All stories by Thom Dibdin on BroadwayStars

Wednesday, October 3, 2018

‘Little more than a retread of the film’: RAIN MAN – Touring ★★ by Thom Dibdin

There are probably enough fans of the original movie to sustain The Classic Screen to Stage Company’s touring version of Rain Man. However, as a piece of theatre, it never makes a successf…

SOURCE: mytheatremates.com at 12:00PM
Tuesday, October 2, 2018

Obituary: Chahine Yavroyan – ‘talented lighting designer’ by Thom Dibdin

Chahine Yavroyan, who has died of cancer aged 68, was known most recently as a talented lighting designer who worked with many

SOURCE: The Stage Registration at 12:17PM
Thursday, September 27, 2018

‘An outstanding display of craft & commitment from Sharon Small’: STILL ALICE – Touring ★★★ by Thom Dibdin

The portrayal of early-onset Alzheimer’s in Still Alice, touring to the King’s all week, will certainly resonate with many, thanks largely to Sharon Small’s magnetic central performanc…

SOURCE: mytheatremates.com at 11:00AM
Tuesday, September 25, 2018

The Burning Fiery Furnace review at St Mary’s Church, Haddington – ‘an engaging semi-staging’ by Thom Dibdin

Benjamin Britten’s The Burning Fiery Furnace is a clever choice for the first collaboration between Scottish Opera and East Lothian’s Lammermuir Festival.

SOURCE: The Stage Registration at 11:33AM

Benidorm Live review at Playhouse Theatre, Edinburgh – ‘saucy humour’ by Thom Dibdin

The long-running ITV sitcom Benidorm gets an extended remix by creator Derren Little in this live stage show. It brings together six

SOURCE: The Stage Registration at 07:24AM
Sunday, September 23, 2018

‘There is a woozy melancholy at this production’s heart’: TWELTH NIGHT – Edinburgh ★★★★ by Thom Dibdin

Shifting emotions are filtered through autumnal sunlight in the Lyceum’s Twelfth Night, with as much defiant sadness on view as happy resolution.

SOURCE: mytheatremates.com at 01:00PM
Friday, September 21, 2018

‘Boldly brash & and brazen with it’: BENIDORM LIVE – Touring ★★★★ by Thom Dibdin

However, by the time the whole auditorium is on its feet for the finale, dancing along to Y Viva Espana, you’d be forgiven for forgetting how many cracks in the Benidorm carapace have been…

SOURCE: mytheatremates.com at 12:00PM
Wednesday, September 19, 2018

‘Enough artistry & drive to make this well worth a look’: LUDUS: PLAYFUL LOVE – Touring ★★★ by Thom Dibdin

Ludus: Playful Love, Theatre Broad’s production of two contrasting plays by early 20th-century poet and playwright Clifford Bax provides an evening that is high on period charm but never r…

SOURCE: mytheatremates.com at 12:00PM

Twelfth Night review at Royal Lyceum Theatre, Edinburgh – ‘exuberant exploration of gender’ by Thom Dibdin

Director Wils Wilson ventures into the parts of Shakespeare’s Twelfth Night that most productions leave alone, cutting few, if any, lines in

SOURCE: The Stage Registration at 05:01AM
Wednesday, September 12, 2018

‘Enjoyably multi-layered’: NESTS – Touring ★★★ by Thom Dibdin

After a Fringe full of blockbuster productions, the Traverse’s autumn season kicks of with Nests, a two-hander that looks at social inequality and considers what we can learn from crows.

SOURCE: mytheatremates.com at 12:00PM
Tuesday, September 11, 2018

Nests review at Traverse Theatre, Edinburgh – ‘knotty examination of the nature of nurture’ by Thom Dibdin

Xana Marwick questions whether society is as committed to supporting its children as it believes it is, in her touring two-hander, Nests,

SOURCE: The Stage Registration at 06:47AM
Thursday, September 6, 2018

Cyrano de Bergerac review at Tramway, Glasgow – ‘celebrates the language’ by Thom Dibdin

Dominic Hill sets out a strong message of intent with his Citizens Theatre production of Cyrano de Bergerac. This is a glorious

SOURCE: The Stage Registration at 08:34AM
Monday, September 3, 2018

David Greig to adapt Solaris for the stage by Thom Dibdin

David Greig is to adapt Stanislaw Lem’s classic science fiction novel Solaris, in a co-production between Edinburgh’s Lyceum and Melbourne’s Malthouse theatres.

SOURCE: The Stage Registration at 06:10AM
Friday, August 31, 2018

Studio theatre planned as part of new Edinburgh performance complex by Thom Dibdin

A 200-seat studio theatre space is to be included in a new concert and performance venue being planned in Edinburgh’s New Town.

SOURCE: The Stage Registration at 07:18AM
Tuesday, August 28, 2018

La Cenerentola review at Festival Theatre, Edinburgh – ‘an impeccably sung production’ by Thom Dibdin

Cleverly mixing contemporary and historical, director Stefan Herheim’s take on Rossini’s already heavily altered account of the Perrault fairytale puts the music

SOURCE: The Stage Registration at 07:35AM

Edinburgh Fringe records increased ticket sales for sixth year running by Thom Dibdin

The Edinburgh Festival Fringe has posted record sales across the three-week festival with a year-on-year rise of 5.25% to an estimated 2.8

SOURCE: The Stage Registration at 07:12AM
Friday, August 24, 2018

The Famous Five review at C Chambers Street, Edinburgh – ‘lashings of fun and heaps of adventure’ by Thom Dibdin

There’s lashings of fun and heaps of inventive adventure to be had in Gobbledigook Theatre’s hands-on adaptation of Enid Blyton’s Famous Five.

SOURCE: The Stage Registration at 09:48AM

Simon Callow in De Profundis review at Assembly Rooms, Edinburgh – ‘more impressive than revelatory’ by Thom Dibdin

Scathing wit and the most unflattering self-pity vie for prominence in Simon Callow’s performed recitation of Oscar Wilde’s letter to his former

SOURCE: The Stage Registration at 07:36AM
Thursday, August 23, 2018

The Prisoner review at Royal Lyceum Theatre, Edinburgh – ‘intriguing but impenetrable’ by Thom Dibdin

In Peter Brook and long-term collaborator Marie-Helene Estienne’s The Prisoner, the interrogative eye on the exotic reveals much more about the beholder

SOURCE: The Stage Registration at 10:16AM

‘Intriguingly promising piece’: LUCILLE & CECILIA – Edinburgh Fringe ★★★ by Thom Dibdin

Gleeful physical comedy features in Lucille & Cecilia, a patchy but intriguingly promising piece from new company Bang Average Theatre at C Aquila. (Picture: © Bang Average)

SOURCE: mytheatremates.com at 07:00AM
Wednesday, August 22, 2018

‘Fairly crackles with fun & excitement’: A GOOD ENOUGH GIRL? – Edinburgh Fringe ★★★★ by Thom Dibdin

Scene Change Productions, Greenwich Theatre and Nutshell Theatre’s co-production A Good Enough Girl? is enjoyable, involving and deceptively important production.

SOURCE: mytheatremates.com at 10:00AM
Tuesday, August 21, 2018

‘Intriguing production’: GANYMEDE – Edinburgh Fringe ★★★ by Thom Dibdin

Ganymede, TypeCast Productions’ reworking of Shakespeare at Paradise in Augustines, is an intriguing production that uses the spirit of the Bard to cast light on contemporary concerns.

SOURCE: mytheatremates.com at 02:00PM

The House review at Assembly George Square, Edinburgh – ‘quick-fire, hyper-stylised delivery’ by Thom Dibdin

American Absurdum returns with all its trademark incision and quick-fire, hyper-stylised delivery in The House, a fable of modern middle-class America. Empty-nesters

SOURCE: The Stage Registration at 12:22PM

First Snow/Premiere Neige review at Summerhall, Edinburgh – ‘meaty examination of identity’ by Thom Dibdin

“Brexit, Trump – that’s change!” someone shouts early in First Snow/Premiere Neige, the National Theatre of Scotland’s Quebecois co-production. Following the NTS’

SOURCE: The Stage Registration at 12:17PM

In Loyal Company review at Pleasance Courtyard, Edinburgh – ‘bursting with energy’ by Thom Dibdin

Bursting with energy and bold theatrical strokes, David William Bryan tells the true story of his great uncle Arthur – known as

SOURCE: The Stage Registration at 11:27AM

Old Boy review at Scottish Storytelling Centre, Edinburgh – ‘fascinating view of real life’ by Thom Dibdin

Male relationships – specifically inter-generational familial relationships – come under intense, if friendly examination in Glas(s) Productions’ Old Boy. The company has

SOURCE: The Stage Registration at 07:59AM

Marie review at Assembly Rooms, Edinburgh – ‘strong piece but with more potential than substance’ by Thom Dibdin

Nicely turned as comedy, Sarah MacGillivray and Phil Bartlett’s story of a Scottish actress straight out of drama school who goes down

SOURCE: The Stage Registration at 05:55AM

Canoe review at the Space, Edinburgh – ‘complex one-man show about grieving’ by Thom Dibdin

There is a complexity to Matthew Roberts’ one-man show, Canoe, which goes much deeper than the issue of grieving that lies at its

SOURCE: The Stage Registration at 05:40AM
Monday, August 20, 2018

In for a Penny review at Gilded Balloon Teviot Row, Edinburgh – ‘amusing and light-heartedly anecdotal’ by Thom Dibdin

Libby McArthur draws on a true story from her own past, when she was arrested and sentenced to prison for non-payment of

SOURCE: The Stage Registration at 11:11AM

The Bench review at Gilded Balloon Rose Theatre, Edinburgh – ‘engages right up to the last’ by Thom Dibdin

Tightly wound and shot through with an utterly surprising melancholy, Keir McAllister’s tale of two men feuding over their right to relax

SOURCE: The Stage Registration at 07:08AM
Sunday, August 19, 2018

‘A lucid & involving production’: TWA – Edinburgh Fringe ★★★★ by Thom Dibdin

Twa, the collaboration between writer Annie George and visual artist Flore Gardner at the Scottish Storytelling Centre, is a lucid and involving production.

SOURCE: mytheatremates.com at 12:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic