Friday, April 12, 2019
There’s been an accident. Something terrible the press are calling “The Natural History museum incident”. It’s unclear what exactly has happened, except
SOURCE: The Stage Registration at 07:09AMThursday, April 11, 2019
Neil Duffield’s adaptation of Rudyard Kipling’s children’s book is a smart, colourful and creative affair. Directed by Derby Theatre’s artistic director Sarah
SOURCE: The Stage Registration at 10:10AMMonday, April 8, 2019
The Noises is a collaboration between a mother, writer Jacqueline Saphra, and her daughter, director Tamar Saphra. Fittingly, the theme of mother-daughter
SOURCE: The Stage Registration at 05:05AMThursday, April 4, 2019
French playwright Estelle Savasta’s Going Through is simple in its poetry. Nour (Charmaine Wombwell) is raised by Youmna (Nadia Nadarajah) in a
SOURCE: The Stage Registration at 06:27AMThursday, March 28, 2019
Ignore the title. This is a show in which so much happens that it’s hard to know where to start. Is it
SOURCE: The Stage Registration at 01:07PMTuesday, March 26, 2019
As The Crucible opens at the Yard, artistic director Jay Miller tells Rosemary Waugh why this is a new era for the
SOURCE: The Stage Registration at 04:00AMFriday, March 22, 2019
Art imitates life and life imitates art in Alexis Michalik’s fictionalisation account of how Edmond Rostand wrote Cyrano de Bergerac. The hapless
SOURCE: The Stage Registration at 08:28AMMonday, March 18, 2019
It makes perfect sense that David Eldridge’s 2012 play is being revived as part of the Queen’s Theatre’s Essex on Stage season.
SOURCE: The Stage Registration at 09:22AMSunday, March 10, 2019
"I never really got Yerma": Rosemary Waugh writes on finding echoes of Simon Stone's earlier work in his searing version of Medea.
The post Simon Stone’s Medea (and Yerma) appeared first …
SOURCE: exeuntmagazine.com at 07:43PMThursday, February 28, 2019
Kazuo Ishiguro’s 1989 novel, The Remains of the Day, is driven by the idiosyncrasies of its narrator Stevens, an obsessively servile butler.
SOURCE: The Stage Registration at 06:02AMTuesday, February 26, 2019
Rosemary Waugh interviews the young company behind a hit fringe show exploring trauma, clothes, and healing.
The post ThisEgg: “We’re all just trying to keep each other going.” appear…
SOURCE: exeuntmagazine.com at 04:06AMSaturday, February 23, 2019
Ned Bennett's subtle and physical production brings out 'the sticky straw and steaming shit side of horses', as represented in Peter Shaffer's play, writes Rosemary Waugh.
The post Review:…
SOURCE: exeuntmagazine.com at 09:30AMThursday, February 14, 2019
Christopher Marlowe’s Edward II is a thrilling account of a fascinating episode in British history, one filled with personal and political dilemmas.
SOURCE: The Stage Registration at 04:16AMWednesday, February 13, 2019
As friendships go, the one between Sarah (Ellie Piercy) and Frankie (Bianca Stephens) falls into the ‘unlikely’ category. On paper, the women
SOURCE: The Stage Registration at 11:41AMMonday, February 11, 2019
In medieval Japan, troupes of blind women known as ‘the goze’ would travel across the land earning a living by telling stories
SOURCE: The Stage Registration at 06:46AMSaturday, February 9, 2019
Radio dramas and foley secrets: Rosemary Waugh writes on an ingenious staging of two vintage Pinters.
The post Review: A Slight Ache/The Dumb Waiter at Harold Pinter Theatre appeared first o…
SOURCE: exeuntmagazine.com at 07:47AMFriday, February 8, 2019
Opened in 1841, the London Library has been used by an illustrious list of authors, including Bram Stoker. In fact, the gothic
SOURCE: The Stage Registration at 10:21AMThursday, February 7, 2019
In this new version of the ancient Greek myth, Icarus starts out as an average modern schoolboy. But sofa wars and sibling
SOURCE: The Stage Registration at 08:46AMWednesday, February 6, 2019
Life’s not going great for Sasha Clayton. Her time as the queen bee of secondary school is over, she’s living in her
SOURCE: The Stage Registration at 06:02AMFriday, February 1, 2019
'Meticulous in depicting the reality of being a body dependent on another body to care for it': Rosemary Waugh writes on Martyna Majok's 'painstakingly realistic' play.
The post Review: Cos…
SOURCE: exeuntmagazine.com at 09:26AMTuesday, January 22, 2019
Jeanine Tesori and Brian Crawley’s musical, originally performed Off-Broadway in 1997, is in many ways a classic Bildungsroman, complete with a heroine
SOURCE: The Stage Registration at 06:05AMMonday, January 21, 2019
Written and directed by Robert Lepage, Cirque du Soleil’s Totem was last in the UK in 2011. The ambitious show loosely chronicles
SOURCE: The Stage Registration at 07:04AMSaturday, January 19, 2019
'Beautifully considered visual language': Rosemary Waugh writes on Anna Jordan's new play, which follows three soldiers returning from different wars.
The post Review: The Unreturning at Th…
SOURCE: exeuntmagazine.com at 08:23AMWednesday, January 16, 2019
Malaprop Theatre's approach mixes big ideas with bags of quirky warmth. They talk politics, Irish theatre, and collaborative working ahead of their stint at Vault.
The post Malaprop Theatre:…
SOURCE: exeuntmagazine.com at 06:09AMMonday, January 14, 2019
Maud and Cynthia live together in a world of chicken nuggets, feather boas and Shirley Bassey. Despite being a couple, their relationship
SOURCE: The Stage Registration at 07:47AMTuesday, January 8, 2019
Elite Homes is the current residence of Roddy Meakin (Geoffrey Freshwater) and Amanda Goose (Sara Kestelman), two retirees who enjoy a cheeky
SOURCE: The Stage Registration at 06:12AMFriday, December 21, 2018
Christmas comes but once a year, bringing with it two types of panto: the glitzy, big budget ones plumped up with celeb
SOURCE: The Stage Registration at 05:03AMTuesday, December 18, 2018
"Cook, stirring, until the misery has melted": Rosemary Waugh's review of the ROH's opera takes the form of a very festive recipe.
The post Review: Hansel & Gretel at Royal Opera House …
SOURCE: exeuntmagazine.com at 07:14AMSunday, December 16, 2018
'Fifty shades of beige': Rosemary Waugh reviews The Meyerhold Theatre Centre's adaptation of Ivan Vyrypaev's play about a couple arguing themselves round in circles
The post Review: The Sun …
SOURCE: exeuntmagazine.com at 06:24PMSaturday, December 15, 2018
Ola Ince’s staging of Danai Gurira’s The Convert is one of those rare productions in which every element – performances, direction, design, everything
SOURCE: The Stage Registration at 07:38AMThursday, December 13, 2018
Vive la revolution! Following 2017’s irrepressibly lovely Little Mermaid, Pins and Needles Productions return to The Egg with Christopher William Hill’s colourful,
SOURCE: The Stage Registration at 06:17AM 
