Cillian Murphy and Eileen Walsh were intoxicating as Pig and Runt – two characters at war with a world that didn’t care about them ‘It’s a play about two pigs who go to a disco.” T…
SOURCE: The Guardian at 05:54AMThe former artistic director of the Gate Theatre moves his theatrical vision further west Programming a theatre during a pandemic has been like trying to nail jelly to a set of constantly mo…
SOURCE: theartsdesk.com at 06:36AMTheatres are regularly criticised as unwelcoming places for working-class people. Christopher Haydon argues that the industry needs to take decisive action to
SOURCE: The Stage Registration at 07:01PMFollowing Gavin Henderson’s anti-quota backlash, Christopher Haydon argues that promoting under-represented groups not only helps make theatre representative of society, but is
SOURCE: The Stage Registration at 02:00AMDirector Christopher Haydon on his new staging, which casts Sierra Leonean actor Patrice Naiambana in the role of Davies, a tramp whose predicament mirrors the immigrant experienceDuring reh…
SOURCE: The Guardian at 07:12AMAs theatremakers, we are often quick to laud the ‘liveness’ of theatre. The fact that we experience stories through the prism of
SOURCE: The Stage Registration at 02:00AMWhat is Michael Billington’s problem with amateur performers? In a recent blog for the Guardian, he lauds the Royal Shakespeare Company’s current
SOURCE: The Stage Registration at 05:00AMAfter helping to put on performances in the Jungle refugee camp, I’ve seen how theatre can become a shelter, literal and emotional. With the camp now under threat, British and French autho…
SOURCE: The Guardian at 07:46AMDevil in the Detail explores the emotional relationship that women have with clothes. Director Christopher Haydon and Guardian writer Hadley Freeman explain how they and the playwright Chloe…
SOURCE: The Guardian at 07:02AM
