Michael Gordon and Richard Foreman's "What to Wear" at BAM is a visually rich, textually odd work " and a hot commodity.
SOURCE: The New York Times Subscription at 03:31PM[SHARE]At Little Island, "The Counterfeit Opera" falls short of its wildly successful historical models.
SOURCE: The New York Times Subscription at 11:02PM[SHARE]A violinist plays for her father. A singer takes requests. In hospitals and hospices, bedside performers offer a new kind of care.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Kathryn Lewek has made a specialty of singing the showstopping role in Mozart's "The Magic Flute." "It's my security blanket," she said.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Kentridge's film played over Shostakovich's 10th symphony at a New York Philharmonic concert led by Keri-Lynn Wilson.
SOURCE: The New York Times Subscription at 04:19PM[SHARE]The New York Philharmonic under Matthias Pintscher brought dramatic urgency to "Pelleas und Melisande" in commemoration of the composer's 150th birthday.
SOURCE: The New York Times Subscription at 01:20PM[SHARE]In Shakespeare, music is an integral part of the action. But the First Folio, which turns 400 this year, failed to transmit how it should sound.
SOURCE: The New York Times Subscription at 11:43AM[SHARE]A new project is producing sign language covers of 10 seminal musical works recorded by Black female artists.
SOURCE: The New York Times Subscription at 01:40PM[SHARE]His play "The Deputy," from 1963, took issue with Pius XII's stance toward Nazi atrocities and caused a furor. "The theater," Susan Sontag wrote, "is courtroom."
SOURCE: The New York Times Subscription at 06:36PM[SHARE]Arts writers for The New York Times share their strategies (snacks) and budget-friendly options (outdoor events) in a discussion about introducing children to the arts.
SOURCE: The New York Times Subscription at 04:18PM[SHARE]The chorus in Carnegie Hall's new production includes participants from its Somewhere Project, an outreach program exploring what this musical means to New Yorkers today.
SOURCE: The New York Times Subscription at 02:50PM[SHARE]John Patrick Shanley discusses how he was allowed to express a lot of feelings in the opera version of his award-winning play "Doubt," which will have its premiere at the Minnesota Opera thi…
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