All stories by ALEXIS SOLOSKI on BroadwayStars

Tuesday, February 12, 2019

Freestyle Love Supreme review – Lin Manuel Miranda's hip-hop improv by Alexis Soloski

Greenwich House Theater, New YorkThe Hamilton creator’s goofily entertaining show has been around since 2004 and in its new Manhattan home, it’s more fun than everLin-Manuel Miranda, the…

SOURCE: The Guardian at 09:32PM
Sunday, February 10, 2019

Review: ‘The Light,’ an Unexpected Mix of #MeToo and Rom-Com by Alexis Soloski

Loy A. Webb’s tear-struck thesis play starts with an engagement and swerves into the territory of sexual-assault trauma.

SOURCE: The New York Times Subscription at 10:54PM
Thursday, February 7, 2019

A Costume Designer With Low Budgets and High Style by Alexis Soloski

Whether he’s capturing David Lee Roth or Bed-Stuy street style, Montana Levi Blanco’s secret: an anthropological attention to detail and “amazing aggressive shopping.”

SOURCE: The New York Times Subscription at 11:18AM
Wednesday, January 30, 2019

Who Needs a Super Bowl Ad? Skittles Ups the Ante With a Broadway Musical by Alexis Soloski

Michael C. Hall, Will Eno and Sarah Benson team up for an unlikely, but very real production of “Skittles Commercial: The Broadway Musical.”

SOURCE: The New York Times Subscription at 12:54PM
Friday, January 25, 2019

Review: In ‘Skin,’ More Than Words and Sometimes Less by Alexis Soloski

The members of Broken Box Mime Theater skip walking against the wind and trapped in a box in favor of pop culture capers and #MeToo inspired riffs.

SOURCE: The New York Times Subscription at 02:12PM

True West review – Ethan Hawke and Paul Dano go south in mediocre drama by Alexis Soloski

American Airlines Theatre, New York Sam Shepard’s most popular play hits Broadway yet again but with underwhelming results True West, that drama of Cain-and-Abel family dynamics and mascul…

SOURCE: The Guardian at 05:32AM
Monday, January 21, 2019

Backstage, a ‘School of Rock’ Staffer Faces Graduation by Alexis Soloski

Jill Valentine was head guardian for the musical, which closed Sunday, for almost four years, making sure the child actors were fed, watered and rested.

SOURCE: The New York Times Subscription at 02:32PM
Thursday, January 17, 2019

‘Intelligence’ Review: A Diplomatic Mission That’s All Improv, No Comedy by Alexis Soloski

Negotiators try to role-play their way out of global conflict in this gripping play by Helen Banner. It doesn’t always make sense, but can still thrill.

SOURCE: The New York Times Subscription at 10:54PM
Tuesday, January 8, 2019

Choir Boy review – Tarell Alvin McCraney hits high notes on Broadway by Alexis Soloski

Samuel J Friedman TheatreThe Oscar-winning Moonlight writer transfers his musical to a bigger venue and, while there are missteps, the songs bring the house down “Tighten up.” That’s w…

SOURCE: The Guardian at 09:48PM
Thursday, January 3, 2019

The Clintons, Tootsie and Beetlejuice: what to expect on Broadway in 2019 by Alexis Soloski

The stage will see a host of star names over the next 12 months as well as yet more movie musicals and a much-anticipated drama about the ClintonsIf Broadway strides into 2019 without last y…

SOURCE: The Guardian at 05:24AM
Monday, December 31, 2018

At Prototype, a Posthumous Play Revived as Chamber Opera by Alexis Soloski

Sarah Kane’s “4:48 Psychosis” is presented in a way the composer, Philip Venables, hopes will make listeners appreciate joy and love.

SOURCE: The New York Times Subscription at 01:54PM
Sunday, December 30, 2018

In ‘Grey Rock,’ a Palestinian Playwright Tackles the Ordinary by Alexis Soloski

Occupation is an ancillary concern in Amir Nizar Zuabi’s new play, in which an everyday Palestinian man decides to build a moon rocket in a shed.

SOURCE: The New York Times Subscription at 03:18PM
Thursday, December 27, 2018

7 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Our guide to plays and musicals coming to New York stages — and a few last-chance picks of shows that are about to close.

SOURCE: The New York Times Subscription at 05:54PM
Friday, December 14, 2018

Review: Writer of ‘Nassim’ Makes a New Best Friend at Every Show by Alexis Soloski

Nassim Soleimanpour, who remains silent throughout, invites a different actor to join him onstage at each performance and star in his unrehearsed play.

SOURCE: The New York Times Subscription at 05:18PM
Thursday, December 13, 2018

To Kill a Mockingbird review – Aaron Sorkin spellbinds Broadway by Alexis Soloski

Sam S Shubert Theatre, New YorkThe Oscar-winning writer’s controversial adaptation of the Harper Lee novel hits the stage with a splash and a strong central performance from Jeff DanielsAa…

SOURCE: The Guardian at 10:12PM
Wednesday, December 12, 2018

Clueless: The Musical review – teen movie stage show is a lazy retread by Alexis Soloski

Pershing Square Signature CenterAmy Heckerling has brought her 1995 comedy classic to New York with lively choreography but a disappointing lack of charmThe best thing about Clueless: The Mu…

SOURCE: The Guardian at 09:54AM

Tony Kushner: 'Trump has a sinkhole instead of a soul' by Alexis Soloski

He has spent his life dramatising America’s angels and demons. As his civil rights musical returns to Britain, the playwright reveals all about revamping West Side Story for Spielberg – …

SOURCE: The Guardian at 01:12AM
Tuesday, December 4, 2018

The Cher Show review – Broadway musical is a mixed bag of pop excess by Alexis Soloski

Neil Simon Theatre, New YorkA jukebox ode to the megastar contains some dazzling numbers but suffers from some clumsy storytellingAt The Cher Show, there are three Chers onstage and lots mor…

SOURCE: The Guardian at 02:36PM
Thursday, November 29, 2018

Review: ‘The Good Swimmer’ Stays Out of the Deep End by Alexis Soloski

Heidi Rodewald and Donna Di Novelli’s song cycle at the Brooklyn Academy of Music is beautifully delivered but frustratingly opaque.

SOURCE: The New York Times Subscription at 02:18PM
Wednesday, November 28, 2018

How to Be a Stage Mother (No, Not That Kind) by Alexis Soloski

Stockard Channing, Glenn Close, Rosemary Harris and Mercedes Ruehl on loving fiercely and listening closely in four current plays.

SOURCE: The New York Times Subscription at 10:18AM
Sunday, November 25, 2018

Review: In ‘All Is Calm,’ Thrilling Song in the Trenches by Alexis Soloski

This World War I-set musical recounts a brief ceasefire when enlisted men on both sides buried their dead and exchanged small gifts.

SOURCE: The New York Times Subscription at 02:12PM
Thursday, November 15, 2018

Critic’s Pick: Review: At the Big Apple Circus, Discs Fly and So Do People by Alexis Soloski

The Big Apple Circus returns with oversize airborne cranberries, a steamy aerial ballet and a prancing pig.

SOURCE: The New York Times Subscription at 12:18PM
Thursday, November 8, 2018

King Kong review – Broadway kills the beast in monstrously bad musical by Alexis Soloski

Broadway Theatre, New YorkDespite the spectacle of a 2,400lb puppet, a shambolic production doesn’t know what to do with him and any magic quickly evaporatesKing Kong arrives fashionably l…

SOURCE: The Guardian at 10:54PM
Monday, November 5, 2018

American Son review – excruciatingly relevant race drama by Alexis Soloski

The Booth Theater, New YorkKerry Washington plays a mother whose son goes missing in a tough, timely play about the dangers of being young and black in AmericaWhen the lights rise on Christo…

SOURCE: The Guardian at 07:18AM

Hadestown: how Anaïs Mitchell's lo-fi hit became a sensational musical by Alexis Soloski

It started as a show that toured Vermont in a school bus. Now it’s hitting the National Theatre and is bound for Broadway. We track the long, winding road of HadestownHadestown, the Orphic…

SOURCE: The Guardian at 07:18AM
Thursday, November 1, 2018

Review: Like Life, ‘Catch as Catch Can’ Throws Curveballs by Alexis Soloski

Mia Chung’s play, presented at the New Ohio Theater by Page 73, lays bare the theatricality of family life with actors who cross genders and ages.

SOURCE: The New York Times Subscription at 01:18PM
Tuesday, October 30, 2018

Review: In ‘When We Went Electronic,’ Hell Is Available in Spandex by Alexis Soloski

Caitlin Saylor Stephens’s play, directed by Meghan Finn for the Tank, is like a fun house ride that’s just a pile of distorting mirrors.

SOURCE: The New York Times Subscription at 04:06PM
Friday, October 26, 2018

Review: ‘Renascence’ Introduces a Thoroughly Modern Millay by Alexis Soloski

The music soars but the creative process is flattened in a biomusical devoted to the poet’s early adulthood.

SOURCE: The New York Times Subscription at 05:54PM
Thursday, October 25, 2018

The Waverly Gallery review – Elaine May dazzles in devastating dementia drama by Alexis Soloski

The John Golden Theatre, New YorkKenneth Lonergan’s personal play about a gallery owner losing her memory is a beautifully acted, quietly crushing tragedyThe Waverly Gallery, now revived o…

SOURCE: The Guardian at 10:42PM

It’s Alive! Well, the Puppeteers Are by Alexis Soloski

Manual Cinema’s “Frankenstein” is a film-theater hybrid that fuses Mary Shelley’s novel with her biography, emphasizing themes of desire, birth and loss.

SOURCE: The New York Times Subscription at 04:48AM
Monday, October 22, 2018

Exit Interview: Lauren Ambrose Says Goodbye to Eliza but Hopes to Keep the Boots by Alexis Soloski

Sharing stories of a professionally thrilling Broadway role in “My Fair Lady” that coincided with personal loss.

SOURCE: The New York Times Subscription at 02:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic