All stories by Laura Collins-Hughes on BroadwayStars

Sunday, January 19, 2020

‘Emojiland’ Review: There’s a Rom-Com in Your Phone. With Music. by Laura Collins-Hughes

Everybody’s on hand, from a variety of Smileys to Nerd Face, and from Princess to Pile of Poo.

SOURCE: The New York Times Subscription at 10:24PM
Friday, January 17, 2020

At Under the Radar, Avant-Garde Shows Leap Outside Reality by Ben Brantley, Jesse Green and Laura Collins-Hughes

The Public Theater’s festival has included 12 featured offerings, four cabaret acts and six pieces of developmental work. Here’s what our critics saw.

SOURCE: The New York Times Subscription at 03:33PM
Thursday, January 16, 2020

‘Distances’ Review: Fumblingly Picking at the Knot of Race by Laura Collins-Hughes

In this experimental play, a white talk-show host and a black science fiction writer have a challenging conversation. Plus dancing.

SOURCE: The New York Times Subscription at 03:06PM
Sunday, January 12, 2020

‘Maz and Bricks’ Review: Marching for Rights, With Signs of Romance by Laura Collins-Hughes

Set in Dublin during the run-up to Ireland’s vote to repeal its abortion ban, this play by Eva O’Connor too easily pairs up two damaged souls.

SOURCE: The New York Times Subscription at 10:54PM
Thursday, January 9, 2020

A Show Reminds Young Audiences: We All Got Here From Somewhere by Laura Collins-Hughes

“Cartography,” a multimedia work inspired by migrants’ stories, presents their journeys as universal and heroic, not merely tales of suffering.

SOURCE: The New York Times Subscription at 04:36PM

A Director Making His Mark in More Ways Than One by Laura Collins-Hughes

With powerfully contemporary stagings of “Betrayal” and “Cyrano,” Jamie Lloyd has had an attention-grabbing year. That’s not what makes him hard to miss.

SOURCE: The New York Times Subscription at 11:36AM
Monday, January 6, 2020

The Role of a Career in ‘Fiddler,’ and He Might Even Keep the Beard by Laura Collins-Hughes

Steven Skybell was finally the right age for Tevye. Little did he know that when the time came, the show would be in Yiddish, and for a surprisingly long run that ended Sunday.

SOURCE: The New York Times Subscription at 02:06PM
Thursday, December 19, 2019

Review: Cirque du Soleil Chases the Holiday Spirit by Laura Collins-Hughes

The acrobatics in “’Twas the Night Before…” at Madison Square Garden are perfectly diverting, despite an illegible plot.

SOURCE: The New York Times Subscription at 04:42PM
Wednesday, December 18, 2019

200 Years of Experience, and Still Learning Onstage by Laura Collins-Hughes

Lois Smith, Estelle Parsons and Vinie Burrows on age, agility, perseverance and steering clear of “self-pitying old” roles.

SOURCE: The New York Times Subscription at 01:54PM
Friday, December 13, 2019

‘The Straights’ Review: On the Road With No Sense of Direction by Laura Collins-Hughes

Amusing monologues and oddball encounters enliven T. Adamson’s overstuffed play that follows two friends on a very long car ride.

SOURCE: The New York Times Subscription at 02:42PM
Tuesday, December 10, 2019

Review: Counting on Compassion in ‘one in two’ by Laura Collins-Hughes

Donja R. Love’s powerful play balances tenderness and fury to explore how H.I.V. has become a ”hidden emergency” in the black community.

SOURCE: The New York Times Subscription at 11:42PM
Tuesday, December 3, 2019

Best Theater of 2019 by Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and Elisabeth Vincentelli

Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.

SOURCE: The New York Times Subscription at 05:18AM
Monday, December 2, 2019

‘Barber Shop Chronicles’ Gives Black Men Control of Their Story by Laura Collins-Hughes

Inua Ellams discusses his surprise hit play, which has its New York premiere at the Next Wave Festival this week.

SOURCE: The New York Times Subscription at 02:12PM
Wednesday, November 20, 2019

Review: ‘Einstein’s Dreams,’ Adapted and Muddled in a New Musical by Laura Collins-Hughes

Alan Lightman’s novel loses its charm in Joanne Sydney Lessner and Joshua Rosenblum’s show, which lacks a sense of a sure artistic voice.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, November 14, 2019

Review: ‘Slava’s Snowshow’ Delivers Flurries of Joy by Laura Collins-Hughes

A critic who once resisted the charms of this holiday clownfest found herself floating on happiness this time around.

SOURCE: The New York Times Subscription at 08:48PM
Wednesday, November 13, 2019

Review: ‘Broadbend, Arkansas,’ Tangled in Its Own Tale by Laura Collins-Hughes

This meandering jazz-infused drama, told across generations of a black family, strains to pull its focus from white women.

SOURCE: The New York Times Subscription at 08:48PM
Monday, November 11, 2019

My First Produced Play? Ah, I Remember It Well. by Laura Collins-Hughes

The return of Tony Kushner’s “A Bright Room Called Day” prompted us to ask leading writers: How did it go for you? And what did you learn?

SOURCE: The New York Times Subscription at 04:18PM
Sunday, November 10, 2019

Review: Coffee With a Side of Isolation in ‘User Not Found’ by Laura Collins-Hughes

The Next Wave festival’s latest digital dive: A tale of grief staged in a Brooklyn cafe that the audience only pieces together by smartphone.

SOURCE: The New York Times Subscription at 03:42PM
Sunday, November 3, 2019

‘One Discordant Violin’ Review: In Search of Soul-Stirring Art by Laura Collins-Hughes

Anthony Black’s play is about the life-sustaining power of creating art. But it never overcomes the dull short story from which it’s adapted.

SOURCE: The New York Times Subscription at 05:06PM
Thursday, October 31, 2019

Review: In ‘Hamnet,’ Shakespeare’s Son Takes the Stage by Laura Collins-Hughes

In this Irish production, an 11-year-old actor plays the child who died too soon to get to know his immortal father.

SOURCE: The New York Times Subscription at 02:32PM
Tuesday, October 29, 2019

‘Bars and Measures’ Review: Notes From Jail by Laura Collins-Hughes

Jazz unites two brothers, one accused of plotting terrorism, in Idris Goodwin’s play.

SOURCE: The New York Times Subscription at 06:36PM
Sunday, October 27, 2019

‘Macbeth’ Review: A Decent Man Turns Murderous Tyrant by Laura Collins-Hughes

A bracingly lucid Corey Stoll embodies Shakespeare’s thane who, step by step, cedes his soul to his own darkest impulses.

SOURCE: The New York Times Subscription at 07:33PM
Monday, October 21, 2019

Review: In ‘Power Strip,’ a Syrian Story Both Bleak and Striking by Laura Collins-Hughes

Sylvia Khoury’s insidiously sharp new play arrives as the eight-year-old conflict is making fresh headlines in the United States.

SOURCE: The New York Times Subscription at 10:48PM
Monday, October 14, 2019

‘The White Chip’ Review: Day-Drunk and Careening Toward Rock Bottom by Laura Collins-Hughes

In Sean Daniels’s grim autobiographical comedy, a charming stage director tries, and tries again, to sober up.

SOURCE: The New York Times Subscription at 02:36PM
Thursday, October 3, 2019

Review: ‘Caesar & Cleopatra,’ Dressed Down Yet Wised Up by Laura Collins-Hughes

George Bernard Shaw gets sensitively streamlined in a briskly entertaining production with winning performers at its center.

SOURCE: The New York Times Subscription at 04:18PM
Monday, September 30, 2019

Flourishing in Bedlam, but Flying to the Coop by Laura Collins-Hughes

Kate Hamill and Andrus Nichols made their names in a theater company specializing in scaled-down classics. Now they’re forming their own troupe.

SOURCE: The New York Times Subscription at 03:12PM
Thursday, September 26, 2019

Review: A Spellbinding ‘Antigone,’ Both Timeless and Urgent by Laura Collins-Hughes

An easily legible production of the ancient Greek tragedy borrows from the tradition of Noh theater at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 04:54PM
Sunday, September 22, 2019

Review: In ‘Fern Hill,’ Scene-Stealing for the Common Good by Laura Collins-Hughes

John Glover lifts Michael Tucker’s otherwise convoluted and crowded dramedy of baby boomers contemplating life on a commune.

SOURCE: The New York Times Subscription at 03:06PM
Tuesday, September 17, 2019

Betty Corwin, Who Preserved Theater’s Legacy, Dies at 98 by Laura Collins-Hughes

By definition, live theater vanishes in the moment; Ms. Corwin pushed to have shows videotaped and deposited in a library collection, which she ran for decades.

SOURCE: The New York Times Subscription at 06:06PM
Friday, September 13, 2019

Review: Isabelle Adjani, Raging and Aging in ‘Opening Night’ by Laura Collins-Hughes

A French stage adaptation of the John Cassavetes film misses the #MeToo moment.

SOURCE: The New York Times Subscription at 02:18PM

‘For Colored Girls’ Returns, as a Celebration and as a Weapon by Laura Collins-Hughes

Ntozake Shange’s play, with its unflinching depiction of black women’s experience, is coming back to the Public Theater more than 40 years after opening there.

SOURCE: The New York Times Subscription at 06:33AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre