Placing the failure of the live-action remake largely at Rachel Zegler’s feet is almost perversely flattering to her.
SOURCE: The New Yorker Subscription at 07:13PMTodd Haynes’s “Superstar: The Karen Carpenter Story” exists in diametrical, generational opposition to Greta Gerwig’s box-office-topping “Barbie.”
SOURCE: The New Yorker Subscription at 10:54AM