All stories by ALEXIS SOLOSKI on BroadwayStars

Thursday, February 25, 2016

Hughie review – Forest Whitaker plays for low stakes in slight O'Neill play by Alexis Soloski

Booth Theater, New YorkThe actor does not entirely inhabit the part of Erie, a melancholy gambler, in this lavish Michael Grandage production of a minor Eugene O’Neill workWhat small bliss…

SOURCE: The Guardian at 09:42AM
Wednesday, February 24, 2016

Review: ‘The Body of an American’: Ties Created by War by Alexis Soloski

Dan O’Brien’s play examines his friendship with the photojournalist Paul Watson after Mr. Watson won a Pulitzer for images of a dead American soldier.

SOURCE: The New York Times Subscription at 12:25AM
Monday, February 22, 2016

Trevor Nunn, British Shakespeare Master, Tries Something New: Directing Americans by Alexis Soloski

With “Pericles” at Theater for a New Audience, Mr. Nunn is directing his 35th play out of 37 by Shakespeare.

SOURCE: The New York Times Subscription at 05:06PM
Sunday, February 21, 2016

Nice Fish review – Mark Rylance mesmerizes in icy absurdist drama by Alexis Soloski

St Ann’s Warehouse, New YorkLike a folksy Waiting for Godot, this play, co-written by Rylance with the poet Louis Jenkins, is intensely charming in its cock-eyed humanityIf Samuel Beckett …

SOURCE: The Guardian at 10:09PM

A Word With: Jack O'Brien: Chats That Led to ‘Becoming Mike Nichols’ on HBO by Alexis Soloski

The stage director Jack O’Brien reflects on his friendship with Mr. Nichols and the interviews for this documentary, which runs Monday on HBO.

SOURCE: The New York Times Subscription at 08:27PM
Thursday, February 18, 2016

The Humans review – Thanksgiving tensions give rise to great drama by Alexis Soloski

Helen Hayes Theater, New YorkThe pressures of family, work and keeping a roof over one’s head simmer slowly in this superbly acted play about a beleagered family meeting in a tumbledown ap…

SOURCE: The Guardian at 10:31PM

Review: In ‘The Cherry Orchard,’ the Myopia of an Aristocratic Family by Alexis Soloski

This Russian production at the Brooklyn Academy of Music plants actors amid the audience to heighten a sense of trepidation and exasperation.

SOURCE: The New York Times Subscription at 04:39PM
Wednesday, February 17, 2016

Review: ‘Twelfth Night’ by Filter Theater, Set at the Frat by Alexis Soloski

Shakespeare’s comedy gets a party setting by an English troupe that specializes in wild versions of classic texts.

SOURCE: The New York Times Subscription at 06:10PM

Zainab Jah, ‘Eclipsed’ Star, Is Ready for Battle by Alexis Soloski

Ms. Jah is slim and not quite 5-foot-2, but on stage she looms larger. Especially when she’s holding a machine gun.

SOURCE: The New York Times Subscription at 04:49PM
Tuesday, February 16, 2016

Review: In ‘Drunken With What,’ a Streamlined ‘Mourning Becomes Electra’ by Alexis Soloski

Deconstructing Eugene O’Neill’s take on Aeschylus’ “Oresteia” cycle, Target Margin mostly strips the stage and places the audience at a remove.

SOURCE: The New York Times Subscription at 01:41PM
Thursday, February 11, 2016

Smart People review: clever premise, dumb dramaturgy by Alexis Soloski

Lydia R Diamond’s play, set during Barack Obama’s 2008 victory, plays with ideas of race and academia but fails to join the dots in this unrooted dramaHas a play ever boasted a cast of c…

SOURCE: The Guardian at 10:44PM
Tuesday, February 9, 2016

Prodigal Son review – Shanley returns to form with solemn exploration of adolescence by Alexis Soloski

The Pulitzer prize-winning writer’s latest sees him tackle his own youth with an at times predictable yet bracing tour of a small Catholic boarding schoolManhattan Theater Club, New YorkHa…

SOURCE: The Guardian at 10:32PM
Sunday, February 7, 2016

Review: ‘The Grand Parade’ Romps Through the 20th Century by Alexis Soloski

This performance presents seminal events and issues of the period, but leaves many others untouched.

SOURCE: The New York Times Subscription at 07:14PM
Thursday, February 4, 2016

Review: In ‘The Wedge Horse,’ Family, Tragedy and Candy by Alexis Soloski

Siblings try to decide how to honor the memory of their brother, who died on Sept. 11, in Nick Gandiello’s affecting if overwrought drama.

SOURCE: The New York Times Subscription at 05:32PM
Wednesday, February 3, 2016

Sock it to Satan: the barman behind profane puppet drama Hand to God by Alexis Soloski

Robert Askins drew on his evangelical Texas upbringing to create a comedy about a teenager tormented by an evil puppet. As the play hits Britain, will he quit his day job mixing margaritas i…

SOURCE: The Guardian at 11:45AM
Sunday, January 31, 2016

The Grand Paradise review – erotic performances become monotonous by Alexis Soloski

A Brooklyn warehouse becomes a 1970s tropical resort in a sensuous Third Rail stage production that aims for immersion – but ultimately feels forcedHow quickly an orgy can pall.That’s on…

SOURCE: The Guardian at 10:16AM
Thursday, January 28, 2016

Review: ‘Sojourners,’ About Nigerians Assimilating to Life in the U.S. by Alexis Soloski

A Nigerian couple embrace and rebuff life in America in Mfoniso Udofia’s play, directed by Ed Sylvanus Iskandar.

SOURCE: The New York Times Subscription at 10:32PM

Sam Shepard Takes Stock of ‘Buried Child’ and the Writer’s Life by Alexis Soloski

Mr. Shepard comments on his play, soon to have its third major production in New York; his upbringing; and the limitations he finds in his own oeuvre.

SOURCE: The New York Times Subscription at 01:18PM

Riding in Shepard’s Posse: Actors Talk About ‘Buried Child’ by Alexis Soloski

Sam Shepard’s play has had two major New York productions; a third is coming to the New Group. Cast members in each have something to say about it.

SOURCE: The New York Times Subscription at 01:18PM
Sunday, January 24, 2016

Review: ‘The Velveteen Rabbit’ Is a Tribute to the Less Flashy Toy by Alexis Soloski

This play, an adaptation of Margery Williams‘s 1922 book, features the bond between a boy and a stuffed toy he receives for Christmas.

SOURCE: The New York Times Subscription at 04:39PM
Wednesday, January 20, 2016

Our Mother’s Brief Affair review – a very tame liaison by Alexis Soloski

Samuel J Friedman Theatre, New YorkUnfocused, anemic and astonishingly trivial, the only audience members likely to be scandalised by this adultery drama are those who need to get out moreTh…

SOURCE: The Guardian at 08:56PM
Sunday, January 17, 2016

Review: In ‘In Quietness,’ a High-Powered Wife Makes Sacrifices for Her Husband’s Religious Zeal by Alexis Soloski

In Anna Moench’s play a woman gives up her job to accompany her husband to a seminary, where she must learn to be a docile homemaker.

SOURCE: The New York Times Subscription at 05:49PM
Friday, January 15, 2016

Review: ‘Samedi Détente’ Looks Back at the Horrors of Rwanda by Alexis Soloski

Dorothée Munyaneza uses spoken word, song and movement to revisit the genocide that forced her to flee her home as a 12-year-old.

SOURCE: The New York Times Subscription at 07:14PM
Thursday, January 14, 2016

Noises Off review – the chemistry's faulty but it's still a scream by Alexis Soloski

American Airlines Theater, New YorkMichael Frayn’s play about a disastrous attempt to stage the farce Nothing On is one of the funniest ever – but at times the cast seem to be acting in …

SOURCE: The Guardian at 11:26PM
Tuesday, January 12, 2016

Review: In ‘Intimacy,’ What They Did for Love by Alexis Soloski

The piece by the Australian company Ranters Theater is said to be based on a series of conversations with strangers.

SOURCE: The New York Times Subscription at 05:03PM
Sunday, January 10, 2016

The Last Hotel review: uneven opera but the actors are engaging by Alexis Soloski

St Anne’s Warehouse, New YorkMusic’s eclectic spin on minimalism the high points of composer Donnacha Dennehy and playwright Enda Walsh’s collaborationThis small inn on the Irish coast…

SOURCE: The Guardian at 10:20AM
Thursday, January 7, 2016

Honoring Mom (and Molière) With ‘Imagining the Imaginary Invalid’ by Alexis Soloski

Clove Galilee revives a show she developed with her mother, Ruth Maleczech, a founder of the experimental theater company Mabou Mines, who died in 2013.

SOURCE: The New York Times Subscription at 10:09AM
Tuesday, January 5, 2016

Kecia Lewis to Step Into Role of Mother Courage at Classic Stage Company by Alexis Soloski

Ms. Lewis, a Broadway veteran, is replacing Tonya Pinkins, who quit the production last week because of creative differences with its director, Brian Kulick.

SOURCE: The New York Times Subscription at 06:10PM
Thursday, December 31, 2015

January Festivals: The New Exponential Festival Opens in Brooklyn by Alexis Soloski

The new 18-day theater festival, which begins on Jan. 13, in the combined effort of several Brooklyn theaters seeking broader exposure for local work.

SOURCE: The New York Times Subscription at 04:38PM

Star of ‘Mother Courage’ Quits in Creative Dispute by Alexis Soloski

The differences between Tonya Pinkins, the lead actress, and Brian Kulick, the director, were touched by racial perceptions and diverging visions.

SOURCE: The New York Times Subscription at 12:04PM
Wednesday, December 30, 2015

Playwright Dominique Morisseau Can’t Forget the Motor City by Alexis Soloski

“Skeleton Crew,” set in 2008, is the last in her trilogy of plays about Detroit.

SOURCE: The New York Times Subscription at 02:46PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime