All stories by Alexis Soloski on BroadwayStars

Friday, November 10, 2023

Curtains Down, Bottoms Up: When the Show Ends, the Night’s Just Getting Started by Alexis Soloski

“Dead Letter No. 9,” “Cocktail Magique” and “Hypnotique” are offering theatergoers a taste of nightlife.

SOURCE: The New York Times Subscription at 12:32PM
Wednesday, November 8, 2023

‘Sleep No More’ to Close in January by Alexis Soloski

The Off Broadway production opened at the McKittrick Hotel in 2011, and helped to alter and expand the landscape of immersive theater.

SOURCE: The New York Times Subscription at 02:36PM
Friday, November 3, 2023

‘Sabbath’s Theater’ Review: John Turturro Embodies a Life and a Libido by Alexis Soloski

Though a tour de force for its actors, an Off Broadway adaptation of Philip Roth’s willfully obscene 1995 novel is too faithful to its source.

SOURCE: The New York Times Subscription at 12:02PM
Thursday, November 2, 2023

‘I’m Still Alive’: Sean Young Takes the Stage in ‘Ode to the Wasp Woman’ by Alexis Soloski

“I walk into a show and everybody’s kind of a little afraid. Then I hear, ‘Oh, but you’re so nice,’” the actress said of her Hollywood baggage.

SOURCE: The New York Times Subscription at 07:36AM
Thursday, October 12, 2023

Under the Radar to Return, With New Partners by Alexis Soloski

The festival of experimental work is planning a citywide event at multiple venues in January, after the Public Theater declined to fund the 2024 iteration.

SOURCE: The New York Times Subscription at 12:19PM
Tuesday, October 3, 2023

In Season 3 of ‘Only Murders,’ the Show, and the Deaths, Went On by Alexis Soloski

Tuesday’s finale of “Only Murders in the Building” wrapped a season that was a love letter to Broadway musicals, not least because it was a little silly.

SOURCE: The New York Times Subscription at 01:13PM
Tuesday, September 19, 2023

Something for Everyone, Even Cannibals, at the Philadelphia Fringe by Alexis Soloski

The festival presents a violent Shakespearean interaction with fruit, dance for neurodiverse and neurotypical audiences and showers of (play) money.

SOURCE: The New York Times Subscription at 01:07PM
Thursday, September 14, 2023

In ‘The Refuge Plays,’ Nicole Ari Parker Comes Home by Alexis Soloski

“What the theater gives me is the feeling that I’m using everything,” the actress said of returning to the stage after a decade away.

SOURCE: The New York Times Subscription at 10:25AM
Wednesday, September 13, 2023

Four Theater Artists to Watch This Fall by Laura Collins-Hughes, Alexis Soloski, Brittani Samuel and Rhoda Feng

We spoke with two actors and two playwrights who will be in the spotlight this season.

SOURCE: The New York Times Subscription at 05:07AM
Friday, September 8, 2023

Rachel Bloom Enjoys the Ride by Alexis Soloski

The writer and actress visits Coney Island as the New York leg of “Death, Let Me Do My Show” arrives Off Broadway.

SOURCE: The New York Times Subscription at 01:37PM
Wednesday, September 6, 2023

Andrew Rannells and Josh Gad Tackle Another Book (Not Mormon) by Alexis Soloski

Twelve years after opening “The Book of Mormon,” the two actors — and good friends — return with “Gutenberg! The Musical!”

SOURCE: The New York Times Subscription at 05:25AM
Tuesday, August 22, 2023

Feminist Stories Are Being Set to a Pop Beat. But Are They Empowering? by Alexis Soloski

Our critics debate how well shows like “Six,” “& Juliet” and “Once Upon a One More Time” engage with the inner worlds of women onstage.

SOURCE: The New York Times Subscription at 05:07AM
Monday, August 21, 2023

‘El Mago Pop’ Review: Antonio Díaz’s Magic Show Is Charming by Alexis Soloski

In his Broadway debut, the illusionist Antonio Díaz does levitation and teleportation. But it’s simple tricks, with cards and balls, that really wow.

SOURCE: The New York Times Subscription at 09:33AM
Wednesday, August 9, 2023

In ‘Operation Mincemeat,’ the Theater of War Is a Comedy by Alexis Soloski

How a theater collective transformed the too-weird-to-be-true story of a World War II counterintelligence scheme into a West End musical with heart.

SOURCE: The New York Times Subscription at 02:37PM
Friday, July 14, 2023

Movie Stars and Broadway Veterans Share Theater Camp Memories by Alexis Soloski

In honor of “Theater Camp,” a new movie about a fictional sleepaway site, we asked Broadway veterans and movie stars for their favorite camp memories.

SOURCE: The New York Times Subscription at 11:37AM
Friday, June 30, 2023

‘The Democracy Project’ Brings Drama to Federal Hall by Alexis Soloski

In a show staged in Federal Hall, five prominent playwrights tell the story of the site of significant events in the country’s founding, without glossing over the uglier parts.

SOURCE: The New York Times Subscription at 07:19AM
Tuesday, June 20, 2023

In ‘A Simulacrum,’ Steve Cuiffo Has Nothing Up His Sleeves by Alexis Soloski

The magician worked with the playwright Lucas Hnath to create “a more vulnerable version of magic performance,” Hnath said.

SOURCE: The New York Times Subscription at 02:25PM
Monday, June 19, 2023

In NYC, an Immersive ‘Great Gatsby’ Takes You Back in Time by Alexis Soloski

The theatrical performance of F. Scott Fitzgerald’s 1925 novel, opening this month at the Park Central Hotel, is the latest in a very long, heavily sequined line of “Gatsby” adaptation…

SOURCE: The New York Times Subscription at 05:19AM
Wednesday, June 14, 2023

William Jackson Harper Needed to Do ‘Primary Trust’ by Alexis Soloski

The longtime New York actor explains why his character in Eboni Booth’s play about a lonely bookstore worker is closer to him than any other he’s taken on.

SOURCE: The New York Times Subscription at 01:43PM
Monday, June 12, 2023

Best and Worst Moments of the 76th Tony Awards by Jesse Green, Maya Phillips, Elisabeth Vincentelli, Laura Collins-Hughes, Alexis Soloski and Sarah Bahr

With a clever opening number and repeated support for striking writers, the Tonys celebrated Broadway’s shows, performers and creative teams.

SOURCE: The New York Times Subscription at 05:07AM
Thursday, June 8, 2023

For the Under the Radar Festival, the Experiment is Over for Now by Alexis Soloski

“It wasn’t a choice I would have made,” said Mark Russell, whose festival of experimental work will no longer be produced by the Public Theater.

SOURCE: The New York Times Subscription at 03:19PM
Monday, May 15, 2023

Review: A ‘Romeo and Juliet’ That Clowns Around With Tragedy by Alexis Soloski

Directed by Hansol Jung and Dustin Wills, this sportive, vividly acted production fails to make a convincing case for its new gags and directorial flights.

SOURCE: The New York Times Subscription at 01:06PM
Thursday, May 11, 2023

Review: At ‘Tartuffe’ in the Park, Hypocrisy Is No Picnic by Alexis Soloski

The 17th-century play, staged by the theater company Molière in the Park, skewers those who preach morality yet practice anything but.

SOURCE: The New York Times Subscription at 09:36PM
Wednesday, May 10, 2023

In ‘Sweeney Todd,’ Annaleigh Ashford Puts It All Together by Alexis Soloski

The musical comedy savant is a Tony nominee for playing Mrs. Lovett, a pie maker with an unusually gruesome recipe hack. “I can’t judge her. I just have to love her,” she said.

SOURCE: The New York Times Subscription at 05:32AM
Friday, May 5, 2023

Review: In ‘Dimanche,’ a Climate Emergency Comes to Stay by Alexis Soloski

Tornadoes whoosh dinner from the table and a shark swims through a flooded living room in a clown show that brings the environmental crisis home.

SOURCE: The New York Times Subscription at 12:07PM
Tuesday, May 2, 2023

Jodie Comer on Her Tony Nomination: It ‘Has to Mean More Than Just Me’ by Alexis Soloski

The actress said she hopes that the play continues to generate discussions around sexual assault and said the response so far has been “beautiful.”

SOURCE: The New York Times Subscription at 02:12PM

Tony Nomination Snubs and Surprises: Rachel Brosnahan, ‘Ain’t No Mo’’ and ‘& Juliet’ by Scott Heller and Alexis Soloski

Tony nominators singled out new faces and set up fascinating face-offs, but missed the chance to recognize a Native American breakthrough.

SOURCE: The New York Times Subscription at 01:03PM
Thursday, April 27, 2023

‘The Knight of the Burning Pestle’ Review: Wielding His Trusty Kitchen Tools by Alexis Soloski

With a 17th-century grocer as its hero, Red Bull Theater and Fiasco stage a 400-year-old comedy that’s both a satire of the theater and a valentine to it.

SOURCE: The New York Times Subscription at 07:48PM
Monday, April 17, 2023

‘Like a Romance’: Laura Linney and Jessica Hecht’s Spring Fling Onstage by Alexis Soloski

In David Auburn’s new play, “Summer, 1976,” the actresses play unlikely friends whose relationship has the intensity of a love affair.

SOURCE: The New York Times Subscription at 10:54AM
Friday, April 14, 2023

‘The Phantom of the Opera’: Thinking of a Spectacle Fondly by Joshua Barone, Alexis Soloski and Elisabeth Vincentelli

As the longest-running musical in Broadway history closes, Times critics with a lasting affection for the show take stock of its legacy.

SOURCE: The New York Times Subscription at 02:24PM
Wednesday, April 12, 2023

In ‘Prima Facie,’ Jodie Comer Finds Her Light by Alexis Soloski

The one-woman show, coming to Broadway, is the “Killing Eve” star’s first stage role. She dared herself to do it.

SOURCE: The New York Times Subscription at 08:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime