Close Login Box
#liberated, a play created by The Living Room and conceived and scripted by Lillian Meredith which runs at IRT Theatre through June 17th, employs two play structures simultanously with intri…
Ms. Drury, without being too showy, infuses our experience with evocative contradictions, challenges, and perceptions of imagery, some of it imagined, but somehow, magically, some of it real…
A response to CAENIS at the Pace Gallery through March 19th.
Nice Fish, by Mark Rylance and Louis Jenkins, currently playing at St. Ann’s Warehouse through March 27th, takes this activity that most of us have never engaged in and makes it - at least…
Human Head Performance Group’s Due to Events, a curious collection of play pieces that have been constructed by Jean Ann Douglass and Eric John Meyer into a performance that runs through F…
Dan O'Neil reimagines a joke he once heard to the tune of VERSAILLES 2016, a 'play within a party' by This is Not a Theatre Company
On Monday night, New York Live Arts kicked off the 2016 Live Ideas festival, MENA/Future, which is devoted to a generation of artists whose creative networks across socio-political divides r…
Dan O'Neil reflects on immersive theater making via a response to THE GRAND PARADISE
A response to The Offending Gesture by Mac Wellman and what makes something 'work.'
Today’s revolution, soon to be rendered in strobe-washed detail by the performance group Motus at La MaMa
Dan O'Neil responds to 'Abyss' and its use of a prominent first-person narrator
An exploration of the 'course-driven' theater structure via CHASE - WHAT MATTERS MOST at Dixon Place
In Ayun Halliday's new play, all dialogue is culled from social media.
An essay response to the Big Outdoor Site-Specific Stuff Festival (Oct. 23-25, 2015)
A non-machine-based response to ‘Futurity’, a co-production between Ars Nova & Soho Rep playing at the Connelly Theater through Nov. 15, 2015.
Fire, as a concept or symbol, has taken on a wide range of meaning throughout literary and dramatic history. I think almost immediately of The Firebugs, a German play written in 1953 by Ma…
Mariah MacCarthy’s play Magic Trick unfolds itself over the course of about two and a half hours in semi-fragmented short-to-medium length scenes, weaving a narrative that functions…
A virtual tour of being in residence in New Orleans.
Grief counseling in the round, an immersive approach to remembering
On 7 Daughters of Eve Thr. & Perf. Co.’s ritualistic cleansing of sharecropper shame, song, and the danger of appropriation.
An interview with Tiny Little Band on belief, darkness, and how to build a show that seeks to disrupt certainty and replace it with something else.
A dialogue on dance, theater, and intuitive responses centered around David Neumann / Advanced Beginner Group's 'I Understand Everything Better' at Abrons Art Center through April 25.
Plays, words, bodies, video, and music collide in this immersive mash-up of ‘Hedda Gabler’ and ‘The Bacchae,’ at the Immersive Gallery through April 25th.
In Bambif*cker/Kaffeehaus, Little Lord presents a smorgasbord of indelicate delicacies.
Equal parts theater, music, and dog park, Comfort Dogs presents an environment suitable for howling at the moon.
Dan O'Neil on Prelude Festival 2014