All stories by Charles McNulty on BroadwayStars

Thursday, October 12, 2017

'Springsteen on Broadway': A rock-star confessional with heart by Charles McNulty

Bravo, Bruce. The star of Broadway's fall season delivers a piece of theater that few will forget - two hours of longing, loss, quiet melancholy and reflection, all from the man who was born…

SOURCE: Los Angeles Times at 08:00PM
Tuesday, October 3, 2017

Deaf West and Pasadena Playhouse populate 'Our Town' with fresh faces by Charles McNulty

“Our Town” has become such a chestnut that it’s easy to forget just how innovative it was when the drama premiered in 1938. Thornton Wilder’s style, so thoroughly absorbed by the 20t…

SOURCE: Los Angeles Times at 08:50PM

The audience, under fire: Why survival of culture depends on protection from guns by Charles McNulty

The word “audience” comes from the Latin word “audientia,” meaning a hearing. People gather to listen, and an individual or group is given the opportunity to be heard. It is a basic …

SOURCE: Los Angeles Times at 01:00PM

An actor transcends age: John Douglas Thompson melts away the years to play Hamlet at A.C.T. by Charles McNulty

John Douglas Thompson, the British-born actor of Jamaican heritage who trained in America and is now a citizen here, has carved out a reputation as one of our leading classical actors. His O…

SOURCE: Los Angeles Times at 08:00AM
Monday, September 25, 2017

In 'Head of Passes,' a mother comes to terms with a storm, a secret and God by Charles McNulty

“Head of Passes,” Tarell Alvin McCraney’s play set where the land trails off into the sea in hurricane-prone Louisiana, has undergone quite a bit of tinkering since I saw it at Berkele…

SOURCE: Los Angeles Times at 07:00PM
Sunday, September 17, 2017

Paul Rudnick's 'Big Night': Comedy and crisis in the awards machine of Hollywood by Charles McNulty

In a posh Beverly Hills hotel suite overflowing with gift baskets, Michael, the central character of Paul Rudnick’s tentative new comedy, “Big Night,” is anxiously primping for what ma…

SOURCE: Los Angeles Times at 08:20PM
Friday, September 15, 2017

Comedy, and sex, in the cancer ward? 'A Funny Thing Happened' goes there with glee by Charles McNulty

Karla, a struggling stand-up comic, is furiously jotting in her notebook while trying out different versions of a new routine. “I’ve been single for so long, I’ve started having sex dr…

SOURCE: Los Angeles Times at 02:55PM
Friday, September 8, 2017

'Iphigenia in Aulis' at Getty Villa: Chasing the ever-elusive Euripides by Charles McNulty

The straightforward production of “Iphigenia in Aulis” that opened Wednesday at the Getty Villa’s outdoor Barbara and Lawrence Fleischman Theater might be retitled “Clytemnestra,” …

SOURCE: Los Angeles Times at 02:55PM
Saturday, August 19, 2017

Who is Hamlet? Three actors make their case by Charles McNulty

Who is Hamlet? This might seem like a strange question to ask about the most famous character in all literature, a figure incarnated by some of the most brilliant actors of the last four cen…

SOURCE: Los Angeles Times at 11:00AM
Thursday, August 17, 2017

'Hamilton' brings its tale of American idealism to L.A. at a moment when it's needed by Charles McNulty

More than two years after “Hamilton: An American Musical” had its world premiere at New York’s Public Theater, becoming the biggest theatrical sensation in at least a generation, it’…

SOURCE: Los Angeles Times at 07:35PM
Thursday, August 10, 2017

Lost on Broadway: Michael Moore's 'The Terms of My Surrender' is a well-meaning misfire by Charles McNulty

NEW YORK — Michael Moore looked like a fish out of water — or was it a deer in headlights? — at a preview of his Broadway show, “The Terms of My Surrender,” which had its official …

SOURCE: Los Angeles Times at 07:00PM

A 'Hamilton' backlash? Why none of that matters with this history-making tour by Charles McNulty

Jumping on bandwagons is my least favorite activity. Don’t force me to tell you all the must-see movies I’ve skipped (“Forrest Gump” is all you’ll get out of me), the No. 1 bestsel…

SOURCE: Los Angeles Times at 08:00AM
Tuesday, August 8, 2017

Barbara Cook, a Broadway singer who revealed the great American songbook in a new light by Charles McNulty

Barbara Cook’s career can be divided into two parts: her Broadway ingénue years, in which she enchanted audiences with her glittering soprano, and her cabaret years, in which she basicall…

SOURCE: Los Angeles Times at 05:40PM
Tuesday, August 1, 2017

Pasadena Playhouse's 'Shout Sister Shout!': Why a rock trailblazer fails to ignite as theater by Charles McNulty

Add “Shout Sister Shout!” to the growing list of musicals that would make a more potent impression as a straightforward revue. The show, which is having its world premiere at Pasadena Pl…

SOURCE: Los Angeles Times at 05:40PM
Monday, July 31, 2017

Sam Shepard, the cowboy playwright who rewrote the rules of the American stage by Charles McNulty

Eugene O’Neil brought gravitas to the American theater. Tennessee Williams allowed it to lyrically sing. Arthur Miller raised its political temperature. And Edward Albee infused it with an…

SOURCE: Los Angeles Times at 09:20PM
Friday, July 28, 2017

In Antaeus Theatre Company's 'As You Like It,' missed connections foil romantic comedy by Charles McNulty

“Sweet are the uses of adversity,” the exiled Duke Senior asserts from his campground in the Forest of Arden in “As You Like It.” For a drama critic attending a lackluster production…

SOURCE: Los Angeles Times at 08:00PM
Wednesday, July 19, 2017

London calling: 'Angels in America' as fresh as ever at the National Theatre by Charles McNulty

LONDON — For an American theatergoer in London this summer, there can be little doubt that the best new play of the year so far is Tony Kushner’s “Angels in America” at the National …

SOURCE: Los Angeles Times at 06:30PM
Friday, July 7, 2017

Love, trickery and the drama of uncertainty: It's 'Heisenberg' at the Taper by Charles McNulty

Since David Lean’s 1945 film “Brief Encounter,” no romantic has been able to look at a banal railway station as simply a commuter hub. Each connecting line poses new amorous possibilit…

SOURCE: Los Angeles Times at 08:55PM

Oh, the dreaded intermission: Long plays at a time when shorter is sweeter by Charles McNulty

Enter any theater and an usher will probably volunteer answers to the questions on everyone's mind: How many minutes is the show, and is there an intermission? Why the answers matter more th…

SOURCE: Los Angeles Times at 08:00AM
Thursday, June 29, 2017

What would a theater critic write to the creator of 'Letters From a Nut'? Well, let's start with ... by Charles McNulty

Dear Ted L. Nancy: Congratulations on the success of your series of “Letters From a Nut” books. I have to admit I never heard of them until I received an invitation to attend your show a…

SOURCE: Los Angeles Times at 06:20PM
Thursday, June 22, 2017

Shakespeare and the politics of our age: Trump, 'Julius Caesar' and now 'Richard II' by Charles McNulty

Shakespeare clearly lies outside the right-wing attack machine’s area of expertise. While Breitbart News and friends were busy waging a full-scale war against the New York Public Theater�…

SOURCE: Los Angeles Times at 09:00AM
Wednesday, June 21, 2017

Embracing the chill in Jimmy Buffett's 'Escape to Margaritaville' by Charles McNulty

'Escape to Margaritaville,' Jimmy Buffett, La Jolla Playhouse, Christopher Ashley

SOURCE: Los Angeles Times at 05:55PM
Sunday, June 18, 2017

In 'The Conduct of Life,' witness an American classic that's more often taught than staged by Charles McNulty

Hero Theatre organized a festival last year in celebration of Cuban American playwright María Irene Fornés, a key figure in the off-off-Broadway theater movement who has had an influence o…

SOURCE: Los Angeles Times at 01:30PM
Thursday, June 15, 2017

The astrophysicist's rom-com: 'Constellations' at the Geffen by Charles McNulty

The opening scene of “Constellations,” the play by British dramatist Nick Payne that had a Broadway production in 2015 with Ruth Wilson and Jake Gyllenhaal, offers variations of the meet…

SOURCE: Los Angeles Times at 06:00PM
Tuesday, June 13, 2017

And the winner is ... a tie? Why this year's Tony Awards are so impossible to predict by Charles McNulty

You know it’s an interesting year for the Tony Awards when a critic is still arguing with himself in June over what should win best musical and best play. I’m divided between “Dear Eva…

SOURCE: Los Angeles Times at 09:36PM
Monday, June 12, 2017

Critic's analysis: Tonys spread the love in a year of innovation and risk-taking on Broadway by Charles McNulty

Inequality is a brute fact of American life and Broadway, increasingly divided between blockbuster hits and struggling also-rans, is hardly immune. But the Tony Awards tried to impose some j…

SOURCE: Los Angeles Times at 06:00AM
Monday, June 5, 2017

The secret to Tony Award nominee Laurie Metcalf's success? Brilliance and a whole lot of hard work by Charles McNulty

The secret to Tony Award nominee Laurie Metcalf's success? Brilliance and a whole lot of hard work

SOURCE: Los Angeles Times at 11:02PM

Racism, injustice and the echo of history in the one-man internment drama 'Hold These Truths' by Charles McNulty

In turbulent times, history itself becomes a source of suspenseful drama, as anxious citizens look to the past to predict what fresh hell is in store for them. “Hold These Truths,” a sol…

SOURCE: Los Angeles Times at 07:35PM

The secret to Tony Awards nominee Laurie Metcalf's success? Brilliance and a whole lot of hard work by Charles McNulty

For many aspiring thespians, the dream is to become a working actor. For Laurie Metcalf, a three-time Emmy-winner for her role as hapless Jackie on the sitcom “Roseanne” and a strong con…

SOURCE: Los Angeles Times at 01:00PM
Sunday, May 21, 2017

Center Theatre Group's starry 50th: From offending Ronald Reagan to Trump-era provocations by Charles McNulty

Center Theatre Group’s “50th Celebration,” which gathered celebrities, devoted patrons, philanthropists and swells in their spiffiest attire for a Saturday night shindig at the Ahmanso…

SOURCE: Los Angeles Times at 03:20PM
Friday, May 19, 2017

At the Ahmanson, 'Jersey Boys' puts another quarter in the jukebox by Charles McNulty

“Jersey Boys,” that perennial jukebox moneymaker, is back at the Ahmanson Theatre for reasons that are easily surmised. The coffers at Center Theatre Group are clearly crying out for rep…

SOURCE: Los Angeles Times at 03:50PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime