Tuesday, April 24, 2018
REBEL WITHOUT AN ARGUMENT It is a curiosity of the age that young British women seem to be far angrier about The Patriarchy than their mothers , even though law, language, women’s a…
SOURCE: theatrecat.com at 07:04PMGOLDEN SANDS AND GRIEVANCES Nicola Werenowska has certainly found fertile ground for the setting of her play: the decline of English seaside towns (in this case Clacton) from t…
SOURCE: theatrecat.com at 06:50PMMonday, April 23, 2018
Part 1: SECRET HEARTS (and an explanation) This is a fabulously quixotic enterprise directed by Tom Littler: a revival of all nine of Noel Coward’s one-act plays, written in 1935 as…
SOURCE: theatrecat.com at 03:56AMSaturday, April 21, 2018
MORE THAN A PICNIC I could tell you that it is worth going up West for the transfer of Hampstead’s fine play just to see Roger Allam (his fine quiff sadly suppressed under…
SOURCE: theatrecat.com at 04:37PMFriday, April 20, 2018
BAT’S BACK… In a remarkably quick return after its Coliseum outing , Jim Steinman’s barmy musical is storming onto the Tottenham Court Road, rocking on. Few cast chang…
SOURCE: theatrecat.com at 11:17AMTuesday, April 17, 2018
A LATE NIGHT TO REMEMBER At twenty to midnight, 106 years to the day after the collision, an audience gathered in this big theatre to mark and remember the disaster.…
SOURCE: theatrecat.com at 10:15AMMonday, April 16, 2018
SCI-FI AND SORROW We begin with a tiny proscenium box, an almost Punch-and-Judy window, framing Harry and his wife Max: nice middle-aged people, evoked to sitcom perfection by a beard…
SOURCE: theatrecat.com at 04:35AMThursday, April 12, 2018
THE JOINT IS JUMPING! AGAIN… Openings are running in themed sets – three Restoration comedies coming along like No.11 buses, and now two nights running…
SOURCE: theatrecat.com at 04:35AMTuesday, April 10, 2018
SWOTS OR SWINDLERS, VILLAINS OR VICTIMS? Sometimes a West End transfer serves a play royally. At Chichester last year I enjoyed James Graham’s playful, thoughtfully mischievo…
SOURCE: theatrecat.com at 05:39PMCATHY, STILL NOT HOME AFTER FIFTY YEARS Homeless charities like to remind us of the mantra: we are all just two bad decisions away from the pavement. The trajectory of our heroine Cat…
SOURCE: theatrecat.com at 05:53AMMonday, April 9, 2018
SHORT, SHARP, STIMULATING The INK new writing festival (http://inkfestival.org) is a phenomenon: a space where writers of any experience or none can submit short plays (most unde…
SOURCE: theatrecat.com at 10:03AMWednesday, April 4, 2018
FROTHING OVER WITH FEMALE HILARITY A pre-curtain ensemble of one harpsichord and a quartet of periwigged lady saxophonists, playing Mozart with a touch of oompah, is always a…
SOURCE: theatrecat.com at 07:48PMSaturday, March 24, 2018
IT’S THAT SHOW AGAIN, AND VERY WELCOME TOO It’s WW2 themed. Gas masks, posters, programmes in an ARP fire-bucket and rude songs to cheer the troops on leave and show Hitler that B…
SOURCE: theatrecat.com at 10:02AMThursday, March 22, 2018
HARD HOMECOMINGS FOR THE DOGS OF WAR Boots, boots, boots, boots: stamping out the immemorial rhythm of army discipline, nineteen men and women move as one, expressionless, freed for a…
SOURCE: theatrecat.com at 04:21PMA SOLO REFLECTION ON PUBERTY AND AFTER. Naomi Sheldon’s solo, semi-autobiographical hour comes from Edinburgh crowned with plaudits, though cunningly in the programme she doe…
SOURCE: theatrecat.com at 08:32AMFOR ONCE IN A LIFETIME THE DEAR MENIER DOES NOT MAKE GUEST REVIEWER LUKE JONES HAPPY. NOT HAPPY AT ALL. EXCEPT AT THE PROJECTIONS. Two prisoners are locked in an Argentinia…
SOURCE: theatrecat.com at 07:35AMTuesday, March 20, 2018
IT’S THAT MAN AGAIN… It is awkward that two major new productions of the Scottish Play, by two determinedly auteurish directors, open in the same month. Rufus Norris’ bleak …
SOURCE: theatrecat.com at 07:16PMGUEST CRITIC JENNIFER-JANE BENJAMIN FINDS WHAT MATTERS Lights up. A confederate statue. A blackout. And it disappears. It’s November 1963 and we’re in Lake Charles, Louisiana. JFK…
SOURCE: theatrecat.com at 12:43PMSunday, March 18, 2018
SILENT, SIGNIFICANT CREATURES The candlelit Wanamaker has proved its worth as a music-room, notably with All The Angels and the divine Farinelli. This takes it further with the first …
SOURCE: theatrecat.com at 12:13PMFriday, March 16, 2018
DANGEROUS DAYS AND COURAGEOUS SCIENCE This terrific meteorological thriller, set in the crucial days before D-Day, is written by – and stars – David Haig. In 2014…
SOURCE: theatrecat.com at 07:52AMWednesday, March 14, 2018
FREE HANKY WITH EVERY PROGRAMME (honest..!) Ten years ago Emma Rice and her Kneehigh group brought this adaptation of Noel Coward’s heartrending film to the stage – to a c…
SOURCE: theatrecat.com at 10:15AMTuesday, March 13, 2018
A DARK SEASIDE PARABLE If there is one stumbling block for lovers of Graham Greene’s darkly thrilling gangster novel, it is the elegance of Gloria Onitiri. She is Ida; and Gr…
SOURCE: theatrecat.com at 06:40AMSaturday, March 10, 2018
DICKENS EXCEEDING EXPECTATIONS Putting great literary masterpieces onstage is an erratic business. Within the same week we see the Artistic Director of the National Theatre b…
SOURCE: theatrecat.com at 08:41AMThursday, March 8, 2018
SACRED AND PROFANE LOVE Is love a Gothic Cathedral, a yearning for a permanent, holy, respectful connection to the best in our nature? Or is it lust and fun, animal attraction,…
SOURCE: theatrecat.com at 02:19PMWednesday, March 7, 2018
THE SCOTTISH PLAY, DARK AND DANK You don’t expect robes and battlements these days. This is a shaven-head-and-machete Macbeth, its theme an indeterminate, timeless squalor: p…
SOURCE: theatrecat.com at 05:32PMTuesday, March 6, 2018
LOVE AND THE NOT-FOR-MARRYING MAN Love stories take many forms. Here – electric, understated, unmistakeable and timeless – the erotic connection is between Ben Batt’s Ge…
SOURCE: theatrecat.com at 01:06PMSaturday, March 3, 2018
MA’AM , THE MINION AND THE MACHO MAN “I never boasted an education. I learned tricks” says Princess Margaret, bitterly, at a late point in Richard Stirling’s interestin…
SOURCE: theatrecat.com at 09:03AMFriday, March 2, 2018
SIN OR SYMPTOM? A HUMAN TURNED TO A HORROR Last time I encountered a monologue written for a paedophile abuser, it was by Alan Bennett in a remarkable – and I think unrep…
SOURCE: theatrecat.com at 10:48AMThursday, March 1, 2018
FAIRY DUST AND PHYSICAL COMEDY I am happy to say that in the second act there is some inappropriate sexual harassment. By garishly clad fairies, deploying weaponized soprano trills an…
SOURCE: theatrecat.com at 07:08AMThursday, February 15, 2018
A CITY’S MEMORY Two girls on the Downs in 1940 giggle over a spot of rabbit-poaching on Lady Cooper’s land. A roar, Junkers overhead. Figures emerge from smoke and darkness as a c…
SOURCE: theatrecat.com at 11:25AMThursday, February 8, 2018
A WATCHFUL SORROW There are some evenings when, as the cast take their bow with that half-relaxed half-smile, you are shocked: you feel you have not been watching a performance…
SOURCE: theatrecat.com at 06:08AM 
