Sunday, July 15, 2018

Review: Sickle (Red Theater Chicago) by Duane Barnes

Abbey Fenbert’s play Sickle at Red Theater is important as it brings to light another horror of a different kind of war, an unwanted assimilation of an entire country’s population and pr…

Linked From Chicago Theater Beat at 06:04PM
Wednesday, July 11, 2018

Review: Support Group for Men (Goodman Theatre) by Johanna Dalton

The topics covered in Goodman's Support Group for Men are exactly the conversations that we need right now, and in this marvelously comic work, playwright Ellen Fairey has hit the proverbial…

Linked From Chicago Theater Beat at 07:04PM
Thursday, July 5, 2018

Rew: Tilikum (Sideshow Theatre) by Lauren Whalen

Tilikum, an allegory of slavery with the best of intentions. has a unique setting and an even more unique way of telling its story, incorporating dance, percussion and one heck of a projecti…

Linked From Chicago Theater Beat at 10:24PM
Friday, June 29, 2018

Review: The View Upstairs (Circle Theatre) by Lauren Whalen

The View UpStairs, a musical about the last night of the UpStairs Lounge that, before an arsonist set the gay bar ablaze (killing 32 people in the process), premiered off-Broadway in Februar…

Linked From Chicago Theater Beat at 10:36PM
Wednesday, June 27, 2018

Review: The Laramie Project (AstonRep Theatre) by Lauren Whalen

The Laramie Project is one of AstonRep’s strongest productions to date, and well-placed during Pride Month: a sober reminder of a defining moment in queer history, a sad reminder of what m…

Linked From Chicago Theater Beat at 06:42PM
Monday, June 25, 2018

Review: Neverwhere (Lifeline Theatre, 2018) by Lauren Whalen

Neil Gaiman is a phenomenon for a reason - his stories contain a flawless blend of the fantastical and the deeply human. His book Neverwhere, adapted for the stage by Rebert Kauzlaric, is n…

Linked From Chicago Theater Beat at 06:48PM
Thursday, April 26, 2018

Review: Memphis (Porchlight Music Theatre) by Lauren Whalen

Memphis is inspired by the life of Dewey Phillips, the first radio DJ to play Elvis Presley’s music (and rock 'n roll music in general). While Memphis is not a direct biography of Phillips…

Linked From Chicago Theater Beat at 10:18PM
Tuesday, April 24, 2018

Review: L’Imitation of Life (Hell in a Handbag Productions) by Lauren Whalen

L’Imitation of Life, which premiered in 2013 before this year’s remount, is one of Hell in a Handbag’s stronger parodies. Though it will mainly appeal to an older audience due to its s…

Linked From Chicago Theater Beat at 03:54PM
Sunday, April 22, 2018

Review: The Cake (Rivendell Theatre) by Lauren Whalen

Some plays hit you right where you live. The Cake is about, well, a wedding cake, but it’s also about the pull between two worlds - the home you make as an adult, and the place you were bo…

Linked From Chicago Theater Beat at 07:24PM
Monday, April 16, 2018

Review: 9 to 5: The Musical (Firebrand Theatre) by Lauren Whalen

Based on the 1980 movie, the musical 9 to 5 opened on Broadway in 2009, with music and lyrics by Dolly Parton. Sadly, the musical has an uneven score and an inconsistent, shallow book, and d…

Linked From Chicago Theater Beat at 04:42PM
Saturday, April 7, 2018

Review: The Spitfire Grill (Refuge Theatre Project) by Lauren Whalen

Performed at the Windy City Café, the production is meticulously staged by director Christopher Pazdernik and features gorgeous acoustic musical direction courtesy of Jon Schneidman, who pl…

Linked From Chicago Theater Beat at 12:00AM
Tuesday, April 3, 2018

Review: Pretty Woman the Musical (Broadway in Chicago) by Johanna Dalton

It would be hard to find a more beloved and iconic modern Cinderella story to bring to the musical stage than Pretty Woman. But this Broadway in Chicago world premiere of the Broadway-bound …

Linked From Chicago Theater Beat at 05:37PM
Sunday, March 25, 2018

Review: Bad Girls–The Stylists (Akvavit Theatre) by Lauren Whalen

With its US premiere, Akvavit Theatre's Bad Girls-The Stylists is absurdly funny and strangely empowering. Michael Evans’ translation of Astrid Saalbach’s script is delightfully weird, r…

Linked From Chicago Theater Beat at 07:50PM

Review: Women Laughing Alone With Salad (Theater Wit) by Lauren Whalen

It’s difficult to make a play based solely on a popular stock photo image turned Internet meme. That’s exactly what Theater Wit's Women Laughing Alone With Salad tries, and fails, to do.…

Linked From Chicago Theater Beat at 05:52PM
Saturday, March 24, 2018

Review: Why Do You Always Wear Black? (Organic Theater) by Scotty Zacher

                       Why Do You Always      Wear Black?   Based…

Linked From Chicago Theater Beat at 04:35PM
Friday, March 23, 2018

Review: Schiller’s Mary Stuart (Chicago Shakespeare) by Lauren Whalen

Mary Stuart is thoughtfully executed from beginning to end, hitting it out of the park on all counts. The gowns are eye candy, the cast gifted and the production team thorough. Reimagined by…

Linked From Chicago Theater Beat at 05:55PM
Monday, March 19, 2018

Review: Anna Karenina (Lifeline Theatre) by Lauren Whalen

Leo Tolstoy's Anna Karenina has been adapted many times over the years for stage and screen, and Jessica Wright Buha’s world premiere adaptation for Lifeline Theatre effectively captures t…

Linked From Chicago Theater Beat at 05:17PM
Thursday, March 15, 2018

Review: Bunny Bunny (Mercury Theater) by Lauren Whalen

It’s helpful to know Gilda Radner’s body of work, particularly on SNL, before watching Bunny Bunny. That said, Chicago is a perfect city for this play, with its legacy of comedy and the …

Linked From Chicago Theater Beat at 06:52PM
Wednesday, March 14, 2018

Review: Plantation! (Lookingglass Theatre) by Lauren Whalen

Lookingglass Theatre's world-premiere by ensemble member Kevin Douglas, is a sharp, darkly funny 95-minute roller coaster, expertly directed by ensemble member David Schwimmer and beautifull…

Linked From Chicago Theater Beat at 05:45PM
Tuesday, March 13, 2018

Review: Kingdom (Broken Nose Theatre) by Lauren Whalen

Developed over two years with Broken Nose Theatre, Playwright Michael Allen Harris’ newest work is a thoughtful, funny and a tragic meditation on a multi-generational African-American quee…

Linked From Chicago Theater Beat at 06:56PM
Thursday, March 8, 2018

Review: A Story Told in Seven Fights (The Neo-Futurists) by Lauren Whalen

The Neo-Futurists have an incredibly distinctive style: either you like it or you don’t. Either way, there is no other company in Chicago like them. If you like theater history and stage c…

Linked From Chicago Theater Beat at 04:38PM
Thursday, March 1, 2018

Review: Southern Gothic (Windy City Playhouse) by Lauren Whalen

Creatively staged as an immersive experience where the audience is seated on the edges of different rooms and patio, Southern Gothic, by Leslie Liautaud, is a fascinating glimpse inside the …

Linked From Chicago Theater Beat at 07:35PM
Wednesday, February 21, 2018

Review: Merrily We Roll Along (Porchlight Music Theatre) by John Olson

With its story of mostly young (22-42 year old) people, Merrily We Roll Along is popular with high school and college groups, but it’s rare to find a large scale professional production li…

Linked From Chicago Theater Beat at 09:16PM
Friday, February 16, 2018

Review: Fear and Misery of the Third Reich (Haven Theatre) by Lauren Whalen

Bertolt Brecht’s series of vignettes following different characters as Germany approaches World War II is uncomfortable, sad and downright scary. It’s also important and essential viewin…

Linked From Chicago Theater Beat at 05:58PM
Sunday, February 4, 2018

Review: Nice Girl (Raven Theatre) by Scotty Zacher

                       Nice Girl Written by Melissa Ross Raven Theatre, 6157 N. Clark (map…

Linked From Chicago Theater Beat at 06:53PM
Friday, February 2, 2018

Review: The Humans (Broadway in Chicago) by Lauren Whalen

With the national tour of Stephen Karam’s The Humans, there's a amazing melding of Karam's script, Mantello’s direction and the excellent production team and cast accurately portraying t…

Linked From Chicago Theater Beat at 11:21PM
Wednesday, January 31, 2018

Review: We’re Gonna Be Okay (American Theater Co.) by Lauren Whalen

We’re Gonna Be Okay, written by playwright Basil Kreimendahl, explores America's fear and paranoia of nuclear war in the early 1960's through the eyes of two neighboring families who decid…

Linked From Chicago Theater Beat at 08:05PM
Thursday, January 25, 2018

Review: All My Sons (Court Theatre) by Lauren Whalen

There's a lot to love in Arthur Miller's All My Sons. Both Johanna McKenzie Miller and Abby Pierce give nuanced performances as neighborhood women, and John Judd expertly guides us through J…

Linked From Chicago Theater Beat at 11:37PM
Wednesday, January 24, 2018

Review: Boy (TimeLine Theatre) by Lauren Whalen

Playwright Anna Ziegler began Boy as a direct homage to David Reimer, who in1967 at 18-month-old, was left with damaged genitals due to a circumcision accident. Desperate, his parents turned…

Linked From Chicago Theater Beat at 01:27PM
Monday, January 22, 2018

Review: For the Loyal (Interrobang Theatre Project) by Lauren Whalen

What does loyalty mean? How far does it go? And what if your loyalty (or lack of) affects your livelihood and the ability to support your family? Award-winning playwright Lee Blessing tackle…

Linked From Chicago Theater Beat at 07:53PM
Tuesday, January 16, 2018

Review: Nevermore (Black Button Eyes Productions) by Scotty Zacher

                       Nevermore   Book/Music/Lyrics by Jonathan Christenson at Edge …

Linked From Chicago Theater Beat at 12:42AM