All stories by Clare Brennan on BroadwayStars

Sunday, March 20, 2016

Shrapnel review – a soaring thriller by Clare Brennan

Scottish Storytelling Centre, EdinburghIgnorance of Gaelic proves no barrier to enjoying this fine adaptation of Tormod Caimbeul’s seminal novelHave you ever seen a seagull by a cliff fly …

SOURCE: The Guardian at 04:14AM
Sunday, March 13, 2016

John Osborne’s working-class antihero struggles to find his target on the modern stage by Clare Brennan

Derby theatre; Octagon theatre, BoltonJohn Osborne’s working-class antihero struggles to find his target on the modern stage, but a female spin gives the character some fresh perspective�…

SOURCE: The Guardian at 04:20AM
Sunday, February 28, 2016

I Am Thomas review – freedom of speech theatrics by Clare Brennan

Liverpool PlayhouseThe fascinating story of Thomas Aikenhead – the last person in Britain to be executed for blasphemy – is marred by a mix of theatrical stylesYoung Thomas Aikenhead was…

SOURCE: The Guardian at 03:38AM
Wednesday, February 24, 2016

The Maids – review by Clare Brennan

Citizens, GlasgowDirector/designer Stewart Laing's production of The Maids is vividly theatrical (the stage curtain gets a round of applause). But its visual surprises and non-textual interv…

SOURCE: The Guardian at 03:52AM
Sunday, February 14, 2016

Monster Raving Loony review – slapstick fun with a serious side by Clare Brennan

Theatre Royal, PlymouthThe extraordinary life of Screaming Lord Sutch told through music, comedy and drama sketches is highly entertaining – though ultimately a little too fragmentedScream…

SOURCE: The Guardian at 04:09AM
Sunday, February 7, 2016

A Raisin in the Sun review – still challenging its characters and audience by Clare Brennan

Crucible, SheffieldLorraine Hansberry’s landmark play about the struggles of an African American family in a Chicago slum is as relevant today as it was half a century agoLorraine Hansberr…

SOURCE: The Guardian at 03:19AM
Sunday, January 31, 2016

Wit review – Julie Hesmondhalgh is emotional dynamite by Clare Brennan

Royal Exchange, ManchesterMargaret Edson’s award-winning play about a professor with aggressive cancer is thought-provoking – and very funny“Whilst my physicians by their love are grow…

SOURCE: The Guardian at 03:39AM
Sunday, January 24, 2016

Push; Sparrow reviews – a festival revamped and a circus show reworked by Clare Brennan

Home, Manchester; East Riding theatre, BeverleyA one-man exploration of crime caught the eye at Manchester’s celebration of low-budget new work, while dinner party guests went ape in Yorks…

SOURCE: The Guardian at 03:33AM
Sunday, January 10, 2016

Into the Woods review – a reframing of fantastical stories by Clare Brennan

Royal Exchange, ManchesterSome ponderous writing fails to thwart a compelling vision of Stephen Sondheim’s interlacing fairytalesLines that rhyme are fine – for a time. But, after a bit,…

SOURCE: The Guardian at 02:28AM
Sunday, December 27, 2015

Rapunzel: Hairway to Heaven review – happy ever after by Clare Brennan

Everyman, LiverpoolThe long-running rock’n’roll panto delivers an inspiring heroine, magnificent mayhem and a soaking for the audienceSomeone is sitting in my place. He is smaller than m…

SOURCE: The Guardian at 03:49AM
Sunday, December 20, 2015

Show Boat review – all aboard for performances of exceptional quality by Clare Brennan

Crucible, Sheffield Daniel Evans’s production of the 20th-century musical classic is unmissableThe star of Show Boat is, surely, the Mississippi river, its rolling presence famously extoll…

SOURCE: The Guardian at 04:02AM
Sunday, December 13, 2015

The BFG review – gloriumptious, truly, but a Christmas show? by Clare Brennan

Octagon, BoltonPuppets, shadows, human beans and of course giants combine in a fabulously inventive retelling of the Roald Dahl classic. But one thing is lacking…What makes a Christmas sho…

SOURCE: The Guardian at 02:37AM
Sunday, December 6, 2015

Oliver! review – full of oom-pah-pah by Clare Brennan

Curve, LeicesterA dynamic production full of contrast, strong performances and brisk musical direction polish the classic musical to a shinePaul Kerryson’s production cleverly plays with c…

SOURCE: The Guardian at 03:37AM
Sunday, November 29, 2015

The One That Got Away review – delicious Feydeau farce by Clare Brennan

Ustinov Studio, BathThis elegant, high-energy production is always amusing, though should trust the laughs to come naturallyPicture a vase on the edge of a shelf. A gust of wind, a curtain b…

SOURCE: The Guardian at 03:10AM
Sunday, November 22, 2015

My People review – violence and slander in a village chapel by Clare Brennan

Theatr Clwyd, MoldA cast of six work wonders in this clever adaptation of Caradoc Evans’s caustic tales of life in rural Wales“The most hated man in Wales”; “the Welsh James Joyce”…

SOURCE: The Guardian at 03:12AM
Sunday, November 8, 2015

The Duchess of Malfi review – a suitable intensity of vision by Clare Brennan

Nottingham Playhouse Fiona Buffini’s production does justice to John Webster’s play – even if at times the sense of his words is lostTwo kinds of musicality can make or mar a productio…

SOURCE: The Guardian at 03:06AM
Sunday, November 1, 2015

The Oresteia review – strong performances at odds with the setting by Clare Brennan

Home, ManchesterAncient and modern clash in a production that juxtaposes a potent mythic past with a contemporary-styled and costumed presentHere is a space for Greek tragedy. Darkness is co…

SOURCE: The Guardian at 03:24AM
Friday, October 23, 2015

Gaslight review – Tara Fitzgerald impresses in taut psychological thriller by Clare Brennan

Royal & Derngate, NorthamptonPatrick Hamilton’s melodramatic play is superbly acted and grippingly directed Guardian theatre critic Michael Billington says stage programming seems to b…

SOURCE: The Guardian at 10:28AM
Sunday, October 18, 2015

Anita and Me review – fragmented adaptation of Meera Syal’s novel by Clare Brennan

This semi-musical drama about an Asian girl growing up in the Midlands in the 1970s never quite hits its strideAnyone whose parents came from elsewhere will be familiar with the gaps between…

SOURCE: The Guardian at 03:41AM
Sunday, October 4, 2015

The Tempest review – a new spin on an old play by Clare Brennan

Northern Stage, Newcastle upon TyneShakespeare’s tale is relocated to a laundry room in this beautifully designed adaptation directed by Phelim McDermottDirector Phelim McDermott takes put…

SOURCE: The Guardian at 04:43AM
Sunday, September 27, 2015

Iliad review – full of sound and furniture by Clare Brennan

The Ffwrnes, LlanelliScreens, tyres, a wandering audience and hundreds of plastic chairs besiege this staging of Homer’s epic, told in four separate playsSpace permitting, I intend to ment…

SOURCE: The Guardian at 04:09AM
Sunday, September 20, 2015

The Glass Menagerie review – 3D actors trapped in a 2D production by Clare Brennan

West Yorkshire Playhouse, LeedsContext is eradicated and reality shunned in this radical reading of Tennessee Williams’s family drama, saved only by impressive actingTennessee Williams loc…

SOURCE: The Guardian at 03:06AM
Sunday, September 13, 2015

Brave New World review – impressive but frustrating by Clare Brennan

Royal & Derngate, Northampton Melodrama and anticlimax weaken an often dazzling adaptation of Aldous Huxley’s futuristic classicThis new adaptation of Aldous Huxley’s 1932 satirical …

SOURCE: The Guardian at 04:01AM
Sunday, August 30, 2015

Lanark: A Life in Three Acts review – arresting adaptation of a literary classic by Clare Brennan

Royal Lyceum theatre, EdinburghDavid Greig captures the spirit of Alasdair Gray’s novel in a visually stunning productionDavid Greig’s adaptation is big, sprawling and (at four hours) lo…

SOURCE: The Guardian at 04:04AM
Sunday, August 23, 2015

Our Ladies of Perpetual Succour review – a high-energy kick by Clare Brennan

Traverse theatre, Edinburgh There are great performances from these Convent girls let loose in Edinburgh in Lee Hall’s adaptation of the Alan Warner novelStoatin’ performances and a smok…

SOURCE: The Guardian at 03:36AM

887 review – touching, intimate, powerful by Clare Brennan

Edinburgh International Conference CentreRobert Lepage invites us into his childhood home and life in Quebec via an on-stage memory palace of dazzling shifting perspectivesMemory and forgetf…

SOURCE: The Guardian at 03:36AM

The Encounter review – kaleidoscopes through times and place by Clare Brennan

Edinburgh International Conference CentreSimon McBurney impresses with a visceral world of sound that transports his audience from the Amazonian rainforest to his daughter’s bedroomSimon M…

SOURCE: The Guardian at 03:36AM
Sunday, August 16, 2015

DruidShakespeare review – this blessed plot of English kings, conjured from Eire by Clare Brennan

Kilkenny arts festival, IrelandA gender-blind reworking of Shakespeare’s history plays drives home their universality for kings and commoners alike,“This blessed plot, this earth, t…

SOURCE: The Guardian at 03:39AM
Sunday, July 26, 2015

Richard II review – sparkling tragedy pushed to the verge of triviality by Clare Brennan

Shakespeare’s Globe, LondonThough full of good things, Simon Godwin’s production shies away from complexityShakespeare’s historical tragedy about the deposition of Richard II by his co…

SOURCE: The Guardian at 04:02AM

Mack & Mabel review – scintillating choreography steals the show by Clare Brennan

Chichester Festival theatreBig numbers and slapstick form the true beating heart of Chichester’s revival of the 1974 musicalMack & Mabel: the title says equals, the plot says not. This…

SOURCE: The Guardian at 04:02AM
Sunday, July 19, 2015

The Wind in the Willows/ Romeo and Juliet review – pitch-perfect double bill by Clare Brennan

Grosvenor Park Open Air theatre, ChesterThese versatile actors move seamlessly from Toad Hall to tragedyIn theatre, what you see is seldom what you get. For instance, just now, what we see i…

SOURCE: The Guardian at 04:24AM