All stories by Ben Brantley on BroadwayStars

Thursday, February 21, 2013

Ann Richards and the Virgin Mary Coming to Broadway by Ben Brantley

Women — from real life and fiction — will be the leading characters of several prominent Broadway productions (like “Ann,” “The Testament of Mary” and “Matilda the Musical”) …

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Tuesday, February 19, 2013

Theater Review: ‘Really Really,’ by Paul Downs Colaizzo, at the Lortel by Ben Brantley

“Really Really,” by Paul Downs Colaizzo, looks at goal-oriented lives adrift on a college campus.

SOURCE: The New York Times Subscription at 10:01PM
Friday, February 15, 2013

Theater Review | ‘On the Concept of the Face’: ‘On the Concept of the Face,’ at Montclair State University by Ben Brantley

Romeo Castellucci’s “On the Concept of the Face, Regarding the Son of God” contemplates the end of a human life with visceral detail.

SOURCE: The New York Times Subscription at 05:47PM
Thursday, February 14, 2013

Theater Review: ‘The Glass Menagerie’ at Loeb Drama Center, Cambridge, Mass. by Ben Brantley

In the gorgeous new production of “The Glass Menagerie” at the American Repertory Theater in Cambridge, Mass., something both momentous and commonplace has happened.

SOURCE: The New York Times Subscription at 07:40PM
Tuesday, February 12, 2013

Theater Review: ‘All in the Timing,’ by David Ives, at 59E59 Theaters by Ben Brantley

“All in the Timing,” a series of sketches by David Ives, focuses on language and time.

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Friday, February 8, 2013

Theater Review: ‘Clive,’ With Ethan Hawke and New Group, at Acorn Theater by Ben Brantley

In “Clive,” by Jonathan Marc Sherman, Ethan Hawke plays the title character and also directs the New Group production of an update of Brecht’s “Baal.”

SOURCE: The New York Times Subscription at 10:20AM
Thursday, February 7, 2013

ArtsBeat: Theater Talkback: Stepping Into the Spotlight by Ben Brantley

Ben Brantley on what it was like to be called onstage as an extra in "The Suit."

SOURCE: The New York Times Subscription at 10:23AM
Sunday, February 3, 2013

Theater Review: ‘Women of Will’ at the Gym at Judson Memorial Church by Ben Brantley

The topic at hand in “Women of Will” is the burning issue of pants versus dresses, which assumes genuine urgency.

SOURCE: The New York Times Subscription at 06:10PM
Thursday, January 31, 2013

Theater Review: ‘Fiorello!’ an Encores! Musical at City Center by Ben Brantley

“Fiorello!,” the Pulitzer Prize- and Tony-winning 1959 musical, opened the 20th anniversary season of Encores! musicals in concert.

SOURCE: The New York Times Subscription at 03:16PM
Wednesday, January 30, 2013

Theater Review: Martin Moran’s ‘All the Rage’ at Peter Jay Sharp Theater by Ben Brantley

Martin Moran’s one-man show “All the Rage” is a map of self-discovery.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, January 24, 2013

ArtsBeat: Theater Talkback: Defying Expectations Off Broadway by Ben Brantley

Some theater companies performing Off Broadway are using disabled actors, sometimes deliberately making a point of their disabilities

SOURCE: The New York Times Subscription at 12:37PM
Wednesday, January 23, 2013

Theater Review: Lyle Kessler’s ‘Collision’ at Rattlestick Theater by Ben Brantley

Lyle Kessler’s “Collision,” presented by the Amoralists troupe, follows a college student’s efforts to enlist others in a plot.

SOURCE: The New York Times Subscription at 06:19PM
Monday, January 21, 2013

Theater Review: ‘The Suit’ at Brooklyn Academy of Music by Ben Brantley

“The Suit,” at the Harvey Theater, retells a story about adultery and pitiless punishment by the South African writer Can Themba.

SOURCE: The New York Times Subscription at 06:45PM
Friday, January 18, 2013

Theater Review: ‘Not by Bread Alone’ at the N.Y.U. Skirball Center by Ben Brantley

The Nalagaat Theater, which is made up of performers who are both deaf and blind, offers an optional dinner in their performance piece “Not by Bread Alone.”

SOURCE: The New York Times Subscription at 08:43PM
Thursday, January 17, 2013

Theater Review: ‘Cat on a Hot Tin Roof,’ at Richard Rodgers Theater by Ben Brantley

Scarlett Johansson confirms her promise as a stage actress of imposing presence in the Broadway revival of Tennessee Williams’s “Cat on a Hot Tin Roof,” his Pulitzer Prize-winning 1955…

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: Belarus Free Theater’s ‘Minsk, 2011’ at the Public Theater by Ben Brantley

Belarus Free Theater offers a scathing mosaic of its home city with “Minsk, 2011,” at the Under the Radar festival at the Public Theater.

SOURCE: The New York Times Subscription at 02:01PM
Wednesday, January 16, 2013

Theater Review: ‘Seagull (Thinking of You),’ at New Ohio Theater by Ben Brantley

“Seagull (Thinking of you)” is a play that blurs boundaries: between actors and their roles, male and female, fiction and reality, past and present, parody and sincerity.

SOURCE: The New York Times Subscription at 05:35PM

Theater Review: ‘Midsummer,’ by David Greig at the Clurman Theater by Ben Brantley

“Midsummer,” written and directed by David Greig, is a rom-com in theatrical form centering on a long, wild weekend in Edinburgh complete with theft, bondage and drinking.

SOURCE: The New York Times Subscription at 03:40PM
Tuesday, January 15, 2013

Theater Review: Tim Crouch’s ‘I, Malvolio,’ at the Duke on 42nd Street by Ben Brantley

“I, Malvolio,” a one-man show by Tim Crouch (with a little audience assistance), takes a “Twelfth Night” character out of context for the fun of it.

SOURCE: The New York Times Subscription at 04:45PM
Monday, January 14, 2013

Theater Review: ‘Opus No. 7’ From the Dmitry Krymov Lab of Moscow by Ben Brantley

“Opus No. 7,” from the Dmitry Krymov Lab of Moscow, probes memory, ancestors, Mother Russia and the case of Dmitri Shostakovich, at St. Ann’s Warehouse.

SOURCE: The New York Times Subscription at 03:52PM
Sunday, January 13, 2013

Theater Review: ‘Picnic’ at American Airlines Theater by Ben Brantley

Physical attractiveness is a running theme in the Roundabout Theater Company’s Broadway revival of “Picnic,” William Inge’s 1953 drama, at the American Airlines Theater.

SOURCE: The New York Times Subscription at 10:00PM
Thursday, January 10, 2013

Theater Review: ‘Ganesh Versus the Third Reich,’ at Under the Radar by Ben Brantley

“Ganesh Versus the Third Reich,” in which that Hindu deity seeks to redeem the ancient swastika symbol from the Nazis, raises questions about the nature and abuses of power.

SOURCE: The New York Times Subscription at 03:40PM

ArtsBeat: Theater Talkback: Familiar Faces in Two Dimensions by Ben Brantley

A critic kept his promise not to see theater for several weeks at the end of the year, but favorite stage performers crept into his life thanks to their roles on film and television.

SOURCE: The New York Times Subscription at 01:13PM
Sunday, January 6, 2013

Theater Review: Radiohole’s ‘Inflatable Frankenstein’ at the Kitchen by Ben Brantley

Radiohole’s “Inflatable Frankenstein” is all about the difficulties of the act of creation.

SOURCE: The New York Times Subscription at 05:46PM
Thursday, December 13, 2012

‘Uncle Vanya,’ ‘Mies Julie,’ ‘Once’ Among Year’s Highlights by Ben Brantley

Plays that woke up audiences this year included “Uncle Vanya,” “Mies Julie,” “Once” and “Sorry.”

SOURCE: The New York Times Subscription at 01:19PM
Saturday, December 8, 2012

Theater Review: ‘Glengarry Glen Ross,’ by David Mamet, With Al Pacino by Ben Brantley

In the new revival of David Mamet’s “Glengarry Glen Ross,” starring Al Pacino,

SOURCE: The New York Times Subscription at 10:00PM
Sunday, December 2, 2012

Theater Review: David Mamet’s ‘Anarchist’ at the Golden Theater by Ben Brantley

Patti LuPone and Debra Winger star in David Mamet’s “Anarchist,” a heavily embroidered slip of a play.

SOURCE: The New York Times Subscription at 10:00PM
Friday, November 30, 2012

Theater Review: ‘Then She Fell’ at Greenpoint Hospital in Brooklyn by Ben Brantley

“Then She Fell” is an immersive theater experience at a former hospital that incorporates scenes and characters from Lewis Carroll’s writing and life.

SOURCE: The New York Times Subscription at 07:59PM
Thursday, November 29, 2012

Theater Review: ‘Dead Accounts’ With Katie Holmes at Music Box Theater by Ben Brantley

Norbert Leo Butz and Katier Holms star as siblings in Theresa Rebeck’s family drama “Dead Accounts.”

SOURCE: The New York Times Subscription at 10:00PM

Ben Brantley on Chekhov on New York Stages by Ben Brantley

New York stages have recently been crowded with productions of Chekhov.

SOURCE: The New York Times Subscription at 08:00AM
Monday, November 19, 2012

A Guide to Theater Shows That Say It All by Ben Brantley

The plays in New York theaters are full of meaning, and delivering a holiday message, hostile or tender, is as easy as buying a ticket.

SOURCE: The New York Times Subscription at 12:27PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic