Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with countless tiny props, almost indiscernible for the spectator seated farther away from the stage…
SOURCE: thetheatretimes.com at 02:37AMDepicting an odyssey on stage is rather a challenge, especially when the main means of transport is water. Distance needs to be not only suggested, but also interpreted, and convention can r…
SOURCE: thetheatretimes.com at 02:52AMTESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a text written by the director and Ivana Vuković. Technology, violence, Nazism, looking …
SOURCE: thetheatretimes.com at 02:52AMA bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné Theatre’s Anybody (written by Borbély Szilárd, directed by Horváth Csaba) presents t…
SOURCE: thetheatretimes.com at 02:52AMIn spite of all open-mindedness, attending family performances as an adult can be, initially at least, off-putting. There is a stigma around the themes approached, the aesthetics, and the ac…
SOURCE: thetheatretimes.com at 12:53PMThe question of universality faces entire series of utterly new answers, but not all of them find a place or are given a form to be exhibited on stage, as it is frequently mistaken for relat…
SOURCE: thetheatretimes.com at 10:39AMThe performance follows four women in different parts of Ukraine, at various distances from the frontline and allows them to tell their pre and post-February 2022 stories. Abrupt opening? It…
SOURCE: thetheatretimes.com at 04:35AM