All stories by Charles McNulty on BroadwayStars

Friday, May 19, 2017

At the Ahmanson, 'Jersey Boys' puts another quarter in the jukebox by Charles McNulty

“Jersey Boys,” that perennial jukebox moneymaker, is back at the Ahmanson Theatre for reasons that are easily surmised. The coffers at Center Theatre Group are clearly crying out for rep…

SOURCE: Los Angeles Times at 03:50PM

Portrait of the artist as an ageless man: At 92, Peter Brook treads a different path through 'The Mahabharata' by Charles McNulty

Peter Brook talks about his production of "Battlefield" and the process of stripping away to get to theater's essence.

SOURCE: Los Angeles Times at 12:00PM
Tuesday, May 16, 2017

'Kiss' at the Odyssey: A rising Chilean playwright explores what gets lost in translation by Charles McNulty

A note in the press packet for the West Coast premiere of Guillermo Calderón’s “Kiss” at the Odyssey Theatre requests that critics “not give away details of the plot” in their rev…

SOURCE: Los Angeles Times at 07:45PM
Monday, May 15, 2017

And you thought your contractor was bad. Meet 'The Monster Builder' at South Coast Rep by Charles McNulty

Comedy of the crowd-pleasing variety is making a comeback on our stages this season. The Geffen Playhouse notched a hit with Matthew Lopez’s “The Legend of Georgia McBride,” a giggly r…

SOURCE: Los Angeles Times at 06:45PM
Monday, May 8, 2017

Rajiv Joseph's 'Archduke' at the Taper is an ambitious mix of history, comedy and tragedy by Charles McNulty

“Archduke,” the title of Rajiv Joseph’s new play, sounds like the answer to a high school social studies quiz on 20th century European history. As I hope all of you remember, the assas…

SOURCE: Los Angeles Times at 07:10PM
Tuesday, May 2, 2017

A critic's take on the Tony nominations: Kudos for rewarding inventive shows that take risks by Charles McNulty

What a difference a year makes. When the 2016 Tony nominations were announced, the suspense was over how many “Hamilton” would get. The show was a lock in most of the major categories, s…

SOURCE: Los Angeles Times at 04:25PM
Tuesday, April 18, 2017

With a heroic performance by its injured star, 'Groundhog Day' limps through opening night by Charles McNulty

Andy Karl, the star of the new Broadway musical “Groundhog Day,” reported for duty on Monday night at the August Wilson Theatre for the production’s official New York opening. It was u…

SOURCE: Los Angeles Times at 03:35PM
Sunday, April 16, 2017

Ibsen's radical 1879 play about women's equality gets a 2017 sequel: Lucas Hnath's 'A Doll's House, Part 2' by Charles McNulty

A door dominates the backdrop of Lucas Hnath’s “A Doll’s House, Part 2,” which picks up the story 15 years after Henrik Ibsen’s landmark drama ends. This is the door that Nora slam…

SOURCE: Los Angeles Times at 04:25PM
Thursday, April 13, 2017

Column: Tony Awards need a role for Hillary Clinton by Charles McNulty

Since the presidential election, private citizen Hillary Clinton has permitted herself two main types of recreation: hiking in the woods outside her Westchester County home and attending Bro…

SOURCE: St. Louis Today at 09:18PM
Monday, April 10, 2017

Why Hillary Clinton's Next Big Stage Should Be the Tony Awards by Charles McNulty

Draft Hillary Clinton to make a pro-NEA statement at the Tony Awards

SOURCE: Los Angeles Times at 07:21PM

Why Hillary Clinton's next big stage should be at the Tony Awards by Charles McNulty

Since the presidential election, private citizen Hillary Clinton has permitted herself two main types of recreation: hiking in the woods outside her Westchester County home and attending Bro…

SOURCE: Los Angeles Times at 02:15PM
Friday, April 7, 2017

Stripped-down staging brings clever moments in this long, long journey 'Into the Woods' by Charles McNulty

The trees are ropes resembling piano strings. The birds are folded sheets of stationery. The princes ride on stick horses. And the wolf stalking Little Red Ridinghood is mounted like a hunti…

SOURCE: Los Angeles Times at 11:55AM
Thursday, April 6, 2017

She's stepping down from A.C.T., but Carey Perloff continues the fight for women's stories by Charles McNulty

The moment I turned on my phone after landing in San Francisco for the opening of “Hamilton,” I was greeted with momentous local news: Carey Perloff, the artistic director of the America…

SOURCE: Los Angeles Times at 10:00AM
Saturday, April 1, 2017

A backstage, meditative adventure with 'The Encounter's' Simon McBurney by Charles McNulty

A conversation with British actor, writer and director Simon McBurney is a meditative adventure not unlike one of his genre-blurring theatrical collages created with his London-based interna…

SOURCE: Los Angeles Times at 11:00AM
Friday, March 31, 2017

Amy Brenneman as a damsel in distress? 'Rules of Seconds' has some surprises up its sleeve by Charles McNulty

The characters in “Rules of Seconds,” a new play by John Pollono at the Los Angeles Theatre Center, are a lively anachronistic mix. Their boots and pistols suggest the drama’s 1855 Bos…

SOURCE: Los Angeles Times at 05:05PM
Thursday, March 30, 2017

Lisa Loomer's 'Roe': An abortion drama that settles nothing by Charles McNulty

It has been 44 years since the Supreme Court’s landmark Roe v. Wade decision decriminalized abortion, but the debate has hardly been settled. The rhetoric has only grown more inflammatory,…

SOURCE: Los Angeles Times at 09:00AM
Friday, March 24, 2017

When feminist debate turns into an ideological free-for-all: It's the Wooster Group's 'Town Hall Affair' by Charles McNulty

The Wooster Group, venerable purveyor of postmodern performance collages, has come upon a gender-politics gold mine in the company's latest adventure in cockeyed cultural excavation. "The To…

SOURCE: Los Angeles Times at 11:15AM
Saturday, March 11, 2017

Deaf West sets out to tame 'Edward Albee's At Home at the Zoo' by Charles McNulty

Deaf West Theatre is back at the Wallis Annenberg Center for the Performing Arts after the company’s heralded revival of “Spring Awakening,” which catapulted itself to Broadway after i…

SOURCE: Los Angeles Times at 11:15PM
Monday, February 27, 2017

After all the crazy Oscar drama live onstage, one idea endures: the power of empathy by Charles McNulty

And the winner actually is … The final-act confusion over the best picture award that had movie moguls staggering out of the Dolby Theatre in Hollywood after Sunday’s Academy Awards was…

SOURCE: Los Angeles Times at 07:40PM
Friday, February 24, 2017

This 'Fun Home' weaves tragedy and comedy into a wholly original American musical by Charles McNulty

A musical with all the dramatic richness of a memorable play opened at the Ahmanson Theatre on Wednesday — a rare sighting that could induce a theater critic to genuflect if not erupt in a…

SOURCE: Los Angeles Times at 08:35AM
Thursday, February 23, 2017

Casey versus Denzel: Oscar's lead actor race is a dramatic study in contrasts by Charles McNulty

On the surface, Lee Chandler, the protagonist of “Manchester by the Sea,” and Troy Maxson, the central character of “Fences,” wouldn’t seem to have much in common. Sprung from diff…

SOURCE: Los Angeles Times at 09:00AM
Thursday, February 16, 2017

'Come From Away,' 'Amélie' and the long, bumpy road from West Coast to Broadway by Charles McNulty

“New musicals are never finished, only abandoned,” director Christopher Ashley quipped by phone a few days before flying to New York for the start of rehearsals for “Come From Away,”…

SOURCE: Los Angeles Times at 01:00PM
Monday, February 13, 2017

'Zoot Suit' at the Taper: An L.A. revival, perfectly timed by Charles McNulty

“Zoot Suit,” the landmark 1978 play by Luis Valdez that put the struggles of Mexican Americans front and center, is back where it originated at the Mark Taper Forum in an exhilarating re…

SOURCE: Los Angeles Times at 12:00AM
Sunday, February 12, 2017

'946: The Amazing Story of Adolphus Tips': All's bouncy on the home front by Charles McNulty

Kneehigh, the seriously playful British theater company that turned the classic film “Brief Encounter” into a charmingly inventive multimedia stage play, is back at the Wallis Annenberg …

SOURCE: Los Angeles Times at 06:05PM
Friday, February 10, 2017

Alfred Molina, Jane Kaczmarek and the slow burn of a 'Long Day's Journey Into Night' by Charles McNulty

America’s widespread opioid crisis has sadly made a crucial part of Eugene O’Neill’s “Long Day’s Journey Into Night” more relatable.  Mary, the strung-out mother in the play’…

SOURCE: Los Angeles Times at 02:15PM
Sunday, February 5, 2017

'Every Brilliant Thing' approaches suicide with touching comic sincerity by Charles McNulty

Something miraculous happens in “Every Brilliant Thing.” Something you might want to include on your own list of life-enhancing pleasures should you follow the lead of the protagonist, w…

SOURCE: Los Angeles Times at 04:35PM
Tuesday, January 31, 2017

'Beckett 5' at the Odyssey: five plays, two hours, one sinister ending by Charles McNulty

Just as the short stories in collections by Anton Chekhov, Flannery O’Connor, Grace Paley and Alice Munro are meant to be savored one small masterpiece at a time and not gobbled up indiscr…

SOURCE: Los Angeles Times at 06:40PM
Monday, January 30, 2017

At South Coast Rep, a stunning, gravity-defying stab at 'Moby Dick' by Charles McNulty

There’s no avoiding politics these days. Not even a thrilling stage adaptation of the great American novel set on the high seas can offer complete escape. At Saturday’s matinee of “Mob…

SOURCE: Los Angeles Times at 07:10PM
Thursday, January 19, 2017

In 'Adler & Gibb,' the business of art - painted with familiar brushstrokes by Charles McNulty

Last week an artistic leader greeted an opening-night audience with a spiel about why supporting theater is more important now than ever. She was referring to the new political reality, and …

SOURCE: Los Angeles Times at 05:00PM
Friday, January 13, 2017

The love of her life, and the lies that came with him: Singing '13 Things About Ed Carpolotti' by Charles McNulty

Penny Fuller plays a well-coiffed widow in “13 Things About Ed Carpolotti,” a charming cabaret-scale one-act musical in which her character finds out that the husband she’s mourning ha…

SOURCE: Los Angeles Times at 04:50PM
Monday, December 19, 2016

Notes on a truly Shakespearean year: An enlightened boldness brings out the best in the Bard by Charles McNulty

For better or worse, 2016 has been a truly Shakespearean year. It has also been the year of Donald Trump, a figure who could no doubt hold his own in one of Shakespeare’s ruthless history …

SOURCE: Los Angeles Times at 12:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime