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Whoopee baby! Thoroughly Modern Millie returns in a splashy, starry staging that distils the very essence of musical comedy into an evening of unabashed joy.
Offering the pure joy of musical theatre at its unadulterated best, Come from Away is a breathless celebration of the finest qualities of humanity.
An Off-Broadway show with the nerve to charge Broadway prices, the “Bard Summerscape Production of” Oklahoma! plays out like a cynical practical joke on theatregoers. The egregious exper…
A truly spectacular spectacular, Moulin Rouge burns through the budget of a hundred musicals, all in the quest for extravagant entertainment.
Pure escapist fun, new Broadway musical Beetlejuice runs high on daffy hilarity with an irresistible undercurrent of snarky wickedness.
Storm Boy is theatre for children and yet it is not children’s theatre. As memorable family entertainment it is very hard to beat, with the additional benefit of possibly inspiring follow-…
The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
Lazarus is unlikely to appeal to lovers of traditional musical theatre, but for those seeking theatre with an edge the production more than lives up to its tantalising promise.
Intelligently conceived and handsomely staged, David McVicar’s production of Così fan tutte matches elegance and wit with the simple pleasure of Mozart’s heavenly music.
Verdi’s richly melodious tragedy glistens again as Opera Australia returns its much loved Moshinsky staging of Rigoletto to the Melbourne stage.
Given the resources regularly lavished on revivals of international classic plays, this season of modern Australian classic Così is as welcome as it is deserving.
An all too rare independent musical theatre production, the new Australian staging of Barnum sees Todd McKenney embrace the chance to play iconic huckster P. T. Barnum.
Opera Australia complements their dazzling new outdoor production of West Side Story in Sydney with the return of this traditional staging to Melbourne, differentiating the casting by showca…
Imaginatively conceived, ingeniously written and lavishly produced Muriel’s Wedding is surely the most impressive original musical ever created in Australia. Brimming with imagination, ins…
A brilliant choice for the first musical to be presented as the annual Handa Opera on Sydney Harbour, West Side Story is given lavish, large scale treatment in what is essentially a highly r…
As witty as it is romantic, the Australian Ballet’s characterful production of Cinderella makes an unplanned yet very welcome return visit to Melbourne, showcasing the glorious partnership…
Stripped raw and utterly lean, the new Melbourne Theatre Company production of A View from the Bridge thrives on the strength of its compelling characters and elegantly spare language, hurtl…
Newcomers to Jersey Boys are sure to enjoy the memorable music and terrific stage talent. Those who have seen the show (possible more than once) may be harder to coax back, but the performan…
Melbourne Theatre Company begins the new year with a showcase for revered actress Miriam Margolyes who takes on the cantankerous title character in Alan Bennett’s The Lady in the Van.
With confidence and polish that cover all aspects of production, Melbourne Opera takes on another Wagner opera The Flying Dutchman with further success.
Currently one of London’s hottest tickets, Tina: The Tina Turner Musical is a solid entry in the bio-musical genre, combining an inspiring story with a terrific catalogue of hit songs.
An ideal choice for an Off-West End season, Violet features an exceptional lead performance from Kaisa Hammarlund.
Boiled down to a boutique-scale presentation, Fiddler on the Roof brims with fresh life, gentle humour and impactful drama.
Splendid music is the clear highlight of an unusual and indulgent staging of Tchaikovsky opera The Queen of Spades, the central concept of which wears thin very quickly.
The Royal Ballet combines a contrasting pairs of works to create a well-rounded mixed programme with Asphodel Meadows/The Two Pigeons.
The 2004 Broadway musical Caroline, or Change has returned to London’s West End in a slick, entertaining production anchored by a sensational lead performance by Sharon D. Clarke.
It is hard to begrudge the near annual presence of The Royal Opera’s workhorse production of La Traviata when it is lovingly re-staged and splendidly cast as this 2019 opening night perfor…
Full of feathers and factoids, hit songs and head dresses, The Cher Show is diverting, if not particularly enlightening, entertainment.
Streamlined staging and a strong ensemble cast allow Andrew Lloyd Webber’s Aspects of Love to be seen in a favourable light.
Longterm fans of Merrily We Roll Along have every reason to see and enjoy this dynamic version. Newcomers will find the material clearer than may have been the case in previous incarnations.
A towering achievement, To Kill A Mockingbird comforts with nostalgic charm and crackles with potent relevance, the deft combination of which makes for an unforgettable night at the theatre.