Monday, February 28, 2022
The author Thomas Melle had his animatronic double created for this intelligent show
It’s the vulnerability of the robot that strikes you in this subtle, intelligent production from the Ge…
SOURCE: theartsdesk.com at 06:12AMTuesday, February 8, 2022
Scattergun subversion is undermined by psychological miscalculations
Hamlet isn’t often played for laughs. When David Tennant took the comedic approach in the RSC’s 2008 production, it w…
SOURCE: theartsdesk.com at 04:42AMMonday, December 13, 2021
A vivid and witty recreation of politics in the late Sixties
No playwright has a scalpel as sharp as James Graham’s when it comes to dissecting politics; he has a brilliance and edge that …
SOURCE: theartsdesk.com at 07:48AMThursday, December 9, 2021
The stage magic is both ingenious and beguiling
It’s been seventeen years since Nicholas Hytner first directed Philip Pullman’s His Dark Materials at the National Theatre, ambitiously wh…
SOURCE: theartsdesk.com at 07:54AMFriday, December 3, 2021
Despite its deceptive lightness, at heart this is a dark terrifying story
When the Canadian Yann Patel went to India as a young adult backpacker he fell in love – not with one person but w…
SOURCE: theartsdesk.com at 05:18AMFriday, November 26, 2021
His earthy informality instantly anchors the philosophy
Words flow like water in TS Eliot’s Four Quartets, shimmering with allusion, swirling and eddying with the ideas and fractured philo…
SOURCE: theartsdesk.com at 05:33AMMonday, November 22, 2021
Musical adaptation of Louisa May Alcott classic is enjoyable but undemanding
Louisa May Alcott did not think she could write a successful book for girls. After her publisher suggested this …
SOURCE: theartsdesk.com at 09:36AMFriday, October 22, 2021
This shark-tooth-sharp comedy provides a behind-the-scenes glance at "Jaws"
Jaws was the Moby Dick of late 20th century capitalism, a fantasy about fear and the unknown for a society that ha…
SOURCE: theartsdesk.com at 05:48AMTuesday, October 19, 2021
How do traumas from former generations affect how we behave in the present?
This is simultaneously a love story and an archaeology of hate, a sparky, spiky encounter between two individuals …
SOURCE: theartsdesk.com at 07:42AMThursday, October 7, 2021
Any figure in Roman mythology today would be at the pointy end of cancel culture
Ovid was exiled – or to put it in twenty-first century terms, ‘no-platformed’ – by an indignant Emper…
SOURCE: theartsdesk.com at 08:03AMWednesday, September 15, 2021
An intriguing if flawed evening, boosted by ebullient ensemble work
Indecent is a play wrapped inside a news story about stigma. Playwright Paula Vogel was at Cornell University when she s…
SOURCE: theartsdesk.com at 06:54AMTuesday, August 31, 2021
Playwright Josh Azouz's absurdism owes as much to Sacha Baron Cohen as to Beckett
An ageing Nazi, stuffed into a slightly too tight white linen suit, sits at the opposite end of the dining …
SOURCE: theartsdesk.com at 08:24AMMonday, July 19, 2021
Edward Baker-Duly seems to have sprung fully formed from the pages of 'Punch'
If you’re looking for a distraction from the apocalyptic headlines that seem to be the norm right now, then it…
SOURCE: theartsdesk.com at 12:36PMSaturday, July 10, 2021
Too many of the messages seem reductive and irrelevant
"It is dangerous for women to go outside alone," blares the electronic sign above the stage of the new Romeo and Juliet at Shakespeare'…
SOURCE: theartsdesk.com at 09:36AMWednesday, June 30, 2021
Raine beautifully evokes how music captures the mess of life
In John Eliot Gardner’s magnificent wide-ranging biography of Bach, Music In The Castle of Heaven, he tells the story of the co…
SOURCE: theartsdesk.com at 06:36AMFriday, June 4, 2021
Uncomfortable truths beneath the poisoned patter
This blistering, fearless play about an 18-year-old black entrepreneur on the King’s Road raises a myriad of uncomfortable questions that r…
SOURCE: theartsdesk.com at 07:36PMSaturday, May 29, 2021
A production that revels in the joyously absurd while hinting at the play's darker edges
A little less than two years after Sean Holmes’s kick-ass Latin American carnival-style A Midsummer…
SOURCE: theartsdesk.com at 06:54AMMonday, May 3, 2021
A vivid and credible production that is also limited by its form
To accept or not accept a donation: that’s certainly the burning political question of the moment.
SOURCE: theartsdesk.com at 04:03AMWednesday, March 17, 2021
Co-production with Manchester International Festival, Marshmallow Laser Feast and Philharmonia Orchestra brings Shakespeare's metaphor to life
Which of Shakespeare’s plays is most plagued …
SOURCE: theartsdesk.com at 06:03AMMonday, February 22, 2021
Celie learns how to live from the strong, rebellious women she encounters
This production of The Color Purple is an extraordinary testimony to the fact that many of the twentieth century’s…
SOURCE: theartsdesk.com at 07:33AMWednesday, February 17, 2021
The tilt between our actual selves and our idealised selves will never cease to be an existential tension
This stunningly delivered online monologue from a bereaved widow to her husband feel…
SOURCE: theartsdesk.com at 07:03AMThursday, December 10, 2020
Skilfully interwoven accounts of a life in which togetherness is forbidden
How do you create a secular version of the Nine Lessons and Carols? The original can feel like a formulaic trot thr…
SOURCE: theartsdesk.com at 06:48AMSaturday, December 5, 2020
An ingenious depiction of the artist's gravity-defying love
One of Marc Chagall’s last commissions was for a stained-glass window in Chichester Cathedral, which channelled his characterist…
SOURCE: theartsdesk.com at 04:03PMFriday, October 23, 2020
It's a true achievement to feel the chemistry of a cast whirring into action again
The Prohibition-era setting of The Great Gatsby brings an appropriately illicit feel to this bold decisio…
SOURCE: theartsdesk.com at 05:03AMFriday, September 11, 2020
Alan Bennett's monologues make us reflect on our own little worlds
For some of us, it doesn’t take a lockdown to imprison us in our own hellish little world. Since his first series of dram…
SOURCE: theartsdesk.com at 06:02AMSunday, August 30, 2020
Theatre itself become an act of rebellion against the microbe
For a riveting, cathartic – and often surprisingly humorous – 50 minutes Ralph Fiennes paces the stage at the Bridge Theatre…
SOURCE: theartsdesk.com at 08:12PMFriday, July 17, 2020
As Mozart, Adam Gillen erupts onto the stage as a Tourette’s tornado
It is 41 years since Peter Shaffer ripped off Mozart’s respectable façade to reveal a foul-mouthed verbally incontin…
SOURCE: theartsdesk.com at 08:24AMFriday, July 10, 2020
Helen McCrory is the broken, irreparable heart of this production
Helen McCrory is an actor who can inject a world of feeling into one syllable that many actors would struggle to muster in a…
SOURCE: theartsdesk.com at 06:48AMFriday, July 3, 2020
Food crimes of the Sixties and Seventies are revealed here as Michelin-starred memories
I knew what a Howard Hodgkin painting would look like before I ever saw one because of Nigel Slater. T…
SOURCE: theartsdesk.com at 04:03AMFriday, June 12, 2020
A story told with the wit and elegance of a tune played on a harpsichord
It has been the fate of George III – who on many levels was a visionary and accomplished monarch – to go down in …
SOURCE: theartsdesk.com at 12:24PMFriday, June 5, 2020
The power of the mob still resonates in a production that speaks powerfully to our times
An arrogant leader contemptuous of his people. Could there be a more perfect timing for Josie Rourke�…
SOURCE: theartsdesk.com at 08:06AM 
