All stories by Alexis Soloski on BroadwayStars

Thursday, January 1, 2015

‘Sorry Robot,’ From Mike Iveson, Is at the Coil Festival by Alexis Soloski

Mike Iveson, a longtime presence on the New York stage, makes his playwriting debut.

SOURCE: The New York Times Subscription at 05:49PM
Saturday, December 27, 2014

Moira Buffini on ‘Dying for It’ at Atlantic Theater by Alexis Soloski

A proponent of expansive productions, Moira Buffini snips characters (and profanity) to get “Dying for It” into shape.

SOURCE: The New York Times Subscription at 04:27PM
Thursday, December 25, 2014

Times Writers Share Last Chance Theater Picks by Ben Brantley, Alexis Soloski and Laura Collins- Hughes

Times writers share last chance theater picks, including “Here Lies Love,” David Byrne and Fat Boy Slim’s musical biodrama of Imelda Marcos.

SOURCE: The New York Times Subscription at 05:09PM
Wednesday, December 24, 2014

Alexis Soloski’s top 10 US theatre of 2014 by Alexis Soloski

The Gowanus Canal became the hottest ticket in town, Neil Patrick Harris rocked as Hedwig and Will Eno explored life, death and love Continue reading...

SOURCE: The Guardian at 01:59AM
Thursday, December 18, 2014
Tuesday, December 16, 2014

Theater Review: ‘Not the Messiah (He’s a Very Naughty Boy),’ by Eric Idle by Alexis Soloski

A Monty Python sensibility permeates “The Messiah” in a comic oratorio based on the film “Life of Brian,” at Carnegie Hall.

SOURCE: The New York Times Subscription at 02:01PM
Friday, December 12, 2014

Theater Review: The Immediate Family Adapts 'Peer Gynt' by Alexis Soloski

The Immediate Family stages a whittled-down, sexed-up and feisty version of Ibsen’s “Peer Gynt.”

SOURCE: The New York Times Subscription at 06:54PM

Theater Review: 'Howie the Rookie,' in BAM’s Next Wave Festival by Alexis Soloski

Mark O’Rowe’s word-drunk and whiskey-soaked 1999 play, “Howie the Rookie,” returns, to the Fishman Space at BAM Fisher.

SOURCE: The New York Times Subscription at 04:45PM

Theater Review: 'War Lesbian' Gives Ellen DeGeneres a Demonic Twist by Alexis Soloski

Kristine Haruna Lee’s lively “War Lesbian,” at Dixon Place, is set in a world where Ellen DeGeneres is a demonic demigod.

SOURCE: The New York Times Subscription at 01:43PM
Monday, December 8, 2014

The Elephant Man review – Bradley Cooper is almost unrecognisable by Alexis Soloski

Booth theatre, New YorkEschewing makeup, the Hollywood star gives a bravura performance as John Merrick but Bernard Pomerance’s play feels brittle and artificialPerhaps you were hoping for…

SOURCE: The Guardian at 07:12AM
Thursday, December 4, 2014

Theater Review: Truman Capote’s ‘A Christmas Memory,’ From Irish Repertory by Alexis Soloski

A boy and his elderly cousin enact an annual holiday ritual in Truman Capote’s “A Christmas Memory,” adapted as a musical presented by the Irish Repertory Theater.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, December 3, 2014

Theater Review: Jeff Achtem Plays With Puppets in ‘Swamp Juice’ by Alexis Soloski

In the comedian Jeff Achtem’s “Swamp Juice,” a despicable man enjoys torturing snail, snake and bird puppets in the bayou.

SOURCE: The New York Times Subscription at 03:58PM

Snapshot: Nneka Okafor Discusses Her Role in ‘Our Lady of Kibeho’ by Alexis Soloski

Nneka Okafor, starring in Katori Hall’s “Our Lady of Kibeho,” talks about her star turn, religious experiences and Texas cuisine.

SOURCE: The New York Times Subscription at 01:21PM
Tuesday, December 2, 2014

Theater Review: Metropolitan Playhouse Revives ‘Rollo’s Wild Oat’ by Alexis Soloski

In “Rollo’s Wild Oat,” a 1920 comedy by Clare Beecher Kummer, a rich man buys his way into playing Hamlet on Broadway and then tries to win Ophelia.

SOURCE: The New York Times Subscription at 01:04PM
Sunday, November 30, 2014

Joseph Silovsky Revisits Sacco and Vanzetti by Alexis Soloski

Joseph Silovsky’s “Send for the Million Men,” based on the 1927 execution of the anarchists Sacco and Vanzetti, stars his signature creation: a robot called Stanley.

SOURCE: The New York Times Subscription at 04:55PM
Monday, November 24, 2014

Theater Review: Shakespeare's ‘Pericles, Prince of Tyre,' at the Public Theater by Alexis Soloski

The Public Theater’s production of Shakespeare’s “Pericles, Prince of Tyre” moves along quickly, despite a plot loaded with details.

SOURCE: The New York Times Subscription at 05:40PM

Can Sting keep The Last Ship afloat? by Alexis Soloski

The Broadway musical’s writer will take the lead role from 9 December to prevent it from sinking at the box office – but its problem is not lack of star power Continue reading...

SOURCE: The Guardian at 05:02PM
Friday, November 21, 2014

Theater Review: 'Major Barbara' Is Revived at the Pearl Theater by Alexis Soloski

The Pearl Theater revival of George Bernard Shaw’s 1905 “Major Barbara,” pitting poverty against wealth, is directed by David Staller.

SOURCE: The New York Times Subscription at 06:27PM

A Delicate Balance review – home is where the hate is in tense drama by Alexis Soloski

Glenn Close, John Lithgow and Lindsay Duncan bring out the ominous, lacerating qualities in an Edward Albee play that has barely dated Continue reading...

SOURCE: The Guardian at 11:45AM
Thursday, November 20, 2014

Actors in ‘Punk Rock’ Tap Into Teenage Alienation by Alexis Soloski

Seven actors draw on their adolescence to animate “Punk Rock,” a drama about the power, vulnerability and confusion of youth, set at a private school in England.

SOURCE: The New York Times Subscription at 12:12PM
Wednesday, November 19, 2014

Theater Review: ‘The Underclassman’ Is Based on Early Fitzgerald by Alexis Soloski

“The Underclassman” is adapted from F. Scott Fitzgerald’s earliest novel, loosely based on his days at Princeton.

SOURCE: The New York Times Subscription at 10:01PM
Tuesday, November 18, 2014

Side Show review: strange cult musical gets revamped, but problems remain by Alexis Soloski

St James Theatre, New YorkRevived by the director of the movie version of Chicago, this story about conjoined twins never gets to the heart of what makes the two women tick Continue reading.…

SOURCE: The Guardian at 11:29AM
Monday, November 17, 2014

The River review Hugh Jackman brings brooding splendour to Broadway by Alexis Soloski

Circle in the Square, New YorkJackman reels in the audience but theres plenty more to savour in Jez Butterworths moody, elegiac and fishy tale Continue reading...

SOURCE: The Guardian at 06:53AM
Wednesday, November 12, 2014

Theater Review: ‘Chairs and a Long Table,’ About Slighting Asians Onstage by Alexis Soloski

The lingering theatrical convention of casting Caucasians in roles that call for Asians incites exasperation in Han Ong’s play “Chairs and a Long Table.”

SOURCE: The New York Times Subscription at 03:15PM

Lost Lake review: emotional, intelligent  but lacking in thrills by Alexis Soloski

City Center, New YorkThe stage is set for a thriller, but David Auburns play, while accurate in its portrayal of human relationships, never delivers a knockout blow Continue reading...

SOURCE: The Guardian at 10:58AM
Sunday, November 9, 2014

Theater Review: Nikkole Salter’s ‘Carnaval’ Explores Black Masculinity by Alexis Soloski

In Nikkole Salter’s “Carnaval,” three men travel to Rio de Janeiro, in an exploration of black masculinity and friendship.

SOURCE: The New York Times Subscription at 03:40PM
Thursday, November 6, 2014

‘Side Show’ Twins, Emily Padgett and Erin Davie, Connect by Alexis Soloski

Emily Padgett and Erin Davie star as the performers Daisy and Violet Hilton, conjoined twins, in the Broadway revival of the musical “Side Show.”

SOURCE: The New York Times Subscription at 12:07PM
Wednesday, November 5, 2014

Theater Review: ‘Lift,’ by Walter Mosley, From Crossroads Theater Company by Alexis Soloski

Two African-American executives, caught in an elevator during a building crisis, discuss matters of class and sex as well their own threatened physical safety.

SOURCE: The New York Times Subscription at 05:49PM
Tuesday, November 4, 2014

Theater Review: Genet Interpreted Anew in ‘The Maids’ The Maids’ by Alexis Soloski

Genet’s “The Maids” is reconceived with a little help from the professionals — professional housekeepers, that is — at Abrons Arts Center.

SOURCE: The New York Times Subscription at 01:22PM
Monday, November 3, 2014

Theater Review: ‘Buzz,’ a New Play by Benjamin Kunkel by Alexis Soloski

Benjamin Kunkel’s “Buzz” follows a playwright and his girlfriend in their South Brooklyn apartment.

SOURCE: The New York Times Subscription at 05:18PM
Friday, October 31, 2014

Theater Review: ‘October in the Chair and Other Fragile Things’ by Alexis Soloski

Old Sound Room, a company built by recent Yale School of Drama grads, has adapted spooky yarns plucked from Neil Gaiman’s “Fragile Things.”

SOURCE: The New York Times Subscription at 07:19PM