Friday, October 31, 2014
Old Sound Room, a company built by recent Yale School of Drama grads, has adapted spooky yarns plucked from Neil Gaiman’s “Fragile Things.”
SOURCE: The New York Times Subscription at 07:19PMAmerican Airlines theatre, New YorkThe shows stars give complex and endearing performances, but this is an emotionally distant revival of Tom Stoppards heart-wrenching play Continue reading.…
SOURCE: The Guardian at 05:39AMThursday, October 30, 2014
In “The Dreary Coast,” an immersive theatrical work from Jeff Stark, Hades, king of the underworld, sits enthroned on the banks of the Gowanus Canal.
SOURCE: The New York Times Subscription at 05:38PMMonday, October 27, 2014
Neil Simon Theatre, New YorkThe folk-inflected songs are full of vigour and Jimmy Nail proves distractingly charismatic in this industrial musical Continue reading...
SOURCE: The Guardian at 03:01AMNeil Simon Theatre, New YorkThe folk-inflected songs are full of vigour and Jimmy Nail proves distractingly charismatic in this industrial musicalAfter suffering 10 years of writer’s block…
SOURCE: The Guardian at 03:01AMFriday, October 24, 2014
Lyceum theatre, New YorkA posse of TV talent tackles a Pulitzer prize-winning drama that asks difficult questions of religion, assimilation and individuality Continue reading...
SOURCE: The Guardian at 04:18PMThursday, October 23, 2014
James Dickey’s 1970 novel, “Deliverance,” has been given the theatrical treatment by the Godlight Theater Company.
SOURCE: The New York Times Subscription at 03:06PMTuesday, October 21, 2014
Kimber Lee’s “brownsville song (b-side for tray),” at the Claire Tow Theater, explores a teenager’s death.
SOURCE: The New York Times Subscription at 11:55AMMonday, October 20, 2014
“Inner Voices” consists of two solo musicals: one about an artist whose friend is dying of AIDS in the next room, and the other about a famous writer in the process of going blind.
SOURCE: The New York Times Subscription at 06:38PMFriday, October 17, 2014
Mark Dendy, a Broadway choreographer, structures his autobiographical piece “Labryinth” around the myth of Theseus, combining confession with dance, video and songs.
SOURCE: The New York Times Subscription at 05:56PMFriday, October 10, 2014
Not even Nathan Lane and a slew of vulgar jokes can save this play about plays from Terrence McNallys sour scriptF Murray Abraham: I am afraid of nothing on stage Continue reading...
SOURCE: The Guardian at 01:40PMThursday, October 9, 2014
The Assembly’s “That Poor Dream” is an expressive, uneven update of Charles Dickens’s “Great Expectations.”
SOURCE: The New York Times Subscription at 06:05PMTuesday, October 7, 2014
“The Killing of Sister George,” a 1964 black comedy, features a radio actress whose personality is at odds with her sweet on-air character.
SOURCE: The New York Times Subscription at 10:00PMMonday, October 6, 2014
Ethel Barrymore theatre, New YorkAlex Sharp delivers a star turn in an amped-up staging of Mark Haddons bestselling novel Continue reading...
SOURCE: The Guardian at 10:57AMThursday, October 2, 2014
The Bushwick Starr, a dingy, elegant but strangely welcoming performance space in Brooklyn, has become a bright spot on the Off Off Broadway map.
SOURCE: The New York Times Subscription at 12:51PMWednesday, October 1, 2014
Films of different genres and eras run through “Alan Smithee Directed This Play: Triple Feature,” presented by Big Dance Theater at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 05:51PMMonday, September 29, 2014
Scott Elliss revival of the 1936 play, starring James Earl Jones, will melt the hardest hearts with its strange central family Continue reading...
SOURCE: The Guardian at 10:27AMThursday, September 25, 2014
Self-effacing in person, Romola Garai, making her New York theater debut in Tom Stoppard’s “Indian Ink,” is drawn to strong-willed characters on the stage and screen.
SOURCE: The New York Times Subscription at 06:06PMTuesday, September 23, 2014
In “A Sucker Emcee,” Craig Grant, known as muMs, recounts his ups and downs in rhymed couplets while a D.J. plays hip-hop.
SOURCE: The New York Times Subscription at 10:00PMThursday, September 18, 2014
In “riverrun,” a solo show at the Brooklyn Academy of Music, Olwen Fouéré plays the character who personifies the River Liffey in “Finnegans Wake.”
SOURCE: The New York Times Subscription at 06:11PMEveretts shtick is a little samey, but theres something deeply gratifying about a woman celebrating her appetite for sex and rocknroll Continue reading...
SOURCE: The Guardian at 12:22PMWednesday, September 17, 2014
A houseful of immigrant women, three of whom work the same, numbing factory job, are at the center of “To the Bone,” a play by Lisa Ramirez at the Cherry Lane Theater.
SOURCE: The New York Times Subscription at 10:00PMTuesday, September 16, 2014
In “Ndebele Funeral,” at 59E59 Theaters, a woman afflicted with AIDS prepares to die in a South Africa beset by bleak realities.
SOURCE: The New York Times Subscription at 10:00PMFriday, September 12, 2014
Kenneth Lonergans breakout play revived with three young stars in a cruel to be kind portrayal of disillusioned youth Continue reading...
SOURCE: The Guardian at 06:45AMThursday, September 11, 2014
The playwright and director and some of the actors in the coming revival of “Love Letters” answer questions about the lost art of the title.
SOURCE: The New York Times Subscription at 12:39PMTuesday, September 9, 2014
Milton Rokeach’s psychological study with three paranoid schizophrenics is the basis of the play “3 Christs.”
SOURCE: The New York Times Subscription at 04:29PMKeke Palmer transforms the historically white Disney princess months after Norm Lewis becomes Broadways first black Opera phantom but is the industry moving fast enough? Continue reading...
SOURCE: The Guardian at 11:45AMThursday, September 4, 2014
Wednesday, September 3, 2014
“Trade Practices,” presented on Governors Island, explores investing and market forces using swordplay and song-and-dance numbers.
SOURCE: The New York Times Subscription at 04:12PMTuesday, September 2, 2014
Richard Schechner, 80, talks about his latest work, “Imagining O,” and pairing erotica and contemporary avant-garde.
SOURCE: The New York Times Subscription at 06:16PMWednesday, August 27, 2014
Lear deBessonet, whose musical adaptation of “The Winter’s Tale” opens Friday at the Delacorte Theater, has found a way to reconcile her activism with her art.
SOURCE: The New York Times Subscription at 12:54PM 
