All stories by Clare Brennan on BroadwayStars

Sunday, July 19, 2015

The Wind in the Willows/ Romeo and Juliet review – pitch-perfect double bill by Clare Brennan

Grosvenor Park Open Air theatre, ChesterThese versatile actors move seamlessly from Toad Hall to tragedyIn theatre, what you see is seldom what you get. For instance, just now, what we see i…

SOURCE: The Guardian at 04:24AM
Sunday, July 12, 2015

Volpone review – slick and well acted, but too self-consciously modern by Clare Brennan

RSC, Stratford-upon-AvonTrevor Nunn’s tech-savvy update reduces this vicious comedy to a slight entertainmentNeon lights, glass-panelled walls, information flashing along an LED strip, mob…

SOURCE: The Guardian at 03:54AM
Sunday, July 5, 2015

Hoard festival review – a rich and rewarding cache of stories by Clare Brennan

New Vic theatre, Newcastle-under-LymeAn event inspired by a hoard of Anglo-Saxon treasure opens with a couple of gemsAt first, I didn’t quite get the makeup of this five-week festival. My …

SOURCE: The Guardian at 03:15AM
Sunday, June 21, 2015

Noises Off review – David Thacker’s ‘vertiginous’ farewell treat by Clare Brennan

The Octagon, BoltonThe Octagon’s artistic director says goodbye with a fine production of Michael Frayn’s side-splitting farce-within-a-farceIn Russia in 1906, Vsevolod Meyerhold directe…

SOURCE: The Guardian at 03:42AM

Othello review – convincing and moving by Clare Brennan

Royal Shakespeare theatre, Stratford-upon-AvonIqbal Khan’s modern-dress production takes its time but finally delivers a powerful punch, with Iago as its pivot“Your words and performance…

SOURCE: The Guardian at 03:42AM
Sunday, June 14, 2015

The Hook review – Arthur Miller’s lost 50s tale of union corruption by Clare Brennan

Royal & Derngate, NorthamptonThis version of the screenplay that was never made is atmospheric but shows its ageThe idea of the “common man” as tragic hero is central to Arthur Mille…

SOURCE: The Guardian at 03:36AM
Sunday, June 7, 2015

Yer Granny review – salty, saucy, vinegar-sharp performances by Clare Brennan

King’s theatre, EdinburghGregor Fisher is the picture of conspicuous consumption in Douglas Maxwell’s hilarious reworking of Roberto Cossa’s playThe small flat above the chip shop is a…

SOURCE: The Guardian at 03:03AM
Sunday, May 31, 2015

The Mother review – tied to the kitchen sink by Clare Brennan

Ustinov Studio, Theatre Royal BathA mesmerising Gina McKee in the title role helps salvage Florian Zeller’s misogynistic family drama Continue reading...

SOURCE: The Guardian at 03:40AM

Peter Pan review – you’ll believe a boy can fly by Clare Brennan

Regent’s Park Open Air theatre, LondonSetting Peter Pan in the Somme combines fantasy and wartime horror to powerful effectWhat’s to be gained by reframing JM Barrie’s classic story �…

SOURCE: The Guardian at 02:45AM
Sunday, May 24, 2015

Pride & Prejudice review – voguish, costumed, class snobbery by Clare Brennan

Crucible theatre, Sheffield; until 6 JuneSimon Reade’s broad-stroke reworking of Jane Austen is watchable if lacking in any real depthExam season is upon us, so here’s a question. One cr…

SOURCE: The Guardian at 03:00AM
Sunday, May 17, 2015

One of Each review – the joys of fish and chips explored by Clare Brennan

Wetherby Whaler, York, and touring until 9 SeptemberMikron’s minimalist study of a British dietary staple is a joy Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, May 3, 2015

Shafted! review – a ‘post-mining’ drama with real emotional impact by Clare Brennan

East Riding theatre, BeverleyJohn Godber and his wife, Jane Thornton, convince in his powerful two-hander about a couple’s struggle with unemployment following the 1984 miners’ strike Co…

SOURCE: The Guardian at 03:00AM

King John review – a stunning pageant by Clare Brennan

Church of the Holy Sepulchre, NorthamptonWhat James Dacre’s sweeping retelling of Shakespeare lacks in drama it makes up for in spectacle Continue reading...

SOURCE: The Guardian at 03:00AM

Shafted! review – a ‘post-mining’ drama with real emotional impact by Clare Brennan

East Riding theatre, BeverleyJohn Godber and his wife, Jane Thornton, convince in his powerful two-hander about a couple’s struggle with unemployment following the 1984 miners’ strikeJoh…

SOURCE: The Guardian at 03:00AM
Sunday, April 26, 2015

Far From the Madding Crowd review – less haste, more feeling by Clare Brennan

Watermill, NewburyAn atmospheric adaptation of Thomas Hardy’s tortured romance stumbles in its race to the finish Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, April 19, 2015

Uisge-Beatha Gu Leòr (Whisky Galore) review – a suitable whiff of whimsy by Clare Brennan

Òran Mór, Glasgow Iain Finlay Macleod’s Gaelic updating of Compton Mackenzie’s classic is funny but loses something on the way Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, April 12, 2015

After Electra review – feels forced and preachy by Clare Brennan

Tricycle, LondonAn intriguing premise fails to find its form in April De Angelis’s play about an artist who would like her 81st birthday to be her last Continue reading...

SOURCE: The Guardian at 03:00AM

Cyrano de Bergerac review – swashbuckling panache by Clare Brennan

Royal and Derngate, Northampton Nigel Barrett’s powerful swordsman-poet leads a fine cast in this nuanced yet highly theatrical co-productionCyrano de Bergerac is drawing to the end. What …

SOURCE: The Guardian at 03:00AM

Private Lives review – touching and humane by Clare Brennan

Octagon, BoltonUnder Elizabeth Newman’s fine direction, Noël Coward’s caustic wit is balanced by real feeling Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, April 5, 2015

The Harvest review – an amusing absurdity lacking bite by Clare Brennan

Ustinov Studio, Theatre Royal BathPavel Pryazhko’s deceptive comedy doesn’t quite reach the semi-satirical heights it aspires to Continue reading...

SOURCE: The Guardian at 03:00AM

Little Sure Shot review – how Annie got her gun by Clare Brennan

The Egg, Theatre Royal BathVerity Kirk hits the bullseye as wild west sharp-shooter Annie Oakley in this musical biographyIn Little Sure Shot, writer and composer Lucy Rivers delivers a clas…

SOURCE: The Guardian at 03:00AM
Sunday, March 29, 2015

Anna Karenina review – a Russian Downton-by-the-Am by Clare Brennan

Royal Exchange, ManchesterTolstoy’s passionate epic feels more like a soap opera in this clinical adaptation Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, March 22, 2015

The Secret Diary of Adrian Mole Aged 13¾: the Musical review – impeccable performances, hamfisted script by Clare Brennan

Curve, LeicesterSue Townsend’s sly writing is pummelled to fit narrative arcs of love triumphant and ambition realised in this musical adaptationWhat do you ask of a new musical? Attention…

SOURCE: The Guardian at 04:00AM

God Bless the Child review – perfectly judged humour by Clare Brennan

Lyric, BelfastFrank O’Connor’s hilarious childhood tales are beautifully adapted for the stage Continue reading...

SOURCE: The Guardian at 04:00AM
Sunday, March 8, 2015

King Lear review – Jonathan Miller’s production is revelatory by Clare Brennan

Viaduct theatre, HalifaxNorthern Broadsides open up a whole new way of looking at Shakespeare’s tragedy through seemingly straightforward, at times rough-hewn performancesFollowers of No…

SOURCE: The Guardian at 04:00AM
Saturday, February 28, 2015

Hamlet review – breathtaking by Clare Brennan

Clwyd Theatr Cymru, MoldArtistic director Terry Hands’s farewell is an extravagant, bravura production Continue reading...

SOURCE: The Guardian at 07:05PM

Crouch, Touch, Pause, Engage review – a dynamic study of coming out and trauma by Clare Brennan

Sherman Cymru, CardiffThe contrasting fortunes of Welsh rugby player Gareth Thomas and two struggling Bridgend teenagers are handled boldly Continue reading...

SOURCE: The Guardian at 07:05PM
Sunday, February 22, 2015

Scuttlers review – vigour and desperation of Rona Munro’s street gangs by Clare Brennan

Royal Exchange, ManchesterRona Munro’s engaging story of 19th-century Manchester mill workers is powerfully produced, though dramatically a little formulaicA sole musician sits up in the g…

SOURCE: The Guardian at 03:00AM

Boi Boi Is Dead review – sprightly ease and emotional depth by Clare Brennan

West Yorkshire Playhouse, LeedsZodwa Nyoni’s jazz-inflected African village drama is gripping, humorous, poetic and finely acted Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, February 15, 2015

Blasted review – Sarah Kane’s debut revived by Clare Brennan

Sheffield Theatres Studio Richard Wilson directs Sarah Kane’s first play with searing clarity and precision as part of the Crucible’s season of her work Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, February 8, 2015

Merit review – interesting ideas struggling for dramatic form by Clare Brennan

The Drum, Theatre Royal, PlymouthA mother and daughter fall out over an employer’s motive in a shapeless play set in austerity-era Spain Continue reading...

SOURCE: The Guardian at 03:01AM