“Rufus: we’ve got a problem with some flying stuff.” The opening night of Emily Lim’s Pericles at the National Theatre is in
SOURCE: The Stage Registration at 06:53AMThere are buckets of blood in Michael Boyd’s production of Tamburlaine. Literally. This gripping staging of Christopher Marlowe’s telling of a lowly
SOURCE: The Stage Registration at 05:43AMA surprising encounter: Rosemary Waugh writes on Cha Hyun Suk's play. The post Edinburgh Review: Black and White Tea Room at Assembly Rooms appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:31AMExeunt Darren reviews pays tribute to the terrifying goblin king, John Robertson, at the Edinburgh Fringe. The post Edinburgh Review: John Robertson: Sexy, Sweaty, Party, Party at Just the T…
SOURCE: exeuntmagazine.com at 04:50AMWeaving history: Rosemary Waugh reviews a piece of dance-theatre based on the Greek mythological characters. The post Edinburgh Review: The Spinners at Dance Base appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 04:52AMCollector of stuff: Rosemary Waugh reviews Su Pollard at the Edinburgh Fringe. The post Edinburgh Review: Harpy at Underbelly Cowgate appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 12:04PMSaving the bears: Rosemary Waugh reviews Karen Cogan's unsettling Cork-set monologue. The post Edinburgh Review: Drip Feed at Assembly George Square appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 11:38AMZombie dancing: Rosemary Waugh reviews Ballet Ireland's new version of the classic ballet The post Edinburgh Review: Giselle at Dance Base appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:25AMOne woman and an elf: Rosemary Waugh reviews a Finnish play about the sauna. The post Edinburgh Review: The Sauna at Summerhall appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:38AMReclaiming a poet: Rosemary Waugh reviews Morgan Lloyd Malcolm's new play about Emilia Bassano. The post Review: Emilia at Shakespeare’s Globe appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:19AMFiona Laird’s production of Shakespeare’s playful revenge comedy is less Merry Wives and more Footballers’ Wives. Set in Windsor-by-way-of-Essex, the public shaming
SOURCE: The Stage Registration at 05:57AMTom’s a young actor desperate to stick with his dream career despite regularly working for less than minimum wage and having to
SOURCE: The Stage Registration at 08:48AMGet “Lockie” back on track! Welcome to the fictional Lockhaven Port, based on a typical corner of small-town Scotland largely forgotten by
SOURCE: The Stage Registration at 03:29PMCrescendos are a familiar part of classical music composition: the slow and steady climb to the earth-moving finale. Circa’s new show for
SOURCE: The Stage Registration at 08:04AMPepper’s Ghost is a 19th-century illusionary trick created by the strategic positioning of mirrors so that an image appears seemingly inexplicably where
SOURCE: The Stage Registration at 06:34AM“Be nice to people who work in customer service” is just one of the messages in Ladykiller, a very funny and refreshingly
SOURCE: The Stage Registration at 06:10AMTaylor Swift will help us defeat the fascists. Or at least it seems that way after seeing A Good Enough Girl? at
SOURCE: The Stage Registration at 05:52AMLydia doesn’t make costumes anymore. Now she makes clothes. ThisEgg’s four-women show is based on the sexual assault at gunpoint of clothing
SOURCE: The Stage Registration at 06:12AMSilence, breathing: Rosemary Waugh reviews Ima Iduozee at the Edinburgh Fringe. The post Edinburgh Review: This is the Title at Dance Base appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:11AMIvor B. Gurney was born in 1890 and joined the Royal College of Music in 1911. Like his fellow Gloucestershire-native, Laurie Lee,
SOURCE: The Stage Registration at 05:32AMIt’s 1920s London, but the interwar world of Incognito’s Tobacco Road is less interested in flappers and gin fizz, and more in
SOURCE: The Stage Registration at 08:21AMWhen shall we three meet again? According to Sisterhood by Jolie Booth, at any point in history. This play weaves together the
SOURCE: The Stage Registration at 07:47AMClaim, revel, destroy, subvert, love: Rosemary Waugh reviews Samira Elagoz's verbatim show about rape and men's reactions to her. The post Edinburgh Review: Cock, Cock… Who’s There? …
SOURCE: exeuntmagazine.com at 04:38AM10, 12, 14, 16… 10, 12, 14, 16… Yasmin (Amy Doyle) like to count things. Or rather, the voice in her head
SOURCE: The Stage Registration at 08:22AMHastings, 2018, and three glitter-covered women (Rosalind Hoy, Florence O’Mahony and Fleur Rooth) wash up on the beach. “Oi oi!” shouts a
SOURCE: The Stage Registration at 07:59AMFriendship and doodling: Rosemary Waugh reviews Druid Theatre's staging of Beckett at the Edinburgh International Festival. The post Edinburgh Review: Waiting for Godot at the Edinburgh Lyce…
SOURCE: exeuntmagazine.com at 06:56AMJust your average guy... until he's not: Rosemary Waugh reviews Claire van Kampen's Othello. The post Review: Othello at Shakespeare’s Globe appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:57AMAmerican dreaming: Rosemary Waugh reviews the story of the Lehman brothers. The post Review: The Lehman Trilogy at the National Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:49AMCloak and danger: Rosemary Waugh review Opera Holland Park's revival of Mascagni's version of the Lady Godiva myth. The post Review: Isabeau at Opera Holland Park appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 12:35AMLaura Wade’s most famous play to date is Posh. In it she peeled back layers of inherited wealth and privilege to reveal
SOURCE: The Stage Registration at 04:12AMShake a leg: Rosemary Waugh reviews Blanche McIntyre's The Winter's Tale at Shakespeare's Globe. The post Review: The Winter’s Tale at Shakespeare’s Globe appeared first on Exeunt Magazi…
SOURCE: exeuntmagazine.com at 08:22AM
