All stories by Alexis Soloski on BroadwayStars

Wednesday, February 18, 2015

Hamilton review – founding father gets a hip-hop makeover by Alexis Soloski

Public Theater, New YorkThis exuberant and original new musical mashes up genres from rap to operetta, creating a flawed but glorious portrait of the face on the $10 billIn a letter to Georg…

SOURCE: The Guardian at 12:01AM
Tuesday, February 17, 2015

Mac Wellman, a Playwriting Mentor Whose Only Mantra Is Oddity by Alexis Soloski

A professor at Brooklyn College has helped to turn out some of the city’s most wildly inventive young playwrights by shooing them out of their comfort zones.

SOURCE: The New York Times Subscription at 05:42PM
Friday, February 13, 2015

The Iceman Cometh review – a near-perfect Eugene O'Neill by Alexis Soloski

Brooklyn Academy of Music, New YorkLaughter in the dark rings loudly in this uncut, immaculately cast and virtuosically staged five-hour version of O’Neill’s excoriating drama Continue r…

SOURCE: The Guardian at 09:36AM
Thursday, February 12, 2015

Theater Review: Review: ‘Everything You Touch,’ a Brash Examination of Self-Image by Alexis Soloski

Sheila Callaghan’s volatile new work touches on beauty and body image, intimacy and alienation, art and commerce, fantasy and reality.

SOURCE: The New York Times Subscription at 10:00PM

Cush Jumbo Summons the Spirit of Josephine Baker at Joe’s Pub by Alexis Soloski

“Josephine and I,” Ms. Jumbo’s new solo show, tells the story of Josephine Baker, the St. Louis-born performer who became a legend in Paris.

SOURCE: The New York Times Subscription at 02:14PM

Brian Dennehy: 'My director says I have more rage than anyone he's known' by Alexis Soloski

At 76, the actor is currently climbing a theatrical mountain: the five hours of Eugene O’Neill’s bleak The Iceman Cometh. Yet he can’t resist – the playwright’s work, he says, is �…

SOURCE: The Guardian at 12:38PM

Brian Dennehy: 'My director says I have more rage than anyone he's known' by Alexis Soloski

At 76, the actor is currently climbing a theatrical mountain: the five hours of Eugene O’Neill’s bleak The Iceman Cometh. Yet he can’t resist – the playwright’s work, he says, is �…

SOURCE: The Guardian at 12:38PM
Sunday, February 8, 2015

Theater Review: ‘The Listeners,’ a Matthew Freeman Drama at the Brick by Alexis Soloski

The play “The Listeners” centers on two drifters, contradictions and shifting identities.

SOURCE: The New York Times Subscription at 05:47PM
Thursday, February 5, 2015

Theater Review: ‘City Of,’ by Anton Dudley, Has People and Parisian Statues by Alexis Soloski

Anton Dudley’s “City Of” focuses on four Americans stumbling around Paris, and a gargoyle named Pierre.

SOURCE: The New York Times Subscription at 10:00PM
Monday, February 2, 2015

Theater Review: ‘The Human Symphony,’ From the New York Neo-Futurists by Alexis Soloski

“The Human Symphony,” Dylan Marron’s new play, is performed by six audience members taking instruction from MP3 tracks.

SOURCE: The New York Times Subscription at 04:44PM
Sunday, February 1, 2015

Theater Review: ‘Shesh Yak’ Stars Laith Nakli and Zarif Kabier by Alexis Soloski

“Shesh Yak,” created by Laith Nakli, is set four years ago during the first heady days of protest during the uprising in Syria.

SOURCE: The New York Times Subscription at 05:39PM
Friday, January 30, 2015

A Month in the Country review: Taylor Schilling stars in pleasant but anaemic play by Alexis Soloski

The star of Orange is the New Black proves that she’s a real theatre actor, but for all the fine performances, this is a tepid revival of a second-rate play Continue reading...

SOURCE: The Guardian at 11:47AM
Monday, January 26, 2015

Theater Review: ‘Nevermore,’ a Musical Biography of Edgar Allan Poe by Alexis Soloski

Jonathan Christenson’s “Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe” opens at New World Stages.

SOURCE: The New York Times Subscription at 04:24PM

Theater Review: ‘Da,’ Hugh Leonard’s 1978 Tony Winner, Via Irish Rep by Alexis Soloski

“Da,” Hugh Leonard’s semi-autobiographical work, is a memory play with a spectral turn as a son is visited by his father’s ghost.

SOURCE: The New York Times Subscription at 02:18PM

Let the Right One In review – an uncanny love story of pure theatricality by Alexis Soloski

St Ann’s Warehouse, New YorkHaving played in London and Scotland, this stage version of the Swedish book and film has lost none of its eeriness – or its brutality Continue reading...

SOURCE: The Guardian at 10:49AM
Thursday, January 22, 2015

Into the Woods review – a bare-bones take on a meaty musical by Alexis Soloski

The Harold and Miriam Steinberg Centre for Theatre, New YorkA lo-fi version of Stephen Sondheim’s classic, currently in the cinema, manages to be both lucid and moving – despite the odd …

SOURCE: The Guardian at 11:00PM

Theater Review: ‘Winners,’ a Domestic Comedy at Ensemble Studio Theater by Alexis Soloski

Maggie Bofill’s domestic comedy “Winners” stars Grant Shaud and Florencia Lozano as a couple with relationship and peanut butter problems.

SOURCE: The New York Times Subscription at 10:00PM

‘Rasheeda Speaking’ Stars Tonya Pinkins and Dianne Wiest by Alexis Soloski

“Rasheeda Speaking,” by the Chicago playwright Joel Drake Johnson, is a dark comedy about racism both covert and obvious, and stars Tonya Pinkins and Dianne Wiest.

SOURCE: The New York Times Subscription at 12:47PM
Tuesday, January 20, 2015

Theater Review: ‘Mrs. Mayfield’s Fifth-Grade Class of ’93 20-Year Reunion’ by Alexis Soloski

Caps Lock Theater’s immersive, site-specific “Mrs. Mayfield’s Fifth-Grade Class of ’93 20-Year Reunion” enlists its audience members as classmates.

SOURCE: The New York Times Subscription at 05:34PM
Thursday, January 15, 2015

Honeymoon in Vegas review – high rollers in a low-rent show by Alexis Soloski

Nederlander Theatre, New YorkDrab sets, bad politics and wince-inducing stereotypes sink this threadbare production, in which Tony Danza steals scenes but can’t save themThe first rule of …

SOURCE: The Guardian at 11:00PM

Theater Review: Reggie Watts and Marie-Caroline Hominal Come to the Public Theater by Alexis Soloski

The Under the Radar theater festival at the Public Theater features Reggie Watt’s “Audio Abramovic” and Marie-Caroline Hominal’s “The Triumph of Fame.”

SOURCE: The New York Times Subscription at 07:11PM
Wednesday, January 14, 2015

Theater Review: Andrew Schneider’s ‘Youarenowhere’ Is at the Coil Festival by Alexis Soloski

In Andrew Schneider’s inventive, astounding and inexplicably shirtless “Youarenowhere,” part of the Coil festival, digital marvels synchronize with analog dance and personal revelation.

SOURCE: The New York Times Subscription at 06:35PM
Tuesday, January 13, 2015

Constellations review: Wilson and Gyllenhaal see stars in each other's eyes by Alexis Soloski

Samuel J Friedman theatre, New YorkThe play may fixate on physics, but the chemistry between the two leads is potent enough to move an audience to tearsIf the science at the center of Nick P…

SOURCE: The Guardian at 11:00PM
Friday, January 9, 2015

Courtney Love's 'theatricalised concept album' sounds practically amphibian by Alexis Soloski

Prototype festival, New YorkKansas City Choir Boy, the singer’s show with composer Todd Almond, has wayward charisma and shades of The Odyssey and Kurt Weill – but there’s no erotic ch…

SOURCE: The Guardian at 08:49AM
Thursday, January 8, 2015

Theater Review: ‘My Voice Has an Echo in It,’ Part of the Coil Festival by Alexis Soloski

In “My Voice Has an Echo in It,” by the Temporary Distortion multimedia theater company, four band members play for six hours in a room-size box walled by mirrors.

SOURCE: The New York Times Subscription at 05:26PM

David Foster Wallace's stories of lobsters and porn prove a stage sensation by Alexis Soloski

In A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, the late writer’s quicksilver words are performed by a cast inundated with tennis balls“Ever try to co…

SOURCE: The Guardian at 11:49AM
Tuesday, January 6, 2015

Wicked and The Lion King – Broadway booms by playing it safe by Alexis Soloski

Stratospheric ticket prices means audiences are reluctant to take risks, so New York’s hardcore theatre lovers must look enviously to the West EndSting’s musical The Last Ship ends its v…

SOURCE: The Guardian at 09:40AM
Monday, January 5, 2015

Books of The Times: Pamela Katz’s ‘The Partnership,’ on Weill and Brecht by Alexis Soloski

Pamela Katz’s “The Partnership: Brecht, Weill, Three Women, and Germany on the Brink” is an account of “The Threepenny Opera” collaborators Kurt Weill and Bertolt Brecht.

SOURCE: The New York Times Subscription at 04:31PM
Friday, January 2, 2015

Tina Satter Readies the Stage for ‘Ancient Lives’ by Alexis Soloski

The work of the playwright and director Tina Satter, whose “Ancient Lives” opens at the Kitchen on Wednesday, blends coziness and estrangement, weirdness and familiarity.

SOURCE: The New York Times Subscription at 05:07PM
Thursday, January 1, 2015

January Stages: Theater Festivals Include Under the Radar and American Realness by Alexis Soloski

January, once a quiet time for downtown theater, is now busy with stage festivals, among them Coil, Prototype, Under the Radar and American Realness.

SOURCE: The New York Times Subscription at 06:02PM

‘Sorry Robot,’ From Mike Iveson, Is at the Coil Festival by Alexis Soloski

Mike Iveson, a longtime presence on the New York stage, makes his playwriting debut.

SOURCE: The New York Times Subscription at 05:49PM