All stories by Peter Marks on BroadwayStars

Friday, January 20, 2012

‘La Cage aux Folles’ revival at Kennedy Center is vivacious, endearing by Peter Marks

The party starts early at the vivacious and endearing revival of “La Cage aux Folles.” An impossibly leggy actor in drag is waiting at the lip of the stage as the audience files into the…

SOURCE: Washington Post at 06:43AM
Friday, January 13, 2012

A war photographer struggles back to the ordinary in ‘Time Stands Still’ by Peter Marks

Why is it that a loving relationship is more apt to withstand bombs than the dormant aftermath? Playwright Donald Margulies poses this question in the steadily engrossing “Time Stands Stil…

SOURCE: Washington Post at 06:15PM
Wednesday, January 11, 2012

Renee Calarco’s ‘Religion Thing’: Cutesyness drags down comedy about faith by Peter Marks

Renee Calarco is onto something when she suggests in her new play, “The Religion Thing,” that America’s biggest taboo isn’t talking about sex — or even, as plays such as “Clybour…

SOURCE: Washington Post at 12:49AM
Friday, January 6, 2012

Kennedy Center cancels centerpiece ‘Pal Joey’ by Peter Marks

The Kennedy Center has had to scrap the centerpiece theater event of its 2011-12 season — a major, reworked revival of the 1940 Rodgers and Hart musical “Pal Joey” — after its direct…

SOURCE: Washington Post at 06:28PM

The state of D.C. theater by Peter Marks

In just 10 short years, Washington’s theaters have undergone a transformation unlike any in the city’s history. Gleaming new palaces of drama have sprung up or been spruced up all over t…

SOURCE: Washington Post at 03:42PM
Wednesday, December 28, 2011

Arena Stage modifies research role as major players depart by Peter Marks

Underlining the challenges it faces in realizing its aspirations to be a national center for research, Arena Stage announced Wednesday that major components of its 2½-year-old American Voic…

SOURCE: Washington Post at 04:36PM
Monday, December 26, 2011

New York Notebook: Only a few sparks in the fall theater season by Peter Marks

NEW YORK — Although the power stayed on all through the topsy-turvy weather patterns of the fall, the city’s theater district has found a key ingredient in the making of plays and musica…

SOURCE: Washington Post at 10:49PM
Tuesday, December 20, 2011

Shakespeare Theatre’s ‘Much Ado’ raises question of Latino stereotypes by Peter Marks

Reversing a decision that had enraged Latino playwrights, directors and others, the Shakespeare Theatre Company has taken the unusual step of restoring in mid-run the original names of two c…

SOURCE: Washington Post at 12:00AM
Friday, December 16, 2011

‘Billy Elliot’ lands at Kennedy Center in well-made dancing shoes by Peter Marks

“Billy Elliot the Musical” moves — and MOVES. When one of the astonishing young dance machines who rotate in the role of Billy is pirouetting or tapping, executing kickboxing steps or …

SOURCE: Washington Post at 12:14AM
Wednesday, December 14, 2011

From Chicago, a comedy collective second to none by Peter Marks

Whether they are crooning a love ballad to Chipotle’s burritos or asking the essential cosmic questions, such as “How come all the addicts on ‘Intervention’ have better apartments th…

SOURCE: Washington Post at 12:22AM
Monday, December 12, 2011

A Funny Thing Happens in Arena's ‘You, Nero’ by Peter Marks

Amy Freed gives zaniness a good name. Her new comedy, “You, Nero,” is a silly-savvy lark assembled out of shards of Roman history, scraps of acting argot and a soupcon of naughty busines…

SOURCE: Washington Post at 11:28PM
Saturday, December 10, 2011

Peter Marks’s best theater of 2011 - The Washington Post by Peter Marks

Of all the Top 10 lists I’ve assembled over the years, compiling this year’s drove me the craziest. That’s how strong 2011 has been for Washington theater — the best, in fact, in my …

SOURCE: Washington Post at 07:51AM
Friday, December 9, 2011

Theater’s Top 10 by Peter Marks

Of all the Top 10 lists I’ve assembled over the years, compiling this year’s drove me the craziest. That’s how strong 2011 has been for Washington theater — the best, in fact, in my …

SOURCE: Washington Post at 06:21PM
Tuesday, December 6, 2011

‘Much Ado’ with a Cuban flavor at Shakespeare Theatre Company by Peter Marks

No Shakespeare comedy depends on spontaneous romantic combustion as crucially as does “Much Ado About Nothing.” Yes, “The Taming of the Shrew’s” Kate and Petruchio must fall desper…

SOURCE: Washington Post at 07:07PM

‘Follies’ revival bound for Los Angeles by Peter Marks

Although the Kennedy Center’s highly regarded revival of “Follies” closes on Broadway on Jan. 22 after a 4 ½-month run, the production isn’t going into retirement just yet. L…

SOURCE: Washington Post at 12:49PM

‘Bust’ brings an L.A. story to Studio Theatre by Peter Marks

If Lauren Weedman is an acquired taste, I’ve acquired it. She’s a gust from the satiric jet stream, blown east from Los Angeles for an 18-day stand at Studio Theatre. Imagine the agitate…

SOURCE: Washington Post at 12:57AM
Friday, December 2, 2011

A modest affair is set to melody in ‘A Second Chance’ by Peter Marks

As direct and warmly intended as a letter from a friend, “A Second Chance” is a heartfelt new chamber musical about a middle-aged New York banker who lost the love of his life and slowly…

SOURCE: Washington Post at 12:14AM
Thursday, December 1, 2011

The gentle authority of John Hurt in ‘Krapp’s Last Tape’ by Peter Marks

What is that man of mature vintage thinking as he sits in the stark rectangle of light, staring out at us with those wistful, hooded eyes? The miracle of superlative acting is that an audien…

SOURCE: Washington Post at 12:15AM
Wednesday, November 30, 2011

A lot to ponder about Shakespeare through ‘Equivocation’ by Peter Marks

Just when you thought nothing more could be said about the origin of Shakespeare’s plays comes “Equivocation,” Bill Cain’s exhaustive and exhausting philosophical fantasia about auth…

SOURCE: Washington Post at 12:21AM
Wednesday, November 23, 2011

Holiday gifts of a dramatic kind by Peter Marks

Oy, it’s been a year. We’re beleaguered. Beaten up. Depressed by the economy, distressed by political dithering, swirled by tornadoes, slammed by hurricanes, shaken by earthquakes. Thing…

SOURCE: Washington Post at 06:49PM
Wednesday, November 16, 2011

Arena Stage’s funding outlook prompts cancellation of spring play by Peter Marks

In a drastic move for a major regional theater, Arena Stage is dropping one of the spring plays from its current season, an action prompted by the anticipated cancellation of $500,000 in fed…

SOURCE: Washington Post at 07:21AM
Friday, November 11, 2011

Ken Ludwig world premiere to be at high school by Peter Marks

The new plays of Broadway-proven writers find many paths to success. But not until Ken Ludwig pulled up to Sideburn Road had anyone thought one such path might be the stage of a public high …

SOURCE: Washington Post at 03:43PM
Thursday, November 10, 2011

Hugh Jackman, back? He IS Broadway by Peter Marks

NEW YORK — For proof that life’s unfair, consider the case of Hugh Jackman. The guy’s in the 99th percentile of, like, everything. He’s dashing, rugged, rich, well-mannered, famous, …

SOURCE: Washington Post at 10:14PM
Tuesday, November 8, 2011

‘Golden Dragon’ at Studio Theatre by Peter Marks

“Drama’s vitallest expression is the common day,” poet Emily Dickinson wrote. It’s a sentiment that contemporary German dramatist Roland Schimmelpfennig takes to heart in his writing…

SOURCE: Washington Post at 11:22PM
Sunday, November 6, 2011

‘Boys from Syracuse’ at Shakespeare Theatre Company by Peter Marks

Long before an actor blurted out “Shakespeare!” from the stage of Harman Hall, we fully understood why a Washington theater company that bears the Bard’s name would give us a sweet con…

SOURCE: Washington Post at 10:38PM
Friday, November 4, 2011

Arena Stage bans media, public from new-play conference by Peter Marks

This promised to be a fascinating weekend at Arena Stage, where 30 leading lights of the American theater world were gathering — playwrights, Broadway producers, leaders of nonprofit compa…

SOURCE: Washington Post at 07:14PM

Playwright Jon Robin Baitz’s ‘Other Desert Cities’ is a strong serio-comedy by Peter Marks

NEW YORK — When the eternally promising playwright Jon Robin Baitz was lured to network television to write the series “Brothers and Sisters,” the signs pointed to another excellent st…

SOURCE: Washington Post at 12:28AM
Friday, October 28, 2011

Constellation’s curious choice, ‘Arms and the Man’ by Peter Marks

For a young company, Constellation Theatre sure can feel old. Its current offering, a revival of George Bernard Shaw’s “Arms and the Man,” is the kind of unremarkable production you’…

SOURCE: Washington Post at 06:35PM
Thursday, October 27, 2011

Blake Robison to leave Round House for Cincinnati by Peter Marks

Blake Robison, who became producing artistic director of Bethesda’s Round House Theatre in 2005 and has spearheaded a repertory built on literary adaptations for the stage, announced Thurs…

SOURCE: Washington Post at 06:28PM
Wednesday, October 26, 2011

‘Oklahoma!’ makes a joyful return to Arena Stage by Peter Marks

That bright golden haze is just as radiant the second time around. “Oklahoma!,” the surprise autumn smash at Arena Stage, is back on the Fichandler stage for a summertime fling, looking …

SOURCE: Washington Post at 05:35PM

Royal Shakespeare Company vs. New York’s Shakespeare in the Park by Peter Marks

NEW YORK — Bill this midsummer card as an Elizabethan throwdown: the Royal Shakespeare Company versus the New York Shakespeare Festival. Virtually within earshot of each other, Britain’s…

SOURCE: Washington Post at 05:35PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic