Wednesday, September 29, 2021
It takes 15 minutes or less in each segment of “Three Short Plays by Tracy Letts” for the bard of male moral decrepitude to skewer his subjects.
SOURCE: The New York Times Subscription at 02:54PMMonday, September 27, 2021
The streaming part of the ceremony actually did a better job conveying the electricity of being in a theater than the CBS special billed as “Broadway’s Back!”
SOURCE: The New York Times Subscription at 02:18PMDespite an evening split between streaming and TV, the message on Sunday night was clear: Broadway is back.
SOURCE: The New York Times Subscription at 06:42AMTuesday, September 21, 2021
For the undocumented immigrant teenagers in Martyna Majok’s unsparing, unsentimental new play, home is a heartbreaking lesson in betrayal.
SOURCE: The New York Times Subscription at 06:18PMMonday, September 13, 2021
Thursday, September 9, 2021
In the last installment in his 12-play series, Richard Nelson asks how his characters, and the theater, got where they are today.
SOURCE: The New York Times Subscription at 04:18PMWednesday, September 8, 2021
Sunday, August 22, 2021
Antoinette Chinonye Nwandu’s play about young Black men in peril inaugurates the new season with unexpected joy.
SOURCE: The New York Times Subscription at 06:06PMWednesday, August 18, 2021
Joshua William Gelb turned a small space in his small apartment into a blueprint for streaming during the pandemic. But what happens as real venues open again?
SOURCE: The New York Times Subscription at 10:06AMMonday, August 9, 2021
Jocelyn Bioh reshapes a comedy of clever women, frail men and harsh revenge into one of love and forgiveness, just when New York needs it.
SOURCE: The New York Times Subscription at 10:06PMSunday, August 8, 2021
Having revamped “Oklahoma!” into a dark X-ray of itself, Daniel Fish rethinks another Golden Age classic with “Most Happy in Concert.”
SOURCE: The New York Times Subscription at 03:12PMTuesday, August 3, 2021
Wednesday, July 28, 2021
Plays about writers, including “Mr. Fullerton,” a new potboiler probing Edith Wharton’s love life, too often undermine the real brilliance of their subjects.
SOURCE: The New York Times Subscription at 02:32PMJames Lapine’s book shows how he and Stephen Sondheim invested two years of work to burnish their musical from an avant-garde near-disaster to a mainstream classic.
SOURCE: The New York Times Subscription at 05:12AMWednesday, July 7, 2021
In new versions of “The Designated Mourner” and “Grasses of Many Colors,” Wallace Shawn brings moral horror right to your ear.
SOURCE: The New York Times Subscription at 06:32PMThursday, July 1, 2021
Ann Dowd stars in a contemporary rewrite of Ibsen’s play that forces a community, played by the audience, to make a series of fateful choices.
SOURCE: The New York Times Subscription at 02:32PMWednesday, June 30, 2021
Two critics on the show’s return — a turning point in live theater and another stage in the rock star’s lifelong evolution.
SOURCE: The New York Times Subscription at 01:03PMFriday, June 25, 2021
Father-and-son actors Reed and Ephraim Birney play an anxious doctor and his imaginative patient in a compelling psychological mystery.
SOURCE: The New York Times Subscription at 03:48PMTuesday, June 22, 2021
A psychological drama from Japan and a classic English comedy are among the high-contrast offerings in the Berkshires and Hudson Valley.
SOURCE: The New York Times Subscription at 02:36PMTuesday, June 15, 2021
Wednesday, June 9, 2021
For 40 Years, he was the man overseeing Rodgers and Hammerstein’s theatre properties including ‘The Sound of Music’ and ‘Carousel!’ After finally stepping down from the role, Ted C…
SOURCE: The Independent at 02:32AMWednesday, June 2, 2021
It has been a tough year for Broadway. Now it’s time to get tough on the show that too often honors investors instead of achievers.
SOURCE: The New York Times Subscription at 01:12PMMonday, May 31, 2021
Ted Chapin steps down as the head of the organization that makes sure you revisit “Oklahoma!” and keep hearing “The Sound of Music.”
SOURCE: The New York Times Subscription at 05:06AMFriday, May 21, 2021
Talking dogs, green screen thrillers and gold turtles: Online productions, intended as a stopgap, are testing the boundaries of what makes theater theater.
SOURCE: The New York Times Subscription at 03:54PMTuesday, May 18, 2021
Linked vignettes from five songwriting teams offer lots of head-scratching switcheroos but little for the heart.
SOURCE: The New York Times Subscription at 02:03PMThursday, May 13, 2021
In Rinne B. Groff’s historical comedy, the failure of the Equal Rights Amendment in 1947 looks awfully familiar today.
SOURCE: The New York Times Subscription at 07:18PMTuesday, May 11, 2021
New concerts from Sutton Foster, Jeremy Jordan and Marilyn Maye offer examples of what the most intimate art form can and can’t do.
SOURCE: The New York Times Subscription at 02:18PMFriday, May 7, 2021
Sunday, May 2, 2021
Thursday, April 29, 2021
Set at a Southern barbecue, James Ijames’s hilarious update on Shakespeare sees a recipe for liberation in the story of family disaster.
SOURCE: The New York Times Subscription at 01:32PMThursday, April 22, 2021
Josh O’Connor and Jessie Buckley star as the star-crossed lovers in a compelling stage-film hybrid adaptation.
SOURCE: The New York Times Subscription at 01:36PM 
