Monday, November 21, 2022
Will Arbery tackles the climate crisis with a funny nightmare about human and environmental fragility.
SOURCE: The New Yorker Subscription at 06:00AMSaturday, November 12, 2022
Mia Chung’s drama, by turns comedic, bitter, and ineffable, shows how racism soaks through an American family.
SOURCE: The New Yorker Subscription at 06:00PMMonday, October 31, 2022
In a full-tilt production at BAM, Lars Eidinger gives the sad prince a punk, chaotic edge and turns familiar tragedy into Dionysian revel.
SOURCE: The New Yorker Subscription at 01:09PMSaturday, October 22, 2022
A stage adaptation, at BAM, crams Hanya Yanagihara’s sprawling novel into a single evening—not without some violence.
SOURCE: The New Yorker Subscription at 07:01PMFriday, October 21, 2022
The director Kenny Leon puts a realistic spin on Suzan-Lori Parks’s allegorical tour de force.
SOURCE: The New Yorker Subscription at 06:00AMFriday, October 14, 2022
LaTanya Richardson Jackson directs a stunning encore of August Wilson’s most enigmatic work.
SOURCE: The New Yorker Subscription at 06:00AMFriday, October 7, 2022
Thursday, October 6, 2022
A crowded portrait of a glittering prewar Jewish milieu exorcises the playwright’s own ghosts.
SOURCE: The New Yorker Subscription at 06:00AMThursday, September 22, 2022
David Greenspan turns Gertrude Stein’s “Four Saints in Three Acts” into a solo tour de force.
SOURCE: The New Yorker Subscription at 06:00AMWednesday, September 14, 2022
Mad kings and shadow puppets feature in the experimental-theatre pieces “My Onliness” and “This and That.”
SOURCE: The New Yorker Subscription at 12:27PMThursday, September 1, 2022
“As You Like It” brings music, high jinks, and community to Shakespeare’s sometimes resistant comedy.
SOURCE: The New Yorker Subscription at 10:00AMWednesday, February 23, 2022
In 2003, the Mint produced Lawrence’s 1913 drama The Daughter-in-Law; in 2009, it was the bleaker The Widowing of Mrs. Holroyd. Now they return to The Daughter-in-Law, a strange and compel…
SOURCE: Vulture at 12:30AMSaturday, December 12, 2020
The downtown theater company is in crisis.
SOURCE: Vulture at 08:39AMMonday, November 16, 2020
Thursday, July 18, 2019
A new leader is about to take over from the Williamsburg theater’s founders. A festival there now offers a sense of her transgressive, slightly bonkers vision (sour cream included).
SOURCE: The New York Times Subscription at 04:32PMSunday, April 7, 2019
Despite the lack of a samovar and wistful-looking birches, Aaron Posner’s engaging Life Sucks.—the period is part of the title—is closely mapped onto Anton Chekhov’s Uncle Vanya. In …
SOURCE: Time Out at 08:39PMTuesday, March 12, 2019
Beauty isn’t in the eye of the beholder here. It’s an accepted, incontrovertible truth that Akim is without blemish or fault, which is why vengeful Massassi (Antoinette Crowe-Legacy), sw…
SOURCE: Time Out at 11:58AMMonday, July 30, 2018
Three houses are built into the title of Marcus Gardley’s superheated New Orleans drama The House That Will Not Stand. The first is the sumptuous Creole maison onstage, with high shuttered…
SOURCE: Time Out at 08:39PMMonday, November 14, 2016
Despite high ticket prices, many actors are still fighting for pay equity, with negotiations ongoing and some claiming their careers are financially impossibleFor many of us, there’s a tim…
SOURCE: The Guardian at 01:18PMMonday, May 25, 2015
Found in translation: a review of Denis Lachaud's Hetero
SOURCE: Time Out New York at 05:58PMVollmond and The Deer House make for a stunning week at BAM
SOURCE: Time Out New York at 05:58PMThe weather is frightful, this show is delightful
SOURCE: Time Out New York at 05:58PM 
