All stories by Michael Billington on BroadwayStars

Monday, October 21, 2013

Punishment Without Revenge – review by Michael Billington

Theatre Royal, BathThis unqualified masterpiece from 1631 by Lope de Vega is shot through with irony and ambiguityThis is the real deal: an unqualified masterpiece by Lope de Vega that, in M…

SOURCE: The Guardian at 12:15PM
Friday, October 18, 2013

The National Theatre at 50: Michael Billington's view from the stalls by Michael Billington

This week, Rufus Norris was appointed the new director of the National theatre. After 50 dramatic years, where does he take it from here? Guardian critic Michael Billington assesses how…

SOURCE: The Guardian at 05:25AM
Thursday, October 17, 2013

Richard II – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDavid Tennant is mesmerising in the first show of Gregory Doran's six-year plan to present all of Shakespeare's worksThis show marks the start o…

SOURCE: The Guardian at 06:00PM
Tuesday, October 15, 2013

A Lady of Little Sense – review by Michael Billington

Ustinov Studio, BathLope de Vega's romantic comedy has something in common with the Taming of the Shrew, and gets a lively performance here, but it leaves a somewhat acrid aftertasteLaurence…

SOURCE: The Guardian at 06:00PM

Rufus Norris: an adventurous choice for the National Theatre by Michael Billington

The National Theatre's new artistic director has an air of unpredictability and will bring plenty of excitement to the job. Comment thread: Let us know what you thinkHow on earth do you foll…

SOURCE: The Guardian at 07:24AM
Monday, October 7, 2013

Dublin theatre festival: Brecht or bust? by Michael Billington

The Threepenny Opera gets a high-finance update, a mighty solo effort illuminates Finnegans Wake, but Beckett fails to spark at the Dublin theatre festivalThe Threepenny Opera by Bertol…

SOURCE: The Guardian at 01:32PM
Friday, October 4, 2013

Ghosts – review by Michael Billington

Almeida, LondonRichard Eyre's first-rate revival of Ibsen's play grabs you by the throat and never releases its gripThe most radical feature of Richard Eyre's first-rate revival of Ghosts is…

SOURCE: The Guardian at 09:30AM
Thursday, October 3, 2013

Black Jesus – review by Michael Billington

Finborough, LondonAn intriguing look ahead to retribution in Zimbabwe following the reign of Robert Mugabe opens up new dramatic territoryAnders Lustgarten is a rare animal: a political play…

SOURCE: The Guardian at 06:00PM
Tuesday, October 1, 2013

Handbagged – review by Michael Billington

Tricycle theatre, LondonA very funny portrait of a relationship between monarch and prime minister that clearly wasn't made in heavenThe Queen and Margaret Thatcher are becoming a familiar t…

SOURCE: The Guardian at 07:55PM

The Lovesong of Alfred J Hitchcock – review by Michael Billington

Curve, LeicesterRudkin's darkly riveting play brilliantly demonstrates the way Hitchcock's art is the key to his lifePlays and films about the private life of Alfred Hitchcock are a growth i…

SOURCE: The Guardian at 06:01PM
Sunday, September 29, 2013

A Tale of Two Cities – review by Michael Billington

(King's Head, London)This premiere of a Dickens adaptation co-written by Terence Rattigan and John Gielgud is brisk yet brilliantly stagedThis, somewhat surprisingly, is the professional pre…

SOURCE: The Guardian at 12:51PM
Friday, September 27, 2013

The Lyons – review by Michael Billington

Menier Chocolate Factory, LondonNicky Silver's play about a Jewish family preparing for the worst doesn't follow through with enough forceNicky Silver is a prolific New York dramatist who is…

SOURCE: The Guardian at 06:46AM
Thursday, September 26, 2013

Routes – review by Michael Billington

Royal Court, LondonRachel De-lahay weaves together tales of immigration limbo and national identity, but neglects to thread in some angerRachel De-lahay made a sharp impression with her mosa…

SOURCE: The Guardian at 12:52PM

Another Country – review by Michael Billington

Minerva, ChichesterJulian Mitchell's 1981 play on ways public schools in the 1930s bred betrayal is highly perceptive in this astute productionSchool plays seem to have a magnetic attraction…

SOURCE: The Guardian at 10:34AM
Monday, September 23, 2013

Land of Our Fathers – review by Michael Billington

Theatre 503, LondonYou would expect a play about six Welsh miners trapped underground to offer a display of quiet heroism. But the good thing about this remarkable first full-length work by …

SOURCE: The Guardian at 12:34PM
Thursday, September 19, 2013

Much Ado About Nothing – review by Michael Billington

Old Vic, LondonI am the last person to complain about senior citizens being given free rein. I also hold Vanessa Redgrave and James Earl Jones in high regard and thought their performances i…

SOURCE: The Guardian at 07:44PM

The Herd – review by Michael Billington

Bush, LondonActor Rory Kinnear's first play may not be startlingly original but it has meaty roles and a clear understanding of family tensionRory Kinnear seems unfairly talented. Not only i…

SOURCE: The Guardian at 06:56AM
Wednesday, September 18, 2013

In the Jungle of Cities – review by Michael Billington

Arcola, LondonBertolt Brecht's rarely performed play about human isolation is bewildering but comes from a hauntingly original imaginationEven dedicated admirers of Bertolt Brecht are often …

SOURCE: The Guardian at 05:31PM

Bertolt Brecht: irresistible force or forgotten chapter in theatrical history? by Michael Billington

Brecht's belief that drama should present moral ideas through action is unfashionable, but as theatre becomes ever more narcissistic, audiences are seeking him out againIt's that man again: …

SOURCE: The Guardian at 11:37AM
Tuesday, September 17, 2013

A Midsummer Night's Dream – review by Michael Billington

Noel Coward Theatre, LondonEver since the Polish critic, Jan Kott, wrote a famous essay viewing Shakespeare's play as a nightmarish fantasy, directors have been exploring the dark side of Th…

SOURCE: The Guardian at 06:02PM
Monday, September 16, 2013

Barking in Essex – review by Michael Billington

Wyndham's, LondonAs a piece of black comedy, Clive Exton's play is neither sufficiently dark nor consistently funnyClive Exton made a name for himself writing black comedies for ITV in the e…

SOURCE: The Guardian at 07:39PM

Springs Eternal – review by Michael Billington

Orange Tree, RichmondSusan Glaspell's convoluted exploration of US involvement in the second world war is kept afloat by an adroit castThis is the fifth full-length play by the American femi…

SOURCE: The Guardian at 09:26AM
Friday, September 13, 2013

Secret Theatre: Show 1 – review by Michael Billington

Lyric Hammersmith, London A new version of Woyzeck plays out like a compendium of avant garde cliches, catching little of the desperation that drives Büchner's hero to murderI get the idea …

SOURCE: The Guardian at 08:10AM
Thursday, September 12, 2013

The Ritual Slaughter of Gorge Mastromas by Michael Billington

Royal Court, London A City suit sells his soul in this enjoyable if slightly unsubtle morality tale by Matilda the Musical's Dennis KellyVicky Featherstone's Royal Court regime begins with a…

SOURCE: The Guardian at 06:57AM
Wednesday, September 11, 2013

To Sir, With Love – review by Michael Billington

Royal & Derngate, NorthamptonAyub Khan-Din's adaptation of ER Braithwaite's autobiography features strong performances but could do with more dramaThe most moving part of the evening came a…

SOURCE: The Guardian at 07:40AM
Tuesday, September 10, 2013

Summer Day's Dream – review by Michael Billington

Finborough, LondonJB Priestley's tale of a post-nuclear Britain is prescient, with its premonitions of modern life, and quietly passionate about this island's charmsInside that burly pragmat…

SOURCE: The Guardian at 01:28PM
Monday, September 9, 2013

The Private Ear and the Public Eye – review by Michael Billington

Yvonne Arnaud, GuildfordThe Original Theatre Company revives Peter Shaffer's bittersweet 1962 comedy double bill that explores the tension between order and passionThe conflict between dessi…

SOURCE: The Guardian at 12:52PM
Friday, September 6, 2013

Candide – review by Michael Billington

Mark Ravenhill's take on Voltaire's satire is an extraordinary piece, despite its overwhelming profusion of ideasMark Ravenhill has taken Voltaire's laconically witty satire on 18th-century …

SOURCE: The Guardian at 07:21AM
Thursday, September 5, 2013

Edward II – review by Michael Billington

Olivier, London John Heffernan convinces as king in a visually vibrant revival, yet the lyrical beauty of Marlowe's verse is lost in the mixI've argued countless times that "director's theat…

SOURCE: The Guardian at 08:42AM

Forget hatchet-faced critics – farce is the quintessence of theatre by Michael Billington

As a theatrical form, farce is infinitely flexible, timeless and revelatory … and several recent shows prove it's ripe for a revivalFarce is in the ascendant right now. We've just had Feyd…

SOURCE: The Guardian at 08:18AM
Wednesday, September 4, 2013

Peckham: The Soap Opera – review by Michael Billington

Royal Court, London A well-written ode to community life in London is thwarted by its snapshot formatThis show does what it says on the tin. It consists of 10 five-minute episodes of a soap …

SOURCE: The Guardian at 11:14AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre