A COLLIDING WORLD Couldn’t miss this: for two years as a teenager (Dad in the Jo’burg Embassy) I lived alongside the frightened, arrogant paranoia of white South Africa un…
SOURCE: theatrecat.com at 05:18PM15 CHARACTERS OBJECTING TO AN AUTHOR.. The Jane Austen industry never flags, in tribute or in parody. You can barely throw a bonnet without hitting an Austentatious improv, popcor…
SOURCE: theatrecat.com at 06:45PMKING JOHN WAS NOT A GOOD MAN… Maybe we should stick to AA Milne’s version? “King John was not a good man He had his little ways And sometimes no one spoke to him For days an…
SOURCE: theatrecat.com at 09:18AMGLOBAL AND GENDER POLITICS IN PERFECT MINIATURE A glass conference-centre in the host nation France; a visiting US President avid for airstrikes after a terrorist outrage , deman…
SOURCE: theatrecat.com at 05:34PMGUEST REVIEWER BEN DOWELL SAYS HANKS FOR THE MEMORY , AND BRAVELY FACES THE WEIRDNESS This is a lavish revival of the 1996 musical version of the 1988 Tom Hanks fantasy comedy, complete w…
SOURCE: theatrecat.com at 07:02AMTHIRTY YEARS LATER AND STILL FURIOUS: HEDDA’S BACK Last night, while Parliament spiralled into disorderly, resentful confusion and Mr Bercow dramatically put an end to himself a…
SOURCE: theatrecat.com at 04:41PMOLD TIMES, OLD SORROWS: BEFORE THE RAINBOW With Parliament in uproar upriver , the NT hit a luckily apt moment to stage Simon Woods’ first play and promote it as a “witty and…
SOURCE: theatrecat.com at 06:32PMGUEST REVIEWER CHARLOTTE VALORI SWOONS OVER SWASHBUCKLING AT GRIMEBORN Director Emma Jude Harris “couldn’t believe her luck” when she discovered Cabildo, the only opera by pioneering…
SOURCE: theatrecat.com at 04:10AMBITTERLY BRITISH It was a good mix of ages in the Curve audience, so perhaps a public service to remind the rising generation, awash in Brexindignation, that Utterly-Despairi…
SOURCE: theatrecat.com at 01:05PMGUEST REVIEWER CHARLOTTE VALORI FINDS JOPLIN TROUBLINGLY FUN Scott Joplin was rightly proud of Treemonisha, an opera for which he wrote both libretto and score; it was never fully staged in …
SOURCE: theatrecat.com at 04:14AMGUEST REVIEWER CHARLOTTE VALORI MARVELS AT THE OPERATIC POTENTIAL OF SIGNDANCE The double bill of Gillian Whitehead’s Hotspur with Schoenberg’s great Modernist Pierrot Lunaire is the fir…
SOURCE: theatrecat.com at 08:23PMA STRANGE RESURRECTION, BETWEEN WARS A red sun was setting beyond the trees as we gathered around a square, isolated house in the golden-hour splendour. Here the land rises abo…
SOURCE: theatrecat.com at 07:42AMGUEST REVIEWER CHARLOTTE VALORI FINDS DIMNESS RATHER THAN DAWN AT GRIMEBORN If Aylin Bozok is directing anything at Grimeborn, I always try to go. I’ve been absolutely blown away by her pa…
SOURCE: theatrecat.com at 08:05AMGUEST REVIEWER CHARLOTTE VALORI FINDS NOT MUCH UNFOLDING AT GRIMEBORN I have to admit – I’m a sucker for a bit of rarefied Japanese elegance on stage in almost any context: the very ment…
SOURCE: theatrecat.com at 04:10AMGUEST REVIEWER BEN DOWELL SEES A GOOD SUBJECT NOT QUITE GETTING THERE… The trafficking of human beings – 7,000 identified in the UK in 2018 – is a disgusting blight on our country…
SOURCE: theatrecat.com at 12:05PMA GRIPPING PIECE OF HISTORY In 1944 the adventurous British director Peggy Webster cast the first black Othello in the USA, where for a white woman even to walk with …
SOURCE: theatrecat.com at 11:34AMGUEST REVIEWER CHARLOTTE VALORI GETS INTO THE BLITZ SPIRIT WITH OPERA ALEGRIA AT GRIMEBORN Rossini’s Le Comte Ory is a flirtatious farce in which a naughty young Count drives everyone de…
SOURCE: theatrecat.com at 01:37AMA YOUTHFUL HALLELUJAH ANother fascinating London premiere for Two’s Company and the Finborough, buried for nearly half a century after one brief 1970 tour . As Philip …
SOURCE: theatrecat.com at 07:52AMGUEST REVIEWER CHARLOTTE VALORI GOES BATS FOR BASELESS FABRIC’S SOCIAL MEDIA TAKE ON STRAUSS “I’m not saying I’m Batman. I’m just saying nobody has ever seen me and Batman in a roo…
SOURCE: theatrecat.com at 03:36AMGUEST REVIEWER CHARLOTTE VALORI CAN’T GET ENOUGH OF GRIMEBORN’S GLITTERING TREASURE The Ring Cycle is opera’s biggest box set: a sixteen-hour binge of dwarves, nymphs, dragons, gods, h…
SOURCE: theatrecat.com at 09:18PMROCK ’N ROLL N’ ROMEO Deep under the trees, beyond Jimmy’s meerkat and camel enclosures lies a 1960’s beach: shelter, deckchairs and lounging teens, Mods and Rocker…
SOURCE: theatrecat.com at 09:00AMGUEST REVIEWER CHARLOTTE VALORI GOES MAD FOR AMERICAN MONODRAMA A pairing of two American music dramas promised plenty of angsty feminist fun for a Friday night at Grimeborn; and I admit, in…
SOURCE: theatrecat.com at 08:39PMHEROIC ENDURANCE In the background a lecture in the old Home Service style, decorous and passionless, finishes relating the story of Sir Ernest Shackleton’s expedition: …
SOURCE: theatrecat.com at 05:03AMCOWBOYS WITHOUT INDIANS I suppose it’s perverse to start at the end, but of all the aspects of Jeremy Sams’ handsome production of the Rodgers & Hammerstein crowd-pleaser…
SOURCE: theatrecat.com at 11:34AMFALLEN ANGELS ENDURING THE STORM You can feel the heat in Rae Smith’s design, Mexican sun on the rock overhead, and the corrugated iron roofs of the rundown hotel. Somewher…
SOURCE: theatrecat.com at 05:30AMIT’S BACK, YOUNGER THAN EVER… We love a starry debut, especially on opening night in a huge theatre: a 21-year-old not yet through drama school making a stonking, belting …
SOURCE: theatrecat.com at 10:31AMDEVOTION , DISGUISE, DECADENCE What a strange and stirring play this is! Set in convent, court and condemned-cell, it is spiked with moral ambiguities and fuelled equally by s…
SOURCE: theatrecat.com at 01:03PMBLAIR TO BREXIT – A FAMILY TALE Jack Thorne and director John Tiffany, are the Harry Potter team. They know how not to bore. But they’ve been here before too in a R…
SOURCE: theatrecat.com at 05:29AMFARCE AS LIFE, LIFE AS FARCE, FRAYN AGAIN TRIUMPHANS It felt like a pilgrimage, homage to pay. 37 years ago Michael Frayn’s greatest of comedies, a wicked love-song to the …
SOURCE: theatrecat.com at 06:01AMCOMEDY SHADING TO MELANCHOLY: WHAT’S TO COME IS STILL UNSURE… First of all let’s say that Andrew Scott is a marvel, a 21st century Ur-Coward hero, who manages to do it with…
SOURCE: theatrecat.com at 06:06PMA SHILLING SHOCKER IS A JOY FOREVER To come clean: one reason I dashed to catch this fresh back from holiday is not only that the Finborough is always interesting, but that fa…
SOURCE: theatrecat.com at 03:40AM