All stories by Sarah Crompton on BroadwayStars

Sunday, March 13, 2022

Lyon Opera Ballet: Dance; Brigel Gjoka, Rauf ‘RubberLegz’ Yasit & Rusan Filiztek: Neighbours – review by Sarah Crompton

Sadler’s Wells, LondonA Lucinda Childs postmodern gem sparkles anew, while two extraordinary dancers explore what unites people and tears them apart When George Balanchine created his thre…

SOURCE: The Guardian at 06:24AM
Saturday, March 12, 2022

Ruth Wilson: ‘Sexuality is part of human nature. We have to put it on screen’ by Sarah Crompton

The star of ‘The Affair’, ‘Luther’ and ‘His Dark Materials’ talks to Sarah Crompton about personal boundaries, the gender pay gap and why older women are more valued in Europe th…

SOURCE: The Independent at 02:42AM
Sunday, March 6, 2022

Swan Lake; Phantoms: A Triple Bill review – high emotion all round by Sarah Crompton

Royal Opera House; Wilton’s Music Hall, LondonVadim Muntagirov stars in the late Liam Scarlett’s reworking of a Russian classic. And Mark Bruce’s new work needs less drama, more dance …

SOURCE: The Guardian at 05:06AM
Sunday, February 27, 2022

Lost Dog: A Tale of Two Cities review – a far, far better thing when dance does the talking by Sarah Crompton

Warwick Arts Centre, and touringThis Dickens adaptation is at its most vibrant when it relies on Ben Duke and co’s expressive choreography rather than complex dialogue “It was the best o…

SOURCE: The Guardian at 07:48AM
Sunday, February 20, 2022

NDT2 review – utter and transfixing confidence by Sarah Crompton

Sadler’s Wells, LondonThe magnetic young dancers of NDT2 shapeshift through a demanding triple bill with irresistible ease and assurance The youngest of the 18 dancers who make up Nederlan…

SOURCE: The Guardian at 04:42AM
Saturday, February 12, 2022

Tanztheater Wuppertal Pina Bausch: Kontakthof; Acosta Danza: 100% Cuban – review by Sarah Crompton

Sadler’s Wells, LondonUniversal themes of romance connect a young cast to their 70s revival, while Carlos Acosta stumbles in his casting There’s a difficult balance in dance between bein…

SOURCE: The Guardian at 09:06AM
Saturday, February 5, 2022

The Tragedy of Macbeth’s Kathryn Hunter: ‘The car crash wasn’t an accident – it was a suicide attempt’ by Sarah Crompton

The award-winning stage actor gives one of the standout performances in Joel Coen’s film and is about to star on the London stage in ‘The Chairs’. But things might have turned out very…

SOURCE: The Independent at 02:06AM
Saturday, January 29, 2022

Thick & Tight: Short & Sweet review – a life-enhancing, many-peopled show by Sarah Crompton

Barbican Pit, LondonRunning the gamut from Edith Sitwell and Twiggy to Rasputin and Elaine Paige, this mixed bill from an extraordinary duo and friends is a delight Eleanor Perry (Tight) and…

SOURCE: The Guardian at 09:06AM
Saturday, January 22, 2022

Raymonda review – passion carries Tamara Rojo’s parting shot by Sarah Crompton

Coliseum, LondonThe plot’s still a problem but the dancers give their all in the outgoing ENB artistic director’s bold attempt to bring an old classic in from the cold One of Tamara Rojo…

SOURCE: The Guardian at 08:54AM
Saturday, January 15, 2022

Gandini Juggling: Life review – a joyful love letter to Merce Cunningham by Sarah Crompton

Lilian Baylis Studio, Sadler’s Wells, LondonThis dazzling show recreates the choreographer’s work through the pure geometry of balls, hoops and clubs As niches go, a work that combines a…

SOURCE: The Guardian at 10:24AM
Monday, December 27, 2021

Sarah Crompton’s best dance of 2021 by Sarah Crompton

Dancers burst back on to the stage, online performances reached new audiences, and we’ve Zoom to thank for Robert Cohan’s final work Miranda Sawyer’s best radio and podcasts of 2021 R…

SOURCE: The Guardian at 08:03AM
Sunday, December 19, 2021

Matthew Bourne’s Nutcracker!; Rumpelstilzchen – review by Sarah Crompton

Sadler’s Wells, London; Curzon cinemas, Sky Arts, FreeviewMagic and melancholy combine to glorious effect in Bourne’s Christmas classic. And the BalletBoyz make the Brothers Grimm look d…

SOURCE: The Guardian at 05:12AM
Tuesday, December 7, 2021

Marianela Núñez: ‘What lockdown taught me, one more time, is that dance is my true passion’ by Sarah Crompton

The Royal Ballet’s phenomenal principal dancer was the fixed star at the heart of an extraordinary year for the company See the Observer’s faces of 2021 in full It’s been an oddly frac…

SOURCE: The Guardian at 08:06AM
Sunday, December 5, 2021

Romeo & Juliet review – Sergei Polunin is reunited with Alina Cojocaru, and his talent by Sarah Crompton

Royal Albert Hall, LondonPolunin and Cojocaru are terrific, but neither is given enough to work with in the UK premiere of Johan Kobborg’s new version There’s been a lot of water under a…

SOURCE: The Guardian at 04:33AM
Sunday, November 21, 2021

Past Present/Connecting to Cohan – an inspirational journey into dance history by Sarah Crompton

Linbury theatre, Royal Opera House, LondonThe extraordinary work of the late choreographer Robert Cohan finds full expression in two heartfelt tribute shows by Yorke Dance Project When I fir…

SOURCE: The Guardian at 04:33AM
Saturday, November 20, 2021

‘We were a little naive’: staging Cabaret, in the 60s and now by Sarah Crompton

As a new staging of Cabaret starring Eddie Redmayne and Jessie Buckley opens in London, director Rebecca Frecknall and 94-year-old composer John Kander, the only survivor of the original cre…

SOURCE: The Guardian at 11:06AM
Sunday, November 14, 2021

Giselle review – the stuff of dreams from the Royal Ballet by Sarah Crompton

Royal Opera House, LondonSix hundred performances of Giselle and counting, the Royal Ballet’s peerless dancers continue to make this once revolutionary work their own The historical roots …

SOURCE: The Guardian at 05:24AM
Sunday, November 7, 2021

Ballet Black: Then or Now/The Waiting Game review – dynamic anniversary celebration by Sarah Crompton

Linbury theatre, LondonThe company celebrates 20 years of challenging, creative work with an eclectic double bill including a thrilling new piece from one of its own dancers Ballet Black, fo…

SOURCE: The Guardian at 05:03AM
Sunday, October 31, 2021

Family/Love Chapter 2; Transverse Orientation review – from one extreme to another by Sarah Crompton

Selfridges Loading Bay; Sadler’s Wells, LondonWhile Sharon Eyal’s repetitive works writhe with energy, Dimitris Papaioannou’s new piece lacks momentum but not beauty A work by Sharon E…

SOURCE: The Guardian at 05:18AM
Sunday, October 24, 2021

The Dante Project review – bold, beautiful and utterly engaging by Sarah Crompton

Royal Opera House, LondonWayne McGregor, Thomas Adès and Tacita Dean’s dream-team Divine Comedy, danced with glorious freedom by the Royal Ballet, is a fitting farewell to its star One of…

SOURCE: The Guardian at 04:42AM
Sunday, October 17, 2021

Dance Umbrella: Extra Time; Nowhere review – a game of two halves by Sarah Crompton

Bell Square, Hounslow; available onlineDance Umbrella’s football-themed piece fails to score, but Dimitris Papaioannou’s 2009 work saves the day Never let it be said that dance doesn’t…

SOURCE: The Guardian at 06:36AM
Saturday, October 9, 2021

Matthew Bourne’s The Midnight Bell review – to the dark heart of desire by Sarah Crompton

Sadler’s Wells, LondonThe choreographer draws rich inspiration from the lonely, thwarted characters of the novelist Patrick Hamilton in this beautifully danced new work Sexy, smouldering a…

SOURCE: The Guardian at 08:06AM
Saturday, October 2, 2021

Creature review – Akram Khan struggles with the weight of the world by Sarah Crompton

Sadler’s Wells, London Jeffrey Cirio and Erina Takahashi dazzle for a sharp ENB, but this long-awaited new work is all message, no story One quality I’ve always admired in Akram Khan is …

SOURCE: The Guardian at 09:32AM
Saturday, September 25, 2021

Charlotte Spencer Projects: Is This a Waste Land review – devastatingly effective by Sarah Crompton

Queen Elizabeth Olympic Park, LondonYou the audience are part of the action in this perspective-altering performance for disused spaces The first time I encountered the work of the dance-mak…

SOURCE: The Guardian at 08:06AM
Sunday, September 19, 2021

Hofesh Shechter Company: Double Murder review – never less than compelling by Sarah Crompton

Sadler’s Wells, LondonShechter’s heartfelt response to the pandemic, The Fix, is shaded by his 2016 work Clowns, both performed with spectacular commitment In Carol Reed’s film The Thi…

SOURCE: The Guardian at 08:42AM
Sunday, September 12, 2021

Romeo + Juliet review – glistens with potential by Sarah Crompton

Birmingham HippodromeMagical movement is weighed down by plot as the Rosie Kay Dance Company graft Shakespeare on to modern Midlands life I worry about the dominance of Shakespeare’s Romeo…

SOURCE: The Guardian at 07:54AM
Sunday, August 22, 2021

Dancing in the Streets review – making a riveting virtue of necessity by Sarah Crompton

Edinburgh international festival; available onlineUplifting and full of hope, catch these four tremendous films by dance-makers from Rio, Soweto, Beirut and Edinburgh while you can The Edinb…

SOURCE: The Guardian at 05:54AM

Patrick Marber: ‘I would really like to direct Keir Starmer – he’s got to be funnier’ by Sarah Crompton

The ‘Leopoldstadt’ director, who also helped develop Alan Partridge, speaks to Sarah Crompton about antisemitism, the quasi-racism of Boris Johnson, and reopening the acclaimed Tom Stopp…

SOURCE: The Independent at 02:12AM
Sunday, July 25, 2021

The week in dance: Carlos Acosta: On Before; Rambert Summer Livestream – review by Sarah Crompton

Norwich Theatre Royal and touring; live streamThere’s so much love in the room for Acosta that a variable programme becomes more than the sum of its parts, while Rambert’s cool virtual b…

SOURCE: The Guardian at 07:54AM
Sunday, July 18, 2021

Royal Ballet Beauty Mixed Programme review – in the theatre, I would have been sobbing by Sarah Crompton

Available onlineMarianela Nuñez’s irresistible Aurora, a Wayne McGregor pas de deux and one soloist’s swansong are highlights of the Royal’s 90th anniversary show As dance shakes out …

SOURCE: The Guardian at 04:54AM
Sunday, June 27, 2021

Political Mother: The Final Cut; The Life and Times review – Shechter and Clevillé on film by Sarah Crompton

Available online; live streamHofesh Shechter’s groundbreaking 2010 work has lost none of its power, while Scottish Dance’s Joan Clevillé revels in a single take It would be hard to matc…

SOURCE: The Guardian at 04:48AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre