All stories by Rhiannon Ling on BroadwayStars

Tuesday, June 4, 2024

Theatre as Confrontation: Catherine Filloux's "How to Eat an Orange" at La MaMa by Rhiannon Ling

Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves around conflict, human rights, and violence committed against the female body: she has travel…

SOURCE: thetheatretimes.com at 12:49PM[SHARE]
Saturday, June 1, 2024

When Theatre Meets Gaming: "Third Law" at Culture Lab LIC by Rhiannon Ling

I've long been fascinated by the concept of incorporating video game mechanics into theatrical performance. After all, as technology has advanced, the two art forms have much in common: dram…

SOURCE: thetheatretimes.com at 12:48PM[SHARE]
Wednesday, May 22, 2024

Like Mother, Like Son: "Redemption Story" at A.R.T./NY by Rhiannon Ling

My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can't recall the last time I saw a director"Sarah Blush, in this case"take on the challenge of traverse s…

SOURCE: thetheatretimes.com at 12:49PM[SHARE]
Sunday, April 28, 2024

Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024 by Rhiannon Ling

2024's New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish, querying, high-caliber, and searching (on occasion, all things all at once). I had the privilege …

SOURCE: thetheatretimes.com at 03:04PM[SHARE]
Tuesday, April 2, 2024

The Silent Service of Women: Cayenne Douglass's "Maiden Voyage" at The Flea by Rhiannon Ling

"What kind of service do submarines provide?" asks the machine's captain, Ricky Martin. "Silent service" is the proper answer. It is nearly the dénouement of Cayenne Douglass's Maiden Voyag…

SOURCE: thetheatretimes.com at 04:16AM[SHARE]
Monday, February 5, 2024

"The Fantastical Fellowship:" Niche Comedy at Under St. Mark's by Rhiannon Ling

For lovers of the fantastical and the geeky, the scene at Under St. Mark's is one of nostalgia and familiarity. The pre-show music is reminiscent of Undertale; the font demarcating several k…

SOURCE: thetheatretimes.com at 11:02AM[SHARE]
Tuesday, December 12, 2023

Timelier Every Day: Kazimierska's "Katie's Tales" by Rhiannon Ling

"I do not know how to write," Agnieszka Kazimierska's Katie tells her audience. At this moment"approximately a fourth into the play"her viewers bear witness to Katie's paralytic attempt to w…

SOURCE: thetheatretimes.com at 08:50AM[SHARE]
Tuesday, September 12, 2023

Notch Theatre Company's "Wild Home" To Host Community Event On September 13th by Rhiannon Ling

When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle. The journey began in 2018, when co-creators Notch Theatre Company and Jessica Kahkoska initiat…

SOURCE: thetheatretimes.com at 10:00PM[SHARE]
Saturday, September 2, 2023

"Radio Man:" A Story of Connection and Bloodshed in Dystopian America by Rhiannon Ling

It's no secret that I'm an advocate for feminist, queer theatre. Or that I enjoy worlds of the fantastical variety, toeing the line of reality and imagination just so, crafting realization i…

SOURCE: thetheatretimes.com at 04:08AM[SHARE]
Tuesday, July 25, 2023

Doulas as Resistance: The Anthropologists's "axes, herbs and satchels" by Rhiannon Ling

Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a deprivation of female-led story and artistic autonomy. One month ago, I was scrolling throug…

SOURCE: thetheatretimes.com at 11:14PM[SHARE]
Sunday, July 23, 2023

Monsters, Mayhem, and Maturation: "The Trouble with Dead Boyfriends" at the Players Theatre by Rhiannon Ling

Upon one's first step into the Players Theatre, one knows exactly what they're in for. The stage is dressed in metallic pink streamers and backlit with subtle eerie green; Kesha's "Cannibal"…

SOURCE: thetheatretimes.com at 11:08PM[SHARE]
Tuesday, May 30, 2023

Bombastic Intimacies: Sophie McIntosh's "cityscrape" by Rhiannon Ling

Empty Gregory's coffee cups and PureLeaf bottles reside on a table, Trader Joe's bags are against the coat rack. String lights are hung with haphazard care, and, perched beneath the coffee t…

SOURCE: thetheatretimes.com at 12:00AM[SHARE]
Friday, April 21, 2023

A Question of Diversity: In Conversation with Paulien Geerlings by Rhiannon Ling and Kasia Lech

Paulien Geerlings is the head dramaturg at Amsterdam's The Toneelmakerij, a theatre company devoted to children and teens. Currently, she serves as the artistic lead of Young Europe IV.  …

SOURCE: thetheatretimes.com at 06:19AM[SHARE]
Thursday, March 23, 2023

The Envy of Baz Luhrmann: A Parkside "Romeo + Juliet" to Remember by Rhiannon Ling

It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard's works are mounted across the world in amplitude (and many attend), rarely does a community-…

SOURCE: thetheatretimes.com at 03:25AM[SHARE]
Wednesday, February 22, 2023

Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo's "(beyond) Doomsday Scrolling" by Rhiannon Ling

Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I find ourselves facing a half-built theatrical set, upstage canvas sign proclaiming "THEATRE S…

SOURCE: thetheatretimes.com at 05:06AM[SHARE]
Monday, February 13, 2023

The Poeticism of Woman's War: AnomalousCo's "(beyond) Doomsday Scrolling" by Rhiannon Ling

Only a week after the invasion of Ukraine, three creatives found themselves nestled around a bartop. Kathryn Mederos Syssoyeva, Diana Zhdanova, and Jeremy Goren, the artistic directors of fe…

SOURCE: thetheatretimes.com at 12:44PM[SHARE]
Sunday, December 4, 2022

"In a World Without Roe," Hedgepig Ensemble Theatre Fosters Theatrical Parity by Rhiannon Ling

Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered in the warmth of this cozy-yet-upscale eatery to enact and celebrate Hedgepig Ensemble Thea…

SOURCE: thetheatretimes.com at 02:32PM[SHARE]
Monday, October 10, 2022

Patriarchy as Judge: Smith Street's Contemporary "Measure for Measure" by Rhiannon Ling

"Patriarchy is a judge that judges us for being born" proclaims the banner wrapped above our heads, twined about the black box Mark O'Donnell Theater. It is a saying often associated, in one…

SOURCE: thetheatretimes.com at 12:44AM[SHARE]
Thursday, August 25, 2022

In Conversation with Regan Hicks: Part Two by Rhiannon Ling

This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second and final installment in my conversation with my dear friend and collaborator, Regan Hicks, …

SOURCE: thetheatretimes.com at 05:23PM[SHARE]
Wednesday, August 24, 2022

In Conversation with Regan Hicks: Part One by Rhiannon Ling

Regan Hicks is one of my dearest friends and closest collaborators. We've worked on a number of projects together over the past few years, each time beneficial, each time an utter delight. T…

SOURCE: thetheatretimes.com at 05:21PM[SHARE]
Monday, August 22, 2022

"Don't You Hate It When Assholes Are Talented?": "macbitches" at Chain Theatre by Rhiannon Ling

I went to theatre school. Know this before reading on. I went to theatre school, trained as an actor at a conservatory on the East Coast. I am well-versed in the racing of the heart while wa…

SOURCE: thetheatretimes.com at 05:41PM[SHARE]
Wednesday, October 20, 2021

Fake News and Propaganda Machines: New Theatre Production Pulls "Animal Farm" into the Now by Rhiannon Ling

In 1937, George Orwell witnessed a boy whipping a horse. This was a catalyst for his novel Animal Farm. Published in 1945, it remains a potent political satire. A story about the days and mo…

SOURCE: thetheatretimes.com at 01:15AM[SHARE]
Monday, October 18, 2021

Friday Essay: A World of Pain " Australian Theatre in Crisis by Rhiannon Ling

Australia's performing arts sector has long been recognized as an ecosystem. It is a community of artists, arts organizations and institutions, all affected by factors such as education and …

SOURCE: thetheatretimes.com at 09:25AM[SHARE]
Wednesday, August 18, 2021

Cry Havoc Theater Company Lets Slip the Dogs of War by Rhiannon Ling

In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political prowess, one whose make-up may surprise you: Cry Havoc, a theatre company founded in 2014 to…

SOURCE: thetheatretimes.com at 05:54AM[SHARE]
Wednesday, June 16, 2021

On the Basis of Sustainability: Artemisia Theatre's "Goods" by Rhiannon Ling

"I meant to do something about it, but I didn't." So goes the refrain when we, as flawed human beings, are faced with politically- and emotionally charged strife: "I meant to do something ab…

SOURCE: thetheatretimes.com at 07:55PM[SHARE]
Sunday, March 7, 2021

Women in the Lead: Julie Proudfoot on Artemisia Theatre's 2021 Digital Season by Rhiannon Ling

As a female-identifying artist deeply invested in women's stories (and as a staunch feminist), I've been following the work of Artemisia Theatre for years. Their dedication to their mission …

SOURCE: thetheatretimes.com at 01:50AM[SHARE]
Saturday, January 2, 2021

Amir Nizar Zuabi's "This Is Who I Am:" A Reminder of Family, Humanity, and the Power of Theatre by Rhiannon Ling

The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is not built for digital platforms; digitization is not designed for dramatics. Many theatre co…

SOURCE: thetheatretimes.com at 05:42PM[SHARE]
Sunday, November 15, 2020

"Keely and Du" at The Seeing Place by Rhiannon Ling

Keely and Du, Jane Martin's seminal work from 1993, is a piece often touted for its emotional impact and educational effect. Its story"that of a pregnant rape victim kidnapped by an extremis…

SOURCE: thetheatretimes.com at 02:39AM[SHARE]
Tuesday, October 20, 2020

Accessibility in the Time of Corona: An Overview by Rhiannon Ling

There's no denying that COVID-19 has been a financial and connectivity nightmare for artists. Theatre, in particular, thrives off of that human-to-human connection: it's what brings in theat…

SOURCE: thetheatretimes.com at 08:33PM[SHARE]
Monday, September 21, 2020

"Call From:____": A Web Series with Hilarity and Heart by Rhiannon Ling

Zoom plays can feel a little dry. I'm sure, after months of this quarantine, we've all had the experience: watching incredibly talented actors speak incredibly well-written words, though una…

SOURCE: thetheatretimes.com at 03:23PM[SHARE]
Sunday, September 6, 2020

"Different Stars:" A Song Cycle in Digital Form by Rhiannon Ling

Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A Reckoning with Time, Trauma, and Circumstance is one man's self-aware journey into his most …

SOURCE: thetheatretimes.com at 07:50AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off