All stories by Laura Collins-Hughes on BroadwayStars

Wednesday, June 17, 2020

Theater Kids Trade a Big Stage for Highlight Tapes and Heartache by Laura Collins-Hughes

Thousands of students should have been gathering to cheer on the year’s best shows. But this isn’t a typical year.

SOURCE: The New York Times Subscription at 01:24PM
Wednesday, June 10, 2020

Four Black Artists on How Racism Corrodes the Theater World by Laura Collins-Hughes, Michael Paulson and Salamishah Tillet

A playwright, a director, an artistic director and an actor share their experiences — and prescriptions for change.

SOURCE: The New York Times Subscription at 02:24PM
Monday, June 8, 2020

‘Anno Domino’ Review: Long Married, but Open to Adjustment by Laura Collins-Hughes

In his new audio comedy, Alan Ayckbourn does more than write: He and his wife, Heather Stoney, portray several couples in disarray.

SOURCE: The New York Times Subscription at 02:18PM
Thursday, June 4, 2020

No Tony Awards Show? Make Your Own With These Great Moments. by Ben Brantley, Jesse Green, Michael Paulson, Alexis Soloski, Elisabeth Vincentelli, Laura Collins-Hughes, Scott Heller and Eric Grode

Miranda’s rap. Rylance’s poems. Jackman’s pelvis. And a brassy reunion for Bea Arthur and Angela Lansbury. Now set your clock for “Turkey Lurkey Time.”

SOURCE: The New York Times Subscription at 02:18PM
Thursday, May 14, 2020

On Second Viewing, First Impressions Don’t Always Hold by Laura Collins-Hughes

Watching familiar plays online can be a comfort — and sometimes a revelation.

SOURCE: The New York Times Subscription at 02:24PM
Tuesday, May 12, 2020

Can Physical Comedy Work on Zoom? Bill Irwin Wants to Find Out. by Laura Collins-Hughes

His 10-minute, two-character play will test the possibilities of a new form that puts faces, more than bodies, at the center of the action.

SOURCE: The New York Times Subscription at 03:36PM
Sunday, May 3, 2020

A Thousand Goodbyes for McCarter Theater’s Emily Mann by Laura Collins-Hughes

A virtual send-off for the artistic director and playwright drew more attendees than could have fit under a tent. “I liked this better,” she said.

SOURCE: The New York Times Subscription at 03:32PM
Thursday, April 23, 2020

10 Playwrights Script a Web Series. Is It Theater? by Laura Collins-Hughes

“Homebound” is one company’s attempt to give structure and meaning to the worries and what-ifs of the strange new present. But these aren’t plays, the artistic director says.

SOURCE: The New York Times Subscription at 02:32PM
Wednesday, April 22, 2020

A Cast Album I Love: ‘Twelfth Night’ by Laura Collins-Hughes

We continue our cast album series with more recommendations for wonderful musicals to listen to at home

SOURCE: The New York Times Subscription at 02:18PM
Tuesday, April 7, 2020

‘The Addams Family’ Musical Was Panned. Then It Became a Hit. by Laura Collins-Hughes

A rare show that retooled and flourished after its New York debut, the musical, a decade later, has endured in schools and through international productions.

SOURCE: The New York Times Subscription at 10:18AM
Thursday, April 2, 2020

Missing the Theater? Trade Playbills for These Novels by Alexis Soloski and Laura Collins-Hughes

Two theater critics suggest some of their favorite books about the theater, giving us portals to a world that is now forbidden.

SOURCE: The New York Times Subscription at 11:54AM
Monday, March 30, 2020

As Theaters Stare Down Uncertainty, Ars Nova Buys Itself Time by Laura Collins-Hughes

In committing to paying its people during a three-month shutdown, the theater gives itself breathing room to prepare for when it can open again.

SOURCE: The New York Times Subscription at 04:36PM
Thursday, March 26, 2020

The Fourth Wall Is My Laptop Screen by Laura Collins-Hughes

When theaters closed by the pandemic stream their shuttered plays online, watching sharpens the longing for the real thing.

SOURCE: The New York Times Subscription at 01:48PM
Thursday, March 12, 2020

Where to Celebrate Sondheim in New York by Laura Collins-Hughes

What’s a birthday celebration without tribute concerts, new commissions and revivals of three classics? Here’s how to join the party, live.

SOURCE: The New York Times Subscription at 07:06AM
Wednesday, March 11, 2020

‘Conscience’ Review: The Woman Who Stared Down the Red Scare by Laura Collins-Hughes

The hero of Joe DiPietro’s new comic drama is Margaret Chase Smith, a U.S. senator who had the rare courage to stand up to McCarthyism.

SOURCE: The New York Times Subscription at 04:06PM
Tuesday, March 10, 2020

Review: A Crisis of Borders in ‘72 Miles to Go…’ by Laura Collins-Hughes

In Hilary Bettis’s play, a family separated by deportation wants to live regular American lives but discovers how mercilessly difficult that is.

SOURCE: The New York Times Subscription at 10:54PM
Thursday, March 5, 2020

Review: In ‘Mr. Toole,’ Trying to Remember Teacher by Laura Collins-Hughes

Vivian Neuwirth’s play is a fictionalized recollection of the life of the novelist John Kennedy Toole, who died before his Pulitzer-Prize winning classic “A Confederacy of Dunces” was …

SOURCE: The New York Times Subscription at 01:32PM
Thursday, February 27, 2020

In a Battle for Female Personhood, These Plays Are on the Front Lines by Laura Collins-Hughes

“Grand Horizons” and “Dracula” assert the full humanity of women, a matter not as settled as we might like to think.

SOURCE: The New York Times Subscription at 12:36AM
Tuesday, February 25, 2020

How They Learned to Drive. And Why They’re Driving Again. by Laura Collins-Hughes

The writer Paula Vogel, the director Mark Brokaw, and the actors Mary-Louise Parker and David Morse on returning to a wrenching play two decades later.

SOURCE: The New York Times Subscription at 11:32AM
Sunday, February 23, 2020

‘She Persisted’ Review: A Musical About Women Who Triumphed by Laura Collins-Hughes

The feminist rallying cry inspired Chelsea Clinton’s children’s book about the likes of Harriet Tubman and Sally Ride. Now it’s a cheerful stage adaptation.

SOURCE: The New York Times Subscription at 07:42PM
Thursday, February 20, 2020

‘Mack & Mabel’ Review: Lights! Camera! Passion! by Laura Collins-Hughes

Jerry Herman’s buoyant score is the highlight of this Encores! production about a troubled silent-movie-era romance.

SOURCE: The New York Times Subscription at 03:12PM
Tuesday, February 18, 2020

‘Spamtown, USA’ Looks at a Bitter Strike Through Children’s Eyes by Laura Collins-Hughes

Minnesota’s Children’s Theater Company will present a play inspired by little-told stories of the wrenching Hormel strike: from kids on all sides of the dispute.

SOURCE: The New York Times Subscription at 05:48PM
Sunday, February 16, 2020

‘TJ Loves Sally 4 Ever’ Review: It’s No Valentine by Laura Collins-Hughes

James Ijames’s satire reconsiders a story that reaches back to our shared past, with an eye toward demolishing it in favor of a better future.

SOURCE: The New York Times Subscription at 03:03PM
Thursday, February 13, 2020

‘Unmasked’ Review: Andrew Lloyd Webber Reveals and Remembers by Laura Collins-Hughes

This multimedia concert and career retrospective forgets that the best way to honor the composer is to have a good time with his music.

SOURCE: The New York Times Subscription at 03:24PM
Wednesday, February 12, 2020

‘House Plant’ Review: A Bizarro Breakup and What Comes After by Laura Collins-Hughes

In Sarah Einspanier’s fever-dream play, one half of a couple heads to Hollywood. The other gets an odd, and oddly familiar, new roommate.

SOURCE: The New York Times Subscription at 05:42PM

Lip-Syncing Her Abduction, Matter-of-Factly by Laura Collins-Hughes

Deirdre O’Connell has a peculiar challenge performing the recollections of Lucas Hnath's mother in his play “Dana H.” Give credit to earbuds and Epsom salts.

SOURCE: The New York Times Subscription at 10:18AM
Tuesday, February 11, 2020

‘Darling Grenadine’ Review: A Retro Cocktail With Little Kick by Laura Collins-Hughes

Roundabout Underground presents a flawed but tuneful musical about a young Manhattan couple challenged by addiction.

SOURCE: The New York Times Subscription at 01:24PM
Sunday, January 26, 2020

‘Thunder Rock’ Review: A Beacon That Fails to Light the Way by Laura Collins-Hughes

It’s no surprise that this play about disillusionment, with its message of hope wrapped in warnings about nationalism and isolationism, was a choice for this season.

SOURCE: The New York Times Subscription at 03:54PM
Friday, January 24, 2020

Oregon Shakespeare Festival Hires a Resident Intimacy Director by Laura Collins-Hughes

Sarah Lozoff is joining one of the nation’s leading regional theaters for all 11 of its productions in its 2020 season.

SOURCE: The New York Times Subscription at 04:03PM
Monday, January 20, 2020

For 13 Years, He Has Humanized the Villain of ‘Oklahoma!’ by Laura Collins-Hughes

Patrick Vaill took his final Broadway bow as Jud Fry, after performing in Daniel Fish’s production of the musical since college.

SOURCE: The New York Times Subscription at 02:33PM
Sunday, January 19, 2020

‘Emojiland’ Review: There’s a Rom-Com in Your Phone. With Music. by Laura Collins-Hughes

Everybody’s on hand, from a variety of Smileys to Nerd Face, and from Princess to Pile of Poo.

SOURCE: The New York Times Subscription at 10:24PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre