All stories by Michael Billington on BroadwayStars

Tuesday, November 12, 2013

Twelve Angry Men – review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 08:20AM
Sunday, November 10, 2013

King Lear – review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director's Shakespeare. This production, wh…

SOURCE: The Guardian at 07:00AM
Friday, November 8, 2013

Our Ajax – review by Michael Billington

Southwark Playhouse, LondonTimberlake Wertenbaker's modern interpretation produces anachronisms, but brings home the psychological ravages of warTimberlake Wertenbaker has been inspired by S…

SOURCE: The Guardian at 06:30PM
Thursday, November 7, 2013

Tartuffe – review by Michael Billington

Birmingham RepThis modern update of Molière's play tries too hard to keep the laughter coming, with comedy destroying any sense of dangerThe panto season has come early to Birmingham t…

SOURCE: The Guardian at 11:33AM
Wednesday, November 6, 2013

Nut – review by Michael Billington

The Shed, LondonDebbie Tucker Green achieves a compelling synthesis of poetry and drama in this charged cry of anguish recalling Sarah KaneI've always admired the distinctive voice of "debbi…

SOURCE: The Guardian at 09:42AM
Monday, November 4, 2013

National theatre's 50th birthday: what were your highlights? by Michael Billington

We got a brilliant, kaleidoscopic entertainment that evoked the National's past and opened up possibilities for the futureI count myself fortunate to have been part of the audience at Saturd…

SOURCE: The Guardian at 11:28AM
Friday, November 1, 2013

Unscorched – review by Michael Billington

Finborough, LondonThis impressive play takes an unsensational approach to the stresses of having to work professionally with abusive imagesHow do human beings cope with being exposed, profes…

SOURCE: The Guardian at 10:10AM
Thursday, October 31, 2013

Children of Fate – review by Michael Billington

The Bussey Building, LondonWritten in Chile under the Pinochet dictatorship, this play offers a moving image of the desolation created by oppressive regimesThis play, by the Chilean writer J…

SOURCE: The Guardian at 10:35AM

Home – review by Michael Billington

Arcola, LondonDavid Storey's haunting, elegiac play reveals itself slowly but this production too often leaves the audience staring at actor's backsDavid Storey's beautiful 1970 play about o…

SOURCE: The Guardian at 06:43AM
Tuesday, October 29, 2013

The Scottsboro Boys – review by Michael Billington

Young Vic, LondonThis musical about racist bigotry in 1930s America is a strong show with a social conscience One of theatre's most potent weapons is an ironic contrast between form and cont…

SOURCE: The Guardian at 08:31PM
Friday, October 25, 2013

Raving – review by Michael Billington

Hampstead theatre, LondonThree couples on a weekend in Wales. What could go wrong? With Robert Webb, Sarah Hadland and Tamzin Outhwaite, there's plenty of comic potentialActors who write pla…

SOURCE: The Guardian at 09:07AM
Wednesday, October 23, 2013

From Here to Eternity – review by Michael Billington

Shaftesbury theatre, London"Highly professional". Those are the words that come to mind watching this new musical, based on James Jones's 800-page novel about life on a Hawaiian army base in…

SOURCE: The Guardian at 06:31PM

Ciphers – review by Michael Billington

Everyman theatre, CheltenhamAn ingenious spy thriller shows Dawn King's skill as a dramatist and echoes of John le CarréDawn King made a big impression in 2011 with the prize-winning Foxfin…

SOURCE: The Guardian at 08:31AM
Tuesday, October 22, 2013

The Djinns of Eidgah – review by Michael Billington

Royal Court, LondonAbhishek Majumdar's play about the human cost of the conflict in Kashmir is politically enlightening and theatrically hypnoticA play can be a means of heightening one's po…

SOURCE: The Guardian at 06:00PM
Monday, October 21, 2013

Punishment Without Revenge – review by Michael Billington

Theatre Royal, BathThis unqualified masterpiece from 1631 by Lope de Vega is shot through with irony and ambiguityThis is the real deal: an unqualified masterpiece by Lope de Vega that, in M…

SOURCE: The Guardian at 12:15PM
Friday, October 18, 2013

The National Theatre at 50: Michael Billington's view from the stalls by Michael Billington

This week, Rufus Norris was appointed the new director of the National theatre. After 50 dramatic years, where does he take it from here? Guardian critic Michael Billington assesses how…

SOURCE: The Guardian at 05:25AM
Thursday, October 17, 2013

Richard II – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDavid Tennant is mesmerising in the first show of Gregory Doran's six-year plan to present all of Shakespeare's worksThis show marks the start o…

SOURCE: The Guardian at 06:00PM
Tuesday, October 15, 2013

A Lady of Little Sense – review by Michael Billington

Ustinov Studio, BathLope de Vega's romantic comedy has something in common with the Taming of the Shrew, and gets a lively performance here, but it leaves a somewhat acrid aftertasteLaurence…

SOURCE: The Guardian at 06:00PM

Rufus Norris: an adventurous choice for the National Theatre by Michael Billington

The National Theatre's new artistic director has an air of unpredictability and will bring plenty of excitement to the job. Comment thread: Let us know what you thinkHow on earth do you foll…

SOURCE: The Guardian at 07:24AM
Monday, October 7, 2013

Dublin theatre festival: Brecht or bust? by Michael Billington

The Threepenny Opera gets a high-finance update, a mighty solo effort illuminates Finnegans Wake, but Beckett fails to spark at the Dublin theatre festivalThe Threepenny Opera by Bertol…

SOURCE: The Guardian at 01:32PM
Friday, October 4, 2013

Ghosts – review by Michael Billington

Almeida, LondonRichard Eyre's first-rate revival of Ibsen's play grabs you by the throat and never releases its gripThe most radical feature of Richard Eyre's first-rate revival of Ghosts is…

SOURCE: The Guardian at 09:30AM
Thursday, October 3, 2013

Black Jesus – review by Michael Billington

Finborough, LondonAn intriguing look ahead to retribution in Zimbabwe following the reign of Robert Mugabe opens up new dramatic territoryAnders Lustgarten is a rare animal: a political play…

SOURCE: The Guardian at 06:00PM
Tuesday, October 1, 2013

Handbagged – review by Michael Billington

Tricycle theatre, LondonA very funny portrait of a relationship between monarch and prime minister that clearly wasn't made in heavenThe Queen and Margaret Thatcher are becoming a familiar t…

SOURCE: The Guardian at 07:55PM

The Lovesong of Alfred J Hitchcock – review by Michael Billington

Curve, LeicesterRudkin's darkly riveting play brilliantly demonstrates the way Hitchcock's art is the key to his lifePlays and films about the private life of Alfred Hitchcock are a growth i…

SOURCE: The Guardian at 06:01PM
Sunday, September 29, 2013

A Tale of Two Cities – review by Michael Billington

(King's Head, London)This premiere of a Dickens adaptation co-written by Terence Rattigan and John Gielgud is brisk yet brilliantly stagedThis, somewhat surprisingly, is the professional pre…

SOURCE: The Guardian at 12:51PM
Friday, September 27, 2013

The Lyons – review by Michael Billington

Menier Chocolate Factory, LondonNicky Silver's play about a Jewish family preparing for the worst doesn't follow through with enough forceNicky Silver is a prolific New York dramatist who is…

SOURCE: The Guardian at 06:46AM
Thursday, September 26, 2013

Routes – review by Michael Billington

Royal Court, LondonRachel De-lahay weaves together tales of immigration limbo and national identity, but neglects to thread in some angerRachel De-lahay made a sharp impression with her mosa…

SOURCE: The Guardian at 12:52PM

Another Country – review by Michael Billington

Minerva, ChichesterJulian Mitchell's 1981 play on ways public schools in the 1930s bred betrayal is highly perceptive in this astute productionSchool plays seem to have a magnetic attraction…

SOURCE: The Guardian at 10:34AM
Monday, September 23, 2013

Land of Our Fathers – review by Michael Billington

Theatre 503, LondonYou would expect a play about six Welsh miners trapped underground to offer a display of quiet heroism. But the good thing about this remarkable first full-length work by …

SOURCE: The Guardian at 12:34PM
Thursday, September 19, 2013

Much Ado About Nothing – review by Michael Billington

Old Vic, LondonI am the last person to complain about senior citizens being given free rein. I also hold Vanessa Redgrave and James Earl Jones in high regard and thought their performances i…

SOURCE: The Guardian at 07:44PM

The Herd – review by Michael Billington

Bush, LondonActor Rory Kinnear's first play may not be startlingly original but it has meaty roles and a clear understanding of family tensionRory Kinnear seems unfairly talented. Not only i…

SOURCE: The Guardian at 06:56AM

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