All stories by Dan O'Neil on BroadwayStars

Friday, November 17, 2017

Wrestling with the formula for “Dance Theater” via Big Dance Theater’s 17c by Dan O'Neil

Stylistically, Big Dance Theater’s 17c (part of Brooklyn Academy of Music’s Next Wave Festival through November 18th, tickets from $24) invites comparison to (among other works) the film…

Linked From Culture Bot at 02:18AM
Tuesday, October 17, 2017

Bearing Witness To A Dragon-Slayer In The Body Of A Waif: Heather Christian’s ANIMAL WISDOM by Dan O'Neil

She exists, she conjures, she illuminates through whisper and scream.

Linked From Culture Bot at 10:24AM
Thursday, October 12, 2017

Should We All Move To Lexington? An Interview with Stephanie Troyak by Dan O'Neil

Dan O'Neil interviews Tantztheater Wuppertal Pina Bausch dancer Stephanie Troyak, and asks the question: "Can we make this?"

Linked From Culture Bot at 12:06PM
Thursday, October 5, 2017

Review: Paradiso: The Memory Room by Dan O'Neil

Dan O'Neil steps into an escape room as part of an immersive theater project. The post Review: Paradiso: The Memory Room appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 10:34PM

In Which A Booking Cancellation At The New Ohio Creates Space For Radical Community Recalibration: #AmericaAF by Dan O'Neil

To attend is to remind yourself how much we miss by relying on established institutions to deliver us our culture, pre-curated and mixed just so, on whatever silver platter they might have r…

Linked From Culture Bot at 12:06PM
Tuesday, October 3, 2017

How Do You Feel? by Dan O'Neil

In THE POWER OF EMOTION: THE APARTMENT, the notion of emotion as a perfomative element provides the foundation for a wider exploration on how we not only watch, but hear and interpret emotio…

Linked From Culture Bot at 11:36AM
Wednesday, September 27, 2017

Is Pop Music Universal? KPOP Turns Our Gaze Inward by Dan O'Neil

To what degree must our celebrities look, sound, and live lives enough like ours in order for us to fetishize becoming them?

Linked From Culture Bot at 11:12AM
Thursday, September 21, 2017

Leaving Home: Do NYC Critical Standards Negate Generosity? by Dan O'Neil

A response to The Krumple's 'YOKAI: Remedy for Despair' via the questioning of how one responds to art and how dependent that response is on form and location.

Linked From Culture Bot at 03:36AM
Wednesday, September 13, 2017

The Rape of the Sabine Women, By Grace B. Matthias – a discussion between Ned Moore & Dan O’Neil by Ned Moore and Dan O'Neil

If male artists were to spend the rest of their lives critiquing--as directly as this play critiques--the patriarchal authority of the Western canon, they would never run out of material.

Linked From Culture Bot at 11:18AM
Tuesday, June 13, 2017

Review: Bella: An American Tall Tale at Playwrights Horizons by Dan O'Neil

Kirsten Childs' larger than life heroine does some serious booty-smacking. Dan O'Neil reviews. The post Review: Bella: An American Tall Tale at Playwrights Horizons appeared first on Exeunt…

Linked From exeuntmagazine.com at 10:42PM
Thursday, June 8, 2017

Passing On the Passed (Past) by Dan O'Neil

I could go on, you should go on for me, counting heros not yet fallen.

Linked From Culture Bot at 02:12PM
Monday, June 5, 2017

The Art of Luv (Part 5): SWIPE RIGHT / ROKÉ CUPID takes on Internet Romance by Dan O'Neil

“If a clone was made of you, would you sleep with it?”

Linked From Culture Bot at 03:36PM
Friday, May 26, 2017

On Not ‘Getting It’ by Dan O'Neil

When one goes to the beach, does one lie on the sand and watch the water? Or does one wade in until they can barely reach the bottom?

Linked From Culture Bot at 12:48PM
Tuesday, March 28, 2017

New Industry Standards – 3 Hole Press & The Art of the Published Play by Dan O'Neil

In my early playwriting days, back when the majority of play submission opportunities had to be printed and mailed, it used to be very common to come across a submission guideline such as t…

Linked From Culture Bot at 05:48PM
Friday, January 27, 2017

Oh My God That’s Kevin Kelleher – Or, Does Specialness Only Exist In Your Mind? A Discussion with Tiny Little Band. by Dan O'Neil

Stefanie and Jerry, in the midst of a mysterious project that I now know addresses (among other things) heroes, myths, and specialness, are experiencing, as a result of the process, a transf…

Linked From Culture Bot at 06:18PM
Sunday, January 22, 2017

Considering Voiceover – via Kate Benson’s [Porto] at the Bushwick Starr by Dan O'Neil

Benson’s voiceover technique does all the good stuff and almost none of the bad stuff that you usually get from utilizing a narrator in the theater.

Linked From Culture Bot at 03:12PM
Wednesday, September 14, 2016

The Youthful Circle of THE WOLVES by Dan O'Neil

DeLappe presents us with a wholly updated picture of youth, in which social awareness has supplanted willful ignorance. The competitive and constantly shifting pecking order within their so…

Linked From Culture Bot at 06:33PM
Thursday, July 14, 2016

The Effects of Leaving Home – a response to NOTHIN’S GONNA CHANGE MY WORLD by Dan O'Neil

A response to Mia Rovegno's 'nothin's gonna change my world'

Linked From Culture Bot at 02:55PM
Monday, June 13, 2016

#liberated Takes On The Internet by Dan O'Neil

#liberated, a play created by The Living Room and conceived and scripted by Lillian Meredith which runs at IRT Theatre through June 17th, employs two play structures simultanously with intri…

Linked From Culture Bot at 01:02PM
Tuesday, March 29, 2016

Photo Taking and Theater Making: REALLY at Abrons Arts Center by Dan O'Neil

Ms. Drury, without being too showy, infuses our experience with evocative contradictions, challenges, and perceptions of imagery, some of it imagined, but somehow, magically, some of it real…

Linked From Culture Bot at 12:20PM
Thursday, March 17, 2016

CAENIS at Pace Gallery by Dan O'Neil

A response to CAENIS at the Pace Gallery through March 19th.

Linked From Culture Bot at 12:55PM
Wednesday, February 24, 2016

Nice Fish If You Can Catch It by Dan O'Neil

Nice Fish, by Mark Rylance and Louis Jenkins, currently playing at St. Ann’s Warehouse through March 27th, takes this activity that most of us have never engaged in and makes it - at least…

Linked From Culture Bot at 10:33AM
Thursday, February 18, 2016

Due to Events: Existential Squirreliness by Dan O'Neil

Human Head Performance Group’s Due to Events, a curious collection of play pieces that have been constructed by Jean Ann Douglass and Eric John Meyer into a performance that runs through F…

Linked From Culture Bot at 12:45PM
Tuesday, February 16, 2016

A Response to Versailles 2016 Via a Joke About a Polar Bear by Dan O'Neil

Dan O'Neil reimagines a joke he once heard to the tune of VERSAILLES 2016, a 'play within a party' by This is Not a Theatre Company

Linked From Culture Bot at 01:10PM
Thursday, February 11, 2016

Open Spectrum – February 13 at New York Live Arts by Dan O'Neil

On Monday night, New York Live Arts kicked off the 2016 Live Ideas festival, MENA/Future, which is devoted to a generation of artists whose creative networks across socio-political divides r…

Linked From Culture Bot at 04:12PM
Wednesday, February 3, 2016

On the Art of the Immersive, or Is This Even Theater? by Dan O'Neil

Dan O'Neil reflects on immersive theater making via a response to THE GRAND PARADISE

Linked From Culture Bot at 04:19PM
Thursday, January 14, 2016

On The Offending Gesture, or what means ‘work’? by Dan O'Neil

A response to The Offending Gesture by Mac Wellman and what makes something 'work.'

Linked From Culture Bot at 04:18PM
Monday, January 11, 2016

MDLSX, as a site of radical recomposition by Dan O'Neil

Today’s revolution, soon to be rendered in strobe-washed detail by the performance group Motus at La MaMa

Linked From Culture Bot at 04:45PM
Tuesday, December 1, 2015

On the First Person Narrator & ABYSS – a response by Dan O'Neil

Dan O'Neil responds to 'Abyss' and its use of a prominent first-person narrator

Linked From Culture Bot at 09:16AM
Tuesday, November 24, 2015

New Ways to Talk About the ‘Work’ – a course-driven response to ANIMALS by Dan O'Neil

An exploration of the 'course-driven' theater structure via CHASE - WHAT MATTERS MOST at Dixon Place

Linked From Culture Bot at 12:11PM
Saturday, November 14, 2015

How I Learned to ‘Like’ the Apocalypse – a response to ‘fawnbook’ by Dan O'Neil

In Ayun Halliday's new play, all dialogue is culled from social media.

Linked From Culture Bot at 11:38AM

All that Chat

2017-2018 BROADWAY SEASON