Monday, October 22, 2018
Sharing stories of a professionally thrilling Broadway role in “My Fair Lady” that coincided with personal loss.
SOURCE: The New York Times Subscription at 02:06PMThursday, October 18, 2018
Studio 54, New YorkAn intriguing premise and a confident assemblage of ideas fall apart onstage despite a trio of strong performancesFact: Lifespan of a Fact is one of the three best new pla…
SOURCE: The Guardian at 10:48PMTuesday, October 16, 2018
Armed with money for a theater (which doesn’t exist) to save his town, a mayor tries his hand at playwriting in this two-actor, multicharacter comedy.
SOURCE: The New York Times Subscription at 02:18PMCondescend at your own risk to Sophia Anne Caruso, the go-to girl for adventurous stage roles. “Even from a young age,” she says, “I had very finicky taste.”
SOURCE: The New York Times Subscription at 02:18PMCan a drama about the nature of consciousness be emotional, too? For its latest production, he’s tinkered with the script to firmly answer yes.
SOURCE: The New York Times Subscription at 02:18PMThursday, October 4, 2018
Anne Bogart directs a flashy production that puts ancient anxieties about women and power front and center.
SOURCE: The New York Times Subscription at 02:48PMMonday, September 24, 2018
Triad theater, New YorkThis musical parody stars Gina Gershon as Melania and is stuffed with unsubtle humour, but no parody is as shocking as the president himselfDemocracy in shambles? Why …
SOURCE: The Guardian at 02:06PMFriday, September 14, 2018
Thursday, September 13, 2018
Fine performances elevate Jaki McCarrick’s slow-paced Irish drama, which owes a big debt to Chekhov and O’Casey.
SOURCE: The New York Times Subscription at 01:18PMFriday, September 7, 2018
With its focus on exiles finding protection and outcasts earning redemption, this revival of the 1983 production feels more timely than ever.
SOURCE: The New York Times Subscription at 04:18PMThursday, September 6, 2018
Wednesday, September 5, 2018
For more than 30 years, the British troupe Forced Entertainment has been challenging audiences to imagine bigger. And sit longer.
SOURCE: The New York Times Subscription at 10:48AMMonday, September 3, 2018
Thursday, August 30, 2018
Thursday, August 16, 2018
Nederlander Theater, New YorkThe dated gender politics of the Julia Roberts hit fail to receive an upgrade in a shallow musical that falls apart on stageTuneful, schlocky, and deeply offensi…
SOURCE: The Guardian at 11:04PMMonday, August 13, 2018
Monday, August 6, 2018
Two lost souls (one literally back from the afterlife) meet in a gritty city park in Amina Henry’s overstuffed but empathetic play.
SOURCE: The New York Times Subscription at 03:18PMFriday, August 3, 2018
A brief (recent) history of plays, films and TV shows exploring the fraught, sometimes predatory relationship between directors and their charges.
SOURCE: The New York Times Subscription at 10:18AMThursday, August 2, 2018
Mr. Birbiglia’s solo show about becoming a father is at first excruciatingly funny and then just kind of excruciating.
SOURCE: The New York Times Subscription at 10:04PMTuesday, July 31, 2018
The outspoken star, who has recorded a ‘prayer for peace’, gives a few clues about how the show might end – and says why he’s more comfortable with fantasy than the real world“Let�…
SOURCE: The Guardian at 10:48AMThursday, July 26, 2018
Hudson Theatre, New YorkA zippy, frothy combination of songs from the Go-Go’s and a bawdy Shakespearean comedy plot delivers goofy, if forgettable, funJust your everyday genderqueer pastor…
SOURCE: The Guardian at 10:54PMMonday, July 23, 2018
Hayes Theater, New YorkA subversive look at masculinity boasts canny, self-aware performances and a shrewd dissection of gender rolesAt the end of the pre-show announcement for the Broadway …
SOURCE: The Guardian at 11:18PMMonday, July 16, 2018
Rinne Groff’s new play, at the Public Theater, brings arguments about art and relationships to Coney Island in the aftermath of Hurricane Sandy.
SOURCE: The New York Times Subscription at 10:18PMSunday, July 15, 2018
In this production of J.M. Barrie’s 1904 play, Bernstein’s neglected score brings out the characters’ melancholic desires.
SOURCE: The New York Times Subscription at 04:48PMThursday, July 12, 2018
The death of the show’s composer, Michael Friedman, makes this musical about loss an accidental and indispensable elegy.
SOURCE: The New York Times Subscription at 11:48AM 
