All stories by Michael Billington on BroadwayStars

Wednesday, September 4, 2013

Peckham: The Soap Opera – review by Michael Billington

Royal Court, London A well-written ode to community life in London is thwarted by its snapshot formatThis show does what it says on the tin. It consists of 10 five-minute episodes of a soap …

SOURCE: The Guardian at 11:14AM
Friday, August 30, 2013

Blue Stockings – review by Michael Billington

Shakespeare's Globe, LondonJessica Swale's first play leaves you astonished at the prejudices the pioneers of women's education had to overcomeJessica Swale has chosen, for her first play, a…

SOURCE: The Guardian at 09:18AM
Thursday, August 29, 2013

Bonnie and Clyde – review by Michael Billington

King's Head, LondonSentimentality sits uneasily alongside the truth in a new musical about the Texan outlaws that fails to deglamorise the killers"They're young, they're in love … and they…

SOURCE: The Guardian at 10:05AM
Tuesday, August 27, 2013

Thark – review by Michael Billington

Park theatre, LondonBen Travers' joyous farce creates an alternative universe in which panic lurks just below an innocent surfaceThark at the Park? It has a rhyming inevitability to it. But …

SOURCE: The Guardian at 10:25AM
Thursday, August 22, 2013

In praise of Chimerica, now enthralling West End audiences by Michael Billington

Personal passion meets global political drama in Lucy Kirkwood's exhilarating epic. And it survives the transfer across London with its five-star rating intactTransferring a five-star hit pl…

SOURCE: The Guardian at 12:24PM

A Little Hotel on the Side – review by Michael Billington

Theatre Royal, BathThis production of Feydeau and Desvallières' play is diverting, but rarely reaches the dizzying dementia of great farceFor those of us who regard farce as the quintessenc…

SOURCE: The Guardian at 11:54AM
Tuesday, August 13, 2013

The Pride – review by Michael Billington

Trafalgar Studios, LondonAlexi Kaye Campbell's play reminds us that despite the sexual sea-change in Britain since the 1950s, prejudice is still with usLast Saturday, Whitehall in London was…

SOURCE: The Guardian at 01:37PM
Monday, August 12, 2013

Home – review by Michael Billington

The ShedBased on more than 30 hours of interviews, Nadia Fall's production provides a vivid picture of life in a homeless hostelOne virtue of verbatim theatre is that it takes us behind clos…

SOURCE: The Guardian at 10:35AM
Friday, August 9, 2013

West Side Story – review by Michael Billington

Sadler's Wells, LondonBy keeping faithful to the Broadway original, the brilliance of this powerful Romeo and Juliet adaptation is rediscoveredThere's nothing radical or revisionist about th…

SOURCE: The Guardian at 07:18AM
Thursday, August 8, 2013

Arrivals and Departures – review by Michael Billington

Stephen Joseph, ScarboroughAlan Ayckbourn may have written funnier plays, but few are more affecting than this Beckett-inspired tale of terrorismWhat astonishes you about Alan Ayckbourn is h…

SOURCE: The Guardian at 09:49AM

Liolà – review by Michael Billington

Lyttelton theatre, LondonRichard Eyre's staging of the lusty Pirandello village comedy is nuanced, yet its Irish accent is ultimately discomfitingThis play by Luigi Pirandello is not what yo…

SOURCE: The Guardian at 08:24AM
Wednesday, August 7, 2013

The Same Deep Water As Me – review by Michael Billington

Donmar Warehouse, London Nick Payne's excellent new play takes us into the world of no-win, no-fee accident cases, as a dubious claimant gives two lawyers the runaroundIf I reveal that Nick …

SOURCE: The Guardian at 08:25AM
Tuesday, August 6, 2013

The Sound of Music – review by Michael Billington

Open Air theatre, Regent's Park, LondonIs it possible for a musical's numbers to be too familiar? At the preview I attended of Rodgers and Hammerstein's popular classic, several spectators a…

SOURCE: The Guardian at 01:11PM
Friday, August 2, 2013

Oliver Reed: Wild Thing – review by Michael Billington

St James's Studio, LondonIn the bowels of this spanking new theatre lurks an intimate performance space, with a well-stocked bar: the ideal setting for this 70-minute, one-man play, written …

SOURCE: The Guardian at 12:48PM
Thursday, August 1, 2013

Pinter would be chuffed that Tom Stoppard won the PEN prize by Michael Billington

Tom Stoppard's fierce, unrelenting opposition to the abuse of human rights makes him the ideal recipient of the Pinter/PEN prizeIn Antonia Fraser's book, Must You Go?, detailing her life wit…

SOURCE: The Guardian at 09:59AM

King Lear – review by Michael Billington

Theatre Royal, BathDavid Haig, like the late Nigel Hawthorne, follows an acclaimed performance in Alan Bennett's The Madness of George III by playing Shakespeare's deranged monarch. But, alt…

SOURCE: The Guardian at 07:54AM
Tuesday, July 30, 2013

All Saints – review by Michael Billington

King's Head, LondonTV has given us The Vicar of Dibley and Rev, but the Church of England rarely gets a look-in on the British stage. For that reason alone it is refreshing to see Nicola Bal…

SOURCE: The Guardian at 01:44PM
Friday, July 26, 2013

All's Well That Ends Well – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonShakespeare's supposedly difficult comedy yields easily the best production of the current Stratford season. Director Nancy Meckler treats the p…

SOURCE: The Guardian at 12:24PM

All's Well That Ends Well – review by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonShakespeare's supposedly difficult comedy yields easily the best production of the current Stratford season. Director Nancy Meckler treats the p…

SOURCE: The Guardian at 12:24PM
Thursday, July 25, 2013

Barnum – review by Michael Billington

Theatre in the Park, ChichesterChichester has acquired a 25-metre-high big top to stand in for the temporarily closed Festival theatre. It would seem appropriate that it opens with a revival…

SOURCE: The Guardian at 01:08PM

Barnum – review by Michael Billington

Theatre in the Park, ChichesterChichester has acquired a 25-metre-high big top to stand in for the temporarily closed Festival theatre. It would seem appropriate that it opens with a revival…

SOURCE: The Guardian at 01:08PM
Sunday, July 21, 2013

Gabriel – review by Michael Billington

Shakespeare's Globe, LondonMost theatre falls into familiar categories. This, however, is a piece that gloriously defies definition. It can best be described as a series of short plays by Sa…

SOURCE: The Guardian at 01:00PM
Friday, July 19, 2013

Josephine and I – review by Michael Billington

Bush, LondonCountless artists, from Diana Ross to Beyoncé, have been inspired by the story of the legendary dancer and singer Josephine Baker, who was born in St Louis and became the toast …

SOURCE: The Guardian at 12:49PM
Thursday, July 18, 2013

Daytona – review by Michael Billington

Park theatre, LondonHow much should one reveal? That is the critic's eternal dilemma. It's especially acute in a play such as Oliver Cotton's Daytona, which deals with deception and depends …

SOURCE: The Guardian at 11:02AM

Paul Bhattacharjee: 'He could play just about anything' by Michael Billington

Actor Paul Bhattacharjee, who has died, was better known for his role in EastEnders but he was most impressive on stageThe disappearance, and possible death, of Paul Bhattacharjee gave me, l…

SOURCE: The Guardian at 04:55AM
Wednesday, July 17, 2013

The Drowned Man: A Hollywood Fable – review by Michael Billington

31 London Street, London W2The problem with an immersive company like Punchdrunk is that people tend to take fixed attitudes: either they are a signpost to the theatrical future or they take…

SOURCE: The Guardian at 06:30PM

A Season in the Congo – review by Michael Billington

Young Vic, LondonThe turbulence following Congolese independence partly inspired John Arden to write the unjustly forgotten Armstrong's Last Goodnight in 1964. Two years later, the Martiniqu…

SOURCE: The Guardian at 08:13AM
Tuesday, July 16, 2013

The Color Purple – review by Michael Billington

Menier Chocolate Factory, LondonI am sometimes accused of failing to report audience reactions. So let me say unequivocally that this musical version of Alice Walker's 1982 novel was greeted…

SOURCE: The Guardian at 09:12AM
Sunday, July 14, 2013

The Machine/The Masque of Anarchy – review by Michael Billington

Campfield Market Hall/Albert Hall, Manchester International festival★★★/★★★★★Like all the best festivals, the one in Manchester opens up the city. But while Alex Poots, the f…

SOURCE: The Guardian at 11:30AM
Saturday, July 13, 2013

Circle Mirror Transformation – review by Michael Billington

Rose Lipman Building, LondonAnnie Baker's much-lauded play takes place in a windowless studio in a community-centre in Vermont; and the Royal Court, as part of its "theatre local" project, h…

SOURCE: The Guardian at 05:07AM
Thursday, July 11, 2013

Candida – review by Michael Billington

Theatre Royal, BathGeorge Bernard Shaw's Candida used to be a stock rep piece, but today is rarely seen. That's a pity because, as Simon Godwin's nifty revival shows, this 1895 play still ha…

SOURCE: The Guardian at 09:23AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre