across the border in El Paso, Texas, "the way she spoke" is a one-woman show that fails to speak to us: it’s performed by Mexican film star Kate del Casti…

Linked From www.theaterscene.net at 12:49PM
Wednesday, June 19, 2019

Julie Madly Deeply by David Kaufman

Andrews’ worldwide success with the films "The Sound of Music" and "Mary Poppins" is well represented here, as is the Broadway musical that established her in the first place, "My Fair Lad…

Linked From www.theaterscene.net at 03:54PM
Saturday, June 15, 2019

Frankie and Johnny in the Claire de Lune by David Kaufman

Given references to "Prizzi’s Honor," "Looking for Mr. Goodbar, " Haagen-Dazs Vanilla Swiss Almond, and VCRs, the otherwise effective revival of "Frankie and Johnny"--now on Broadway at th…

Linked From www.theaterscene.net at 11:45PM
Tuesday, May 21, 2019

Posting Letters to the Moon by David Kaufman

The epistolary "Posting Letters to the Moon" may, on the face of it, make one think of A. R. Gurney’s "Love Letters" or Helene Hanff’s "84 Charing Cross Road. "But unlike those two memor…

Linked From www.theaterscene.net at 11:40PM
Friday, May 3, 2019

Ink by David Kaufman

In the final analysis, "Ink" is too swift and too slick for its own good--or should I say, for our good? Even if you know some of the details it traffics in, they zoom by at such a rapid cli…

Linked From www.theaterscene.net at 04:03PM
Sunday, April 28, 2019

Burn This by David Kaufman

For one thing, it takes far too long for Pale, Wilson’s most outrageous and flamboyant creation, to arrive on the scene. (Malkovitch was Pale in the original production and Adam Driver is …

Linked From www.theaterscene.net at 05:05PM
Thursday, April 18, 2019

White Noise by David Kaufman

After she won the Pulitzer Prize for "Topdog/Underdog," one approached a new play by Suzan-Lori Parks with great expectations--expectations that are strongly rewarded by her latest work, "Wh…

Linked From www.theaterscene.net at 01:33PM
Wednesday, April 10, 2019

I Carry Your Heart by David Kaufman

Though playwright Kelly strives for poetry at times--in addition to that last quote, consider Josh’s mother calling him a “terminal optimist” and also learning that the play’s title …

Linked From www.theaterscene.net at 05:58PM
Saturday, April 6, 2019

The Cradle Will Rock by David Kaufman

Many of Blitzstein’s melodic tunes are plunked out on the piano by several of the players at various points. But the fault is not only due to Doyle’s direction: what’s missing from Bli…

Linked From www.theaterscene.net at 11:58PM
Friday, March 29, 2019

Kiss Me, Kate by David Kaufman

While many of the greats have tackled Kate over the years ever since it premiered in 1948, O’Hara brings a subdued charm to the usually more boisterous part of Lilli, even if she is positi…

Linked From www.theaterscene.net at 03:39PM
Thursday, March 7, 2019

Hurricane Diane by David Kaufman

Some plays are simply too complicated for their own good, defying comprehension. This is certainly the case with Madeleine George’s "Hurricane Diane," in which the God Dionysus or Bacchus,…

Linked From www.theaterscene.net at 01:56PM
Wednesday, February 27, 2019

Merrily We Roll Along by David Kaufman

Usually considered one of Sondheim’s lesser musicals, albeit with one of his best scores--and needless to say, that’s saying a lot--this production provides a heft and a story that are s…

Linked From www.theaterscene.net at 12:45PM
Monday, February 18, 2019

The Waiting Game by David Kaufman

Welcome to "The Waiting Game," a play by Charles Gershman, which has the makings for a meaningful drama, but never really amounts to much. A large part of the problem is the nondescript and …

Linked From www.theaterscene.net at 04:15PM
Tuesday, February 12, 2019

Mies Julie by David Kaufman

Yaël Farber’s adaptation of Strindberg’s classic "Miss Julie," "Mies Julie" shifts the scene and setting from 1880’s Sweden to the Karoo in South Africa on Freedom Day in 2012--or the…

Linked From www.theaterscene.net at 12:49PM
Wednesday, February 6, 2019

True West by David Kaufman

Having seen it at least four times before, I can say with certainty that Sam Shepard’s "True West" (1980) is a firm and solid play: a play to be pondered both while you’re watching it an…

Linked From www.theaterscene.net at 04:30PM
Thursday, January 24, 2019

Trick or Treat by David Kaufman

The lit pumpkin on a ledge in the living room aptly suits the title of "Trick or Treat," a new play by Jack Neary. But despite the skeleton positioned on yet another shelf, the play’s titl…

Linked From www.theaterscene.net at 12:25AM
Tuesday, January 15, 2019

Choir Boy by David Kaufman

Now playing at the MTC’s Samuel J. Friedman Theatre on Broadway, "Choir Boy" is set at The Charles R Drew Preparatory School for Boys, a Catholic academy for young men of color. Written by…

Linked From www.theaterscene.net at 01:06PM
Friday, December 28, 2018

The Prom by David Kaufman

"The Prom" is giving Broadway something it’s been lacking for years, which is a high-spirited, old-fashioned musical comedy, where the cast’s energy spills out over the footlights, and i…

Linked From www.theaterscene.net at 05:04PM
Friday, December 21, 2018

C.S. Lewis’ The Screwtape Letters by David Kaufman

Some novels are more stage-worthy than others, and "C.S. Lewis’ The Screwtape Letters" is not among those that are. As adapted for the stage by Max McLean--who also directs the production…

Linked From www.theaterscene.net at 10:09PM
Tuesday, December 18, 2018

Bitter Greens by David Kaufman

Though it was common practice centuries ago, perhaps the final take-away from "Bitter Greens"--a new play by Clea DeCrane--is that an actor should not perform in her own work. In the play, D…

Linked From www.theaterscene.net at 05:57PM
Tuesday, November 27, 2018

Two by Friel by David Kaufman

The attempt to draw comparisons between two disparate one-act plays by Brian Friel proves forced and effortful. In a program note for "Two by Friel," now playing at the Irish Repertory Theat…

Linked From www.theaterscene.net at 07:07PM
Saturday, November 17, 2018

The Resistible Rise of Arturo Ui by David Kaufman

The Classic Stage Company's current revival of Bertolt Brecht’s "The Resistible Rise of Arturo Ui" is not the first to draw comparisons between the sitting president and Hitler. In 2002, o…

Linked From www.theaterscene.net at 09:51AM

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