Thursday, February 9, 2023
The film helped bring breaking into the mainstream. Over the years, it also became famous for the subs and doubles of its star, Jennifer Beals.
SOURCE: The New York Times Subscription at 01:46PMWednesday, February 8, 2023
“Rome & Jewels,” revived at the Joyce Theater, established Rennie Harris as a gifted and canny choreographer of street styles for the concert stage.
SOURCE: The New York Times Subscription at 02:23PMFriday, February 3, 2023
“Memphis Jookin’: The Show,” which presents jookin “in the world it comes from,” is sincere entertainment, packed with talent and heart.
SOURCE: The New York Times Subscription at 02:31PMThe choreographer Troy Schumacher, the composer Ellis Ludwig-Leone and the novelist Karen Russell teamed up, pushing one another to new places in their mediums.
SOURCE: The New York Times Subscription at 05:00AMThursday, February 2, 2023
“Fortuitous Ash,” Keerati Jinakunwiphat’s first work for a ballet company, was spectral in two senses: ghostly and insubstantial.
SOURCE: The New York Times Subscription at 02:27PMSunday, January 22, 2023
The Russian dancer brought her star-and-her-friends touring program to New York City Center on Saturday for a sold-out, one-night-only show.
SOURCE: The New York Times Subscription at 02:53PMThursday, January 12, 2023
The American Dance Platform, this year curated by Ronald K. Brown, gives three companies a stage in New York.
SOURCE: The New York Times Subscription at 01:36PMWednesday, December 14, 2022
The Gibney Company presents Naharin’s “Yag,” but the dancers lack the stage presence to fully inhabit it.
SOURCE: The New York Times Subscription at 12:53PMSunday, December 11, 2022
At Alvin Ailey American Dance Theater’s current season at New York City Center, Twyla Tharp’s insouciance shines through, while anger rings true in “Survivors.”
SOURCE: The New York Times Subscription at 04:54PMFriday, December 9, 2022
“Rivulets,” with a score composed by the choreographer, brings a mesmerizing stream of consciousness to Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 06:28PMTuesday, December 6, 2022
After years of friendship and collaboration, Aaron Marcellus is writing the music for a new dance by Michelle Dorrance, his former tap teacher.
SOURCE: The New York Times Subscription at 01:25PMFriday, December 2, 2022
After a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMWednesday, November 30, 2022
The contemporary ballet company, whose chief choreographer is Dwight Rhoden, presented dances at the Joyce Theater that felt like more of the same.
SOURCE: The New York Times Subscription at 02:28PMMonday, November 21, 2022
Judith Sánchez Ruíz, a former dancer in the company, has been commissioned to make its first work not by Brown.
SOURCE: The New York Times Subscription at 11:00AMThursday, November 17, 2022
Jennifer Weber has two shows opening on Broadway, “&Juliet” and “KPOP,” and her “Hip-Hop Nutcracker” is coming to Disney+.
SOURCE: The New York Times Subscription at 10:00AMFriday, November 11, 2022
Vanessa Anspaugh’s dance “Mourning After Mornings” discovers and creates its own logic, mixing humor with grief.
SOURCE: The New York Times Subscription at 02:26PMJennifer Tipton, whose job usually entails serving the vision of choreographers and directors, has made her own show, the installation “Our Days and Night.”
SOURCE: The New York Times Subscription at 10:00AMFriday, November 4, 2022
The Brazilian troupe Lia Rodrigues Companhia de Danças makes its New York-area debut with “Fúria” as part of Montclair State University’s Peak Performances series.
SOURCE: The New York Times Subscription at 06:43PMThursday, November 3, 2022
Originally a virtual production earlier in the pandemic, this live version features an improvised duet between Casel and the pianist Arturo O’Farrill.
SOURCE: The New York Times Subscription at 01:21PMFriday, October 28, 2022
In “Unavailable Memory” at Baryshnikov Arts Center, dance artists fill in gaps in the choreographic record, but they don’t all speak fluent Cunningham.
SOURCE: The New York Times Subscription at 04:27PMThere were egos and clashes, but the choreographer and painter made 16 dances together over more than 50 years, work spotlighted in the Taylor company’s season.
SOURCE: The New York Times Subscription at 09:00AMWednesday, October 26, 2022
Niall Jones’s “Compression” at Performance Space New York asks that you adjust to the absence of the expected and tune into a different wavelength.
SOURCE: The New York Times Subscription at 01:34PMFriday, October 14, 2022
The choreographer Gisèle Vienne aims to open the doors of perception and bend our experience of time in “Crowd,” at the Brooklyn Academy.
SOURCE: The New York Times Subscription at 01:51PMMark Morris’s “The Look of Love” is set to Bacharach songs. “People are always saying, ‘Oh my God, he wrote that?’ That’s why I’m doing it,” Morris said.
SOURCE: The New York Times Subscription at 10:00AMThursday, October 13, 2022
For her piece at Madison Square Park, Beau Bree Rhee has come up with a term, “climate change bodies,” but not a dance vocabulary that expresses that idea.
SOURCE: The New York Times Subscription at 01:28PMFriday, October 7, 2022
In Kimberly Bartosik’s “The Encounter,” young performers and professional dancers navigate a world in turmoil, looking for a way out.
SOURCE: The New York Times Subscription at 01:06PMWednesday, October 5, 2022
After a complicated journey to New York, Malpaso made it to the Joyce Theater with a program that showed it trying on various styles.
SOURCE: The New York Times Subscription at 03:12PMTuesday, October 4, 2022
DorkyPark’s “Open for Everything,” coming to the Brooklyn Academy, is mostly light and playful, energized by Roma musicians.
SOURCE: The New York Times Subscription at 02:08PMFriday, September 30, 2022
Seán Curran Company and Darrah Carr Dance present “Céilí,” a pleasant show that doesn’t break much new ground.
SOURCE: The New York Times Subscription at 03:16PMSunday, September 25, 2022
Wednesday, September 21, 2022
In “Burn,” a one-man dance-theater work, Alan Cumming tries to reveal the inner life of the Scottish poet Robert Burns.
SOURCE: The New York Times Subscription at 01:33PM 
