There’s been an accident. Something terrible the press are calling “The Natural History museum incident”. It’s unclear what exactly has happened, except
SOURCE: The Stage Registration at 07:09AMNeil Duffield’s adaptation of Rudyard Kipling’s children’s book is a smart, colourful and creative affair. Directed by Derby Theatre’s artistic director Sarah
SOURCE: The Stage Registration at 10:10AMThe Noises is a collaboration between a mother, writer Jacqueline Saphra, and her daughter, director Tamar Saphra. Fittingly, the theme of mother-daughter
SOURCE: The Stage Registration at 05:05AMFrench playwright Estelle Savasta’s Going Through is simple in its poetry. Nour (Charmaine Wombwell) is raised by Youmna (Nadia Nadarajah) in a
SOURCE: The Stage Registration at 06:27AMIgnore the title. This is a show in which so much happens that it’s hard to know where to start. Is it
SOURCE: The Stage Registration at 01:07PMAs The Crucible opens at the Yard, artistic director Jay Miller tells Rosemary Waugh why this is a new era for the
SOURCE: The Stage Registration at 04:00AMArt imitates life and life imitates art in Alexis Michalik’s fictionalisation account of how Edmond Rostand wrote Cyrano de Bergerac. The hapless
SOURCE: The Stage Registration at 08:28AMIt makes perfect sense that David Eldridge’s 2012 play is being revived as part of the Queen’s Theatre’s Essex on Stage season.
SOURCE: The Stage Registration at 09:22AM"I never really got Yerma": Rosemary Waugh writes on finding echoes of Simon Stone's earlier work in his searing version of Medea. The post Simon Stone’s Medea (and Yerma) appeared first …
SOURCE: exeuntmagazine.com at 07:43PMKazuo Ishiguro’s 1989 novel, The Remains of the Day, is driven by the idiosyncrasies of its narrator Stevens, an obsessively servile butler.
SOURCE: The Stage Registration at 06:02AMRosemary Waugh interviews the young company behind a hit fringe show exploring trauma, clothes, and healing. The post ThisEgg: “We’re all just trying to keep each other going.” appear…
SOURCE: exeuntmagazine.com at 04:06AMNed Bennett's subtle and physical production brings out 'the sticky straw and steaming shit side of horses', as represented in Peter Shaffer's play, writes Rosemary Waugh. The post Review:…
SOURCE: exeuntmagazine.com at 09:30AMChristopher Marlowe’s Edward II is a thrilling account of a fascinating episode in British history, one filled with personal and political dilemmas.
SOURCE: The Stage Registration at 04:16AMAs friendships go, the one between Sarah (Ellie Piercy) and Frankie (Bianca Stephens) falls into the ‘unlikely’ category. On paper, the women
SOURCE: The Stage Registration at 11:41AMIn medieval Japan, troupes of blind women known as ‘the goze’ would travel across the land earning a living by telling stories
SOURCE: The Stage Registration at 06:46AMRadio dramas and foley secrets: Rosemary Waugh writes on an ingenious staging of two vintage Pinters. The post Review: A Slight Ache/The Dumb Waiter at Harold Pinter Theatre appeared first o…
SOURCE: exeuntmagazine.com at 07:47AMOpened in 1841, the London Library has been used by an illustrious list of authors, including Bram Stoker. In fact, the gothic
SOURCE: The Stage Registration at 10:21AMIn this new version of the ancient Greek myth, Icarus starts out as an average modern schoolboy. But sofa wars and sibling
SOURCE: The Stage Registration at 08:46AMLife’s not going great for Sasha Clayton. Her time as the queen bee of secondary school is over, she’s living in her
SOURCE: The Stage Registration at 06:02AM'Meticulous in depicting the reality of being a body dependent on another body to care for it': Rosemary Waugh writes on Martyna Majok's 'painstakingly realistic' play. The post Review: Cos…
SOURCE: exeuntmagazine.com at 09:26AMJeanine Tesori and Brian Crawley’s musical, originally performed Off-Broadway in 1997, is in many ways a classic Bildungsroman, complete with a heroine
SOURCE: The Stage Registration at 06:05AMWritten and directed by Robert Lepage, Cirque du Soleil’s Totem was last in the UK in 2011. The ambitious show loosely chronicles
SOURCE: The Stage Registration at 07:04AM'Beautifully considered visual language': Rosemary Waugh writes on Anna Jordan's new play, which follows three soldiers returning from different wars. The post Review: The Unreturning at Th…
SOURCE: exeuntmagazine.com at 08:23AMMalaprop Theatre's approach mixes big ideas with bags of quirky warmth. They talk politics, Irish theatre, and collaborative working ahead of their stint at Vault. The post Malaprop Theatre:…
SOURCE: exeuntmagazine.com at 06:09AMMaud and Cynthia live together in a world of chicken nuggets, feather boas and Shirley Bassey. Despite being a couple, their relationship
SOURCE: The Stage Registration at 07:47AMElite Homes is the current residence of Roddy Meakin (Geoffrey Freshwater) and Amanda Goose (Sara Kestelman), two retirees who enjoy a cheeky
SOURCE: The Stage Registration at 06:12AMChristmas comes but once a year, bringing with it two types of panto: the glitzy, big budget ones plumped up with celeb
SOURCE: The Stage Registration at 05:03AM"Cook, stirring, until the misery has melted": Rosemary Waugh's review of the ROH's opera takes the form of a very festive recipe. The post Review: Hansel & Gretel at Royal Opera House …
SOURCE: exeuntmagazine.com at 07:14AM'Fifty shades of beige': Rosemary Waugh reviews The Meyerhold Theatre Centre's adaptation of Ivan Vyrypaev's play about a couple arguing themselves round in circles The post Review: The Sun …
SOURCE: exeuntmagazine.com at 06:24PMOla Ince’s staging of Danai Gurira’s The Convert is one of those rare productions in which every element – performances, direction, design, everything
SOURCE: The Stage Registration at 07:38AMVive la revolution! Following 2017’s irrepressibly lovely Little Mermaid, Pins and Needles Productions return to The Egg with Christopher William Hill’s colourful,
SOURCE: The Stage Registration at 06:17AM