All stories by Alexis Soloski on BroadwayStars

Thursday, January 15, 2015

Honeymoon in Vegas review – high rollers in a low-rent show by Alexis Soloski

Nederlander Theatre, New YorkDrab sets, bad politics and wince-inducing stereotypes sink this threadbare production, in which Tony Danza steals scenes but can’t save themThe first rule of …

SOURCE: The Guardian at 11:00PM

Theater Review: Reggie Watts and Marie-Caroline Hominal Come to the Public Theater by Alexis Soloski

The Under the Radar theater festival at the Public Theater features Reggie Watt’s “Audio Abramovic” and Marie-Caroline Hominal’s “The Triumph of Fame.”

SOURCE: The New York Times Subscription at 07:11PM
Wednesday, January 14, 2015

Theater Review: Andrew Schneider’s ‘Youarenowhere’ Is at the Coil Festival by Alexis Soloski

In Andrew Schneider’s inventive, astounding and inexplicably shirtless “Youarenowhere,” part of the Coil festival, digital marvels synchronize with analog dance and personal revelation.

SOURCE: The New York Times Subscription at 06:35PM
Tuesday, January 13, 2015

Constellations review: Wilson and Gyllenhaal see stars in each other's eyes by Alexis Soloski

Samuel J Friedman theatre, New YorkThe play may fixate on physics, but the chemistry between the two leads is potent enough to move an audience to tearsIf the science at the center of Nick P…

SOURCE: The Guardian at 11:00PM
Friday, January 9, 2015

Courtney Love's 'theatricalised concept album' sounds practically amphibian by Alexis Soloski

Prototype festival, New YorkKansas City Choir Boy, the singer’s show with composer Todd Almond, has wayward charisma and shades of The Odyssey and Kurt Weill – but there’s no erotic ch…

SOURCE: The Guardian at 08:49AM
Thursday, January 8, 2015

Theater Review: ‘My Voice Has an Echo in It,’ Part of the Coil Festival by Alexis Soloski

In “My Voice Has an Echo in It,” by the Temporary Distortion multimedia theater company, four band members play for six hours in a room-size box walled by mirrors.

SOURCE: The New York Times Subscription at 05:26PM

David Foster Wallace's stories of lobsters and porn prove a stage sensation by Alexis Soloski

In A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, the late writer’s quicksilver words are performed by a cast inundated with tennis balls“Ever try to co…

SOURCE: The Guardian at 11:49AM
Tuesday, January 6, 2015

Wicked and The Lion King – Broadway booms by playing it safe by Alexis Soloski

Stratospheric ticket prices means audiences are reluctant to take risks, so New York’s hardcore theatre lovers must look enviously to the West EndSting’s musical The Last Ship ends its v…

SOURCE: The Guardian at 09:40AM
Monday, January 5, 2015

Books of The Times: Pamela Katz’s ‘The Partnership,’ on Weill and Brecht by Alexis Soloski

Pamela Katz’s “The Partnership: Brecht, Weill, Three Women, and Germany on the Brink” is an account of “The Threepenny Opera” collaborators Kurt Weill and Bertolt Brecht.

SOURCE: The New York Times Subscription at 04:31PM
Friday, January 2, 2015

Tina Satter Readies the Stage for ‘Ancient Lives’ by Alexis Soloski

The work of the playwright and director Tina Satter, whose “Ancient Lives” opens at the Kitchen on Wednesday, blends coziness and estrangement, weirdness and familiarity.

SOURCE: The New York Times Subscription at 05:07PM
Thursday, January 1, 2015

January Stages: Theater Festivals Include Under the Radar and American Realness by Alexis Soloski

January, once a quiet time for downtown theater, is now busy with stage festivals, among them Coil, Prototype, Under the Radar and American Realness.

SOURCE: The New York Times Subscription at 06:02PM

‘Sorry Robot,’ From Mike Iveson, Is at the Coil Festival by Alexis Soloski

Mike Iveson, a longtime presence on the New York stage, makes his playwriting debut.

SOURCE: The New York Times Subscription at 05:49PM
Saturday, December 27, 2014

Moira Buffini on ‘Dying for It’ at Atlantic Theater by Alexis Soloski

A proponent of expansive productions, Moira Buffini snips characters (and profanity) to get “Dying for It” into shape.

SOURCE: The New York Times Subscription at 04:27PM
Thursday, December 25, 2014

Times Writers Share Last Chance Theater Picks by Ben Brantley, Alexis Soloski and Laura Collins- Hughes

Times writers share last chance theater picks, including “Here Lies Love,” David Byrne and Fat Boy Slim’s musical biodrama of Imelda Marcos.

SOURCE: The New York Times Subscription at 05:09PM
Wednesday, December 24, 2014

Alexis Soloski’s top 10 US theatre of 2014 by Alexis Soloski

The Gowanus Canal became the hottest ticket in town, Neil Patrick Harris rocked as Hedwig and Will Eno explored life, death and love Continue reading...

SOURCE: The Guardian at 01:59AM
Thursday, December 18, 2014
Tuesday, December 16, 2014

Theater Review: ‘Not the Messiah (He’s a Very Naughty Boy),’ by Eric Idle by Alexis Soloski

A Monty Python sensibility permeates “The Messiah” in a comic oratorio based on the film “Life of Brian,” at Carnegie Hall.

SOURCE: The New York Times Subscription at 02:01PM
Friday, December 12, 2014

Theater Review: The Immediate Family Adapts 'Peer Gynt' by Alexis Soloski

The Immediate Family stages a whittled-down, sexed-up and feisty version of Ibsen’s “Peer Gynt.”

SOURCE: The New York Times Subscription at 06:54PM

Theater Review: 'Howie the Rookie,' in BAM’s Next Wave Festival by Alexis Soloski

Mark O’Rowe’s word-drunk and whiskey-soaked 1999 play, “Howie the Rookie,” returns, to the Fishman Space at BAM Fisher.

SOURCE: The New York Times Subscription at 04:45PM

Theater Review: 'War Lesbian' Gives Ellen DeGeneres a Demonic Twist by Alexis Soloski

Kristine Haruna Lee’s lively “War Lesbian,” at Dixon Place, is set in a world where Ellen DeGeneres is a demonic demigod.

SOURCE: The New York Times Subscription at 01:43PM
Monday, December 8, 2014

The Elephant Man review – Bradley Cooper is almost unrecognisable by Alexis Soloski

Booth theatre, New YorkEschewing makeup, the Hollywood star gives a bravura performance as John Merrick but Bernard Pomerance’s play feels brittle and artificialPerhaps you were hoping for…

SOURCE: The Guardian at 07:12AM
Thursday, December 4, 2014

Theater Review: Truman Capote’s ‘A Christmas Memory,’ From Irish Repertory by Alexis Soloski

A boy and his elderly cousin enact an annual holiday ritual in Truman Capote’s “A Christmas Memory,” adapted as a musical presented by the Irish Repertory Theater.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, December 3, 2014

Theater Review: Jeff Achtem Plays With Puppets in ‘Swamp Juice’ by Alexis Soloski

In the comedian Jeff Achtem’s “Swamp Juice,” a despicable man enjoys torturing snail, snake and bird puppets in the bayou.

SOURCE: The New York Times Subscription at 03:58PM

Snapshot: Nneka Okafor Discusses Her Role in ‘Our Lady of Kibeho’ by Alexis Soloski

Nneka Okafor, starring in Katori Hall’s “Our Lady of Kibeho,” talks about her star turn, religious experiences and Texas cuisine.

SOURCE: The New York Times Subscription at 01:21PM
Tuesday, December 2, 2014

Theater Review: Metropolitan Playhouse Revives ‘Rollo’s Wild Oat’ by Alexis Soloski

In “Rollo’s Wild Oat,” a 1920 comedy by Clare Beecher Kummer, a rich man buys his way into playing Hamlet on Broadway and then tries to win Ophelia.

SOURCE: The New York Times Subscription at 01:04PM
Sunday, November 30, 2014

Joseph Silovsky Revisits Sacco and Vanzetti by Alexis Soloski

Joseph Silovsky’s “Send for the Million Men,” based on the 1927 execution of the anarchists Sacco and Vanzetti, stars his signature creation: a robot called Stanley.

SOURCE: The New York Times Subscription at 04:55PM
Monday, November 24, 2014

Theater Review: Shakespeare's ‘Pericles, Prince of Tyre,' at the Public Theater by Alexis Soloski

The Public Theater’s production of Shakespeare’s “Pericles, Prince of Tyre” moves along quickly, despite a plot loaded with details.

SOURCE: The New York Times Subscription at 05:40PM

Can Sting keep The Last Ship afloat? by Alexis Soloski

The Broadway musical’s writer will take the lead role from 9 December to prevent it from sinking at the box office – but its problem is not lack of star power Continue reading...

SOURCE: The Guardian at 05:02PM
Friday, November 21, 2014

Theater Review: 'Major Barbara' Is Revived at the Pearl Theater by Alexis Soloski

The Pearl Theater revival of George Bernard Shaw’s 1905 “Major Barbara,” pitting poverty against wealth, is directed by David Staller.

SOURCE: The New York Times Subscription at 06:27PM

A Delicate Balance review – home is where the hate is in tense drama by Alexis Soloski

Glenn Close, John Lithgow and Lindsay Duncan bring out the ominous, lacerating qualities in an Edward Albee play that has barely dated Continue reading...

SOURCE: The Guardian at 11:45AM
Thursday, November 20, 2014

Actors in ‘Punk Rock’ Tap Into Teenage Alienation by Alexis Soloski

Seven actors draw on their adolescence to animate “Punk Rock,” a drama about the power, vulnerability and confusion of youth, set at a private school in England.

SOURCE: The New York Times Subscription at 12:12PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime