All stories by Rachel Halliburton on BroadwayStars

Friday, March 14, 2025

Clueless: The Musical, Trafalgar Studios review - a perfectly manicured update by Rachel Halliburton

KT Tunstall's new score brings bite and momentum to a high octane evening Before there was Barbie: The Movie, before there was Legally Blonde, there was Clueless, the Valley Girl movie that …

SOURCE: theartsdesk.com at 06:18AM
Friday, February 28, 2025

The Score, Theatre Royal Haymarket review - curious beast of a play fails to engage by Rachel Halliburton

Missed opportunity to create a rich drama from this intriguing historical encounter Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words that can e…

SOURCE: theartsdesk.com at 04:24AM
Friday, February 21, 2025

Otherland, Almeida Theatre review - a vivid, beautifully written take on the trans experience by Rachel Halliburton

Bush's writing is as fresh as a sea breeze and as lyrical as birdsong “Who’d be a woman?... Who in their right mind would choose all that?” The question comes towards the end of a con…

SOURCE: theartsdesk.com at 06:32AM
Thursday, February 20, 2025

Much Ado About Nothing, Theatre Royal Drury Lane review - this shamelessly hedonistic production is a triumph by Rachel Halliburton

Diamond-sharp banter and an endorphin fizz make this one of the best parties in town Over the last few months, celebrity-driven West End productions have suffered some inglorious crashes - n…

SOURCE: theartsdesk.com at 05:32AM
Monday, January 20, 2025

Kyoto, Soho Place Theatre - blistering, darkly witty play raises more questions than it answers by Rachel Halliburton

The script turns dry-as-dust diplomatic detail into nothing less than an adrenaline sport It took a while for journalists to identify the chain-smoking, Machiavellian figure who was a perman…

SOURCE: theartsdesk.com at 06:12AM
Friday, December 20, 2024

You Me Bum Bum Train, secret location review - a joyful multiverse of anarchic creativity by Rachel Halliburton

This latest incarnation of the show is a wild, spinning ride through different forms of reality This feels like the theatrical equivalent of being in a centrifuge – a wild, spinning ride t…

SOURCE: theartsdesk.com at 07:42AM
Wednesday, December 11, 2024

A Midsummer Night's Dream, RSC, Barbican review - visually ravishing with an undercurrent of violence by Rachel Halliburton

This psychedelic mashup conveys a sci-fi-style alternate reality Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a …

SOURCE: theartsdesk.com at 07:18AM
Saturday, November 30, 2024

The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delight to tantalise your sensibilities by Rachel Halliburton

Oscar Wilde speaks just as strongly to the 21st century as he did to his own If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then Oscar Wilde…

SOURCE: theartsdesk.com at 08:18AM
Tuesday, October 29, 2024

Dr Strangelove, Noël Coward Theatre review - an evening of different parts by Rachel Halliburton

Kubrick’s humour doesn't always detonate as it should in Armando Iannucci's version Even by Stanley Kubrick’s standards, Dr Strangelove went through an extraordinary evolutionary process…

SOURCE: theartsdesk.com at 04:02PM
Wednesday, June 19, 2024

The Taming of the Shrew, Shakespeare's Globe review - riotous comedy jars with the bitter pill of the production's message by Rachel Halliburton

This 'Shrew' has many fine elements but ultimately they don't coalesce A recent Crime Survey for England and Wales estimated that 2.1 million people in the UK had been victims of domestic ab…

SOURCE: theartsdesk.com at 07:02AM
Monday, September 4, 2023

As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes by Rachel Halliburton

A production that feels as if it could erupt into cabaret at any moment To proclaim that you’re playing gender games with Shakespeare’s As You Like It seems a little like announcing that…

SOURCE: theartsdesk.com at 02:19PM
Monday, June 19, 2023

Romeo and Juliet, Almeida Theatre review - muscular action interspersed with moments of telling stillness by Rachel Halliburton

The scenes overlap so that characters are besieged by their past, present and future Rebecca Frecknall’s Romeo and Juliet burns like ice, paring back and tightening the script so that love…

SOURCE: theartsdesk.com at 05:07AM
Saturday, November 26, 2022

Henry V, Shakespeare's Globe review - anatomy of a violent, murky world of leadership by Rachel Halliburton

The play is stripped down to expose sinister undercurrents of nationalism and honour-culture It begins in darkness. All that can be heard is the sound of a human struggling painfully for bre…

SOURCE: theartsdesk.com at 07:36AM
Thursday, October 6, 2022

The Boy with Two Hearts, National Theatre review - poignant yet humorous story of family forced to flee Afghanistan by Rachel Halliburton

Engaging adaptation and sympathetic playing still leave viewers longing for more detail It’s particularly poignant to watch this story in the knowledge that a little over a year after US-l…

SOURCE: theartsdesk.com at 07:19AM
Friday, September 16, 2022

The Snail House, Hampstead Theatre - perplexing new drama that lacks bite by Rachel Halliburton

The central character is put in the dock but has ample evidence to get out Hell hath no fury like a teenager scorned. In this perplexing play, we see a highly successful doctor put on trial …

SOURCE: theartsdesk.com at 10:03AM
Friday, September 2, 2022

I, Joan, Shakespeare's Globe review - a non-binary retelling that's as ebullient as it's irreverent by Rachel Halliburton

The fact is that Joan of Arc was, by anyone’s standards, unique This raw, joyous, irreverent take on Joan of Arc made headlines before opening night for its depiction of the fifteenth-cent…

SOURCE: theartsdesk.com at 07:25AM
Thursday, July 28, 2022

The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre review - the puppetry is all part of the magic by Rachel Halliburton

Multi-talented musical cast delivers va-va voom in Sally Cookson’s reimagined Narnia This bold reimagining of Sally Cookson’s innovative 2017 production of The Lion, the Witch and the Wa…

SOURCE: theartsdesk.com at 06:42PM
Wednesday, July 13, 2022

Patriots, Almeida Theatre review - a brilliant drama from Peter Morgan about rampant Russian power games by Rachel Halliburton

Tom Hollander as powerbroker Boris Berezovsky switches between brazen charm and hubristic rage To watch a Peter Morgan drama is to have a fly-on-the-wall’s perspective of modern history. O…

SOURCE: theartsdesk.com at 06:54AM
Saturday, July 2, 2022

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre review - witty, ingenious exploration of gender transition by Rachel Halliburton

How physical transition is etched into the story of our world Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of film and stage performanc…

SOURCE: theartsdesk.com at 04:33PM
Monday, June 20, 2022

King Lear, Shakespeare's Globe review - eviscerates emotionally while illuminating a society rotten with lies by Rachel Halliburton

The disconnect between rhetoric and genuine meaning feels very contemporary Kathryn Hunter’s performance as Lear forges its heat from contradictions. She is as frail as she is strong, as d…

SOURCE: theartsdesk.com at 07:24AM
Friday, June 10, 2022

The Wedding, Gecko Theatre, Barbican review - eccentric, ebullient exploration of our contract with society by Rachel Halliburton

Gecko boldly sculpts surreal alternative realities to our predicted worlds You never forget your first Gecko production. I experienced mine almost 20 years ago at the Battersea Arts Centre, …

SOURCE: theartsdesk.com at 06:24AM
Friday, May 27, 2022

Henry VIII, Shakespeare's Globe review - unashamedly vulgar take on our last split with Europe by Rachel Halliburton

A ten-foot golden phallus is launched from the musicians’ gallery Boris Johnson was of course not the first British leader to engineer a split with Europe for personal gain. This strikes y…

SOURCE: theartsdesk.com at 12:18PM
Wednesday, May 18, 2022

The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new drama by Rachel Halliburton

Inter-generational story from a Northern mining town melds naturalism and tragedy Anne-Marie Duff blazes across the stage like a meteorite in Beth Steel’s excoriating drama about the chang…

SOURCE: theartsdesk.com at 11:06PM
Monday, May 16, 2022

The Breach, Hampstead Theatre review - profoundly uncomfortable work that burns like ice by Rachel Halliburton

Naomi Wallace's writing is brave and uncompromising Jude is the kind of girl that no-one would want to mess with – she can dance like a demon to Eric Clapton, skewer an ego in seconds and …

SOURCE: theartsdesk.com at 07:24AM
Monday, May 2, 2022

Much Ado About Nothing, Shakespeare's Globe review – a perfect piece of escapism for our uncertain summer by Rachel Halliburton

This production carries as much emotional heft as it exudes riotous comedy Lucy Bailey’s joyous, visually ravishing Much Ado About Nothing opens on a sombre note. On stage there is laughte…

SOURCE: theartsdesk.com at 05:48AM
Monday, April 25, 2022

Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient world by Rachel Halliburton

You go into a dimension where you operate through instinct as much as intellect Punchdrunk’s latest epic undertaking may be inspired by the legend of Troy, but this is nothing less than a …

SOURCE: theartsdesk.com at 07:24AM
Monday, April 18, 2022

The 47th, Old Vic review - ambitious Trump satire doesn't quite hit its target by Rachel Halliburton

★★★ THE 47TH, OLD VIC Mike Bartlett's ambitious Trump satire doesn't quite hit its target As a playwright, how do you handle an arse-fixated arch-disrupter? Megalomania is inherently …

SOURCE: theartsdesk.com at 05:24AM

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness by Rachel Halliburton

Mike Bartlett's raucous chronicle of London in the age of Boris Johnson If Nero fiddled while Rome burned, then Boris Johnson has played the whole sodding orchestra. Between the parties, the…

SOURCE: theartsdesk.com at 05:24AM
Thursday, April 14, 2022

Persuasion, Alexandra Palace Theatre review - graphic-novel-style Austen by Rachel Halliburton

The soundtrack features musicians ranging from Robyn and Dua Lipa to Cardi B Jane Austen’s waspish vision revealed the vanities, delusions and cynical financial calculations that underpinn…

SOURCE: theartsdesk.com at 05:48AM
Monday, March 7, 2022

Small Island, National Theatre review - visually ravishing tale with an epic sweep by Rachel Halliburton

Director Rufus Norris uses the Olivier's revolving stage like a virtuoso With its violent storms, bombed out cities and stories of families ripped apart by war, Small Island feels very much …

SOURCE: theartsdesk.com at 07:54AM
Monday, February 28, 2022

Uncanny Valley, BAC review – fascinating robotic lecture on aspects of the self by Rachel Halliburton

The author Thomas Melle had his animatronic double created for this intelligent show It’s the vulnerability of the robot that strikes you in this subtle, intelligent production from the Ge…

SOURCE: theartsdesk.com at 06:12AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre