All stories by Peter Marks on BroadwayStars

Wednesday, June 6, 2012

Round House Theatre names Ryan Rilette as new leader by Peter Marks

Round House Theatre, one of the region’s popular mid-size theater companies and an arts anchor in Montgomery County, on Wednesday announced the appointment of Ryan Rilette as its producing…

SOURCE: Washington Post at 08:19PM

Round House Theatre names Ryan Rilette as new leader by Peter Marks

Round House Theatre, one of the region’s popular mid-sized theater companies and an arts anchor in Montgomery County, on Wednesday announced the appointment of Ryan Rilette as its new prod…

SOURCE: Washington Post at 02:22PM
Tuesday, June 5, 2012

No Rules Theatre troupe has little pep in ‘Suicide Incorporated’ by Peter Marks

As business plans go, Scott’s will surely never make the case study annals of Wharton. Hanging out a shingle for a company that writes suicide notes for those seeking grammatical assistanc…

SOURCE: Washington Post at 07:39PM

In ‘Mr. Burns,’ civilization may fade, but Bart Simpson is forever by Peter Marks

As inexhaustibly original as the animated series that inspired it, the kookily brilliant “Mr. Burns, a Post-Electric Play” is the sort of once-in-a-blue-moon show that stays stuck in you…

SOURCE: Washington Post at 01:31AM
Friday, June 1, 2012

Larry Kramer's scalding ‘The Normal Heart’ comes to Arena Stage by Peter Marks

If there was a road map for breakout theatrical success, “The Normal Heart” misplaced its copy. Larry Kramer’s much-admired, alarm-bell-ringing 1985 drama about the spread of AIDS thro…

SOURCE: Washington Post at 01:33PM

‘Beertown’ returning to D.C.: Refreshments in the footlights by Peter Marks

Tired of the same old summer routine: the sweltering afternoon by the pool, the mosquito armada at the picnic, the endless crawl to the beach? How about taking a detour from the seasonal hum…

SOURCE: Washington Post at 10:22AM
Friday, May 25, 2012

Arena Stage’s ‘Music Man’ is Iowa stubborn and Washington smooth by Peter Marks

Who in their right mind wouldn’t haunt the library stacks if Kate Baldwin were assigned to the checkout desk? Teamed with Burke Moses in Arena Stage’s endearingly melodic revival of “T…

SOURCE: Washington Post at 01:31AM
Wednesday, May 23, 2012

WSC Avant Bard’s ‘Tooth of Crime’: Missing true grit in pivotal role by Peter Marks

In red satin jacket, polished fingernails and preening self-regard, Tom Carman flutters convincingly onto the Artisphere stage as Crow, a renegade singer come to dethrone an aging rock-and-r…

SOURCE: Washington Post at 11:56PM

‘Xanadu’: Erin Weaver’s a muse in leg warmers at Signature Theatre by Peter Marks

Empty calories don’t seem such a misguided nutritional choice when they’re served to you by a force like Erin Weaver, the vitamin-enriched musical star of Signature Theatre’s “Xanadu…

SOURCE: Washington Post at 01:57AM
Monday, May 21, 2012

At Shakespeare Theatre, a true master of its comic domain by Peter Marks

Click, click, click. That’s the precision with which practically every jubilant act of irreverence registers in Shakespeare Theatre Company’s deliriously happy-making version of Carlo Go…

SOURCE: Washington Post at 10:32PM
Wednesday, May 9, 2012

Who’s the shrew? At Folger, it’s a tossup. by Peter Marks

Presumption of funniness is not exactly a capital offense. But it’s a performer’s crime nevertheless, a rookie sort of miscue that helps to sink Folger Theatre’s ill-conceived spaghett…

SOURCE: Washington Post at 01:42AM
Tuesday, May 1, 2012

Tony Award nominations: Led by ‘Follies,’ Washington lights up Broadway by Peter Marks

In another sign of Washington’s growing influence as a theater town, the Kennedy Center’s highly regarded revival of “Follies” garnered an impressive eight Tony Award nominations Tue…

SOURCE: Washington Post at 05:25PM

‘Follies,’ ‘Clybourne Park’ among Tony nominees that got their start in Washington by Peter Marks

The Kennedy Center’s production of “Follies” earned an impressive eight Tony nods, including one for best musical revival, in the nominations unveiled Tuesday morning in New York. The …

SOURCE: Washington Post at 01:50PM
Monday, April 30, 2012

Seasoning needed for ‘The Big Meal’ by Peter Marks

The last thing you’d ever want, in the forlornly sterile restaurant where the events of Studio Theatre’s “The Big Meal” transpire, is for the waitress actually to arrive with your or…

SOURCE: Washington Post at 07:47PM
Friday, April 27, 2012

In Shenandoah Valley, a Shakespeare tradition has taken root by Peter Marks

Out in the Shenandoah Valley, they make Shakespeare the old-fashioned way. And by old-fashioned, I don’t mean stodgy or rigid or by trilling the lines as if every word were an opportunity …

SOURCE: Washington Post at 10:19PM
Tuesday, April 24, 2012

‘Whipping Man’: A Civil War seder as the South crumbles by Peter Marks

The characters of Matthew Lopez’s engrossing if soberly conventional Civil War drama, “The Whipping Man,” gather around a makeshift seder table in the ruins of a stately Richmond homes…

SOURCE: Washington Post at 09:06PM
Saturday, April 21, 2012

‘Clybourne Park’ on Broadway: Poignant ironies, as sharp as ever by Peter Marks

NEW YORK — The move to Broadway proves to be an entirely felicitous visibility upgrade for “Clybourne Park,” the Pulitzer Prize-winning comedy about race and class that had a virtuall…

SOURCE: Washington Post at 08:20AM
Thursday, April 19, 2012

‘One Man, Two Guvnors’: Gut-achingly good by Peter Marks

NEW YORK — Trusting your gut is an essential guideline in the reviewing business. So if your gut aches as much as mine did all through the rhapsodically silly shenanigans of “One Man, T…

SOURCE: Washington Post at 08:01PM
Wednesday, April 18, 2012

A crown lies uneasily in Round House's ‘Shadows’ by Peter Marks

What a piece of work is this Telemachus, the Hamlet-like brooder of playwright Jason Gray Platt’s modern family tragedy, “Crown of Shadows: The Wake of Odysseus.” Spoiled and sullen, h…

SOURCE: Washington Post at 10:25PM
Friday, April 13, 2012

The Inkwell, a D.C. theater incubator, steps onto a larger stage by Peter Marks

Like most young dramatists, Jason Gray Platt is a struggling one who holds down a day job to nourish his hopes of watching his work come alive at night. Having obtained a degree from Columbi…

SOURCE: Washington Post at 08:14PM
Wednesday, April 11, 2012

Puppeteer and drag artist in tune in ‘Arias With a Twist’ by Peter Marks

The more the star of “Arias With a Twist” exposes his outrageousness, the more he manages to class up the joint. The joint in question is Woolly Mammoth Theatre, where Joey Arias straps …

SOURCE: Washington Post at 01:55AM
Monday, April 9, 2012

D.C. theater to toast the plays of England, Scotland, France by Peter Marks

As if Washington’s lively bar scene were not already packed with drama, it is soon going to be the setting for an actual one. The Shakespeare Theatre Company, staging a play for the first …

SOURCE: Washington Post at 10:45PM
Sunday, April 8, 2012

In ‘Long Day’s Journey’ at Arena, there’s something special about this Mary by Peter Marks

Nationals Park isn’t the only spot on the Washington waterfront that gives you a taste of the pros these days. Just around the point at Arena Stage, the player to watch is Helen Carey, who…

SOURCE: Washington Post at 10:43PM
Friday, April 6, 2012

‘Evita’ on Broadway: Ricky Martin’s charm as Che is misapplied by Peter Marks

NEW YORK—Ricky Martin does a pretty good job of playing Ricky Martin throughout the plodding pageantry of “Evita,” the Tim Rice-Andrew Lloyd Webber musical that opened in lavish reviv…

SOURCE: Washington Post at 06:24PM
Tuesday, April 3, 2012

Review: Shakespeare Theatre’s ‘Strange Interlude’ by Peter Marks

About two hours into Shakespeare Theatre Company’s 3-hour, 45-minute production of “Strange Interlude,” the tragic condition of Eugene O’Neill’s troubled, meddlesome heroine, Nina …

SOURCE: Washington Post at 11:21PM
Monday, April 2, 2012

A ‘Shrew’ on two fleet feet from Synetic Theater by Peter Marks

Dudgeon achieves a sexy new high in the scenery-quaking workouts of Synetic Theater’s adaptation of “The Taming of the Shrew.” The bare-midriffed tantrums of the ageless Irina Tsikuris…

SOURCE: Washington Post at 11:14PM
Saturday, March 31, 2012

Before the Tonys, Broadway accelerates with ‘Once,’ ‘Newsies,’ ‘Jesus Christ’ by Peter Marks

It’s that gusty time of year again, when the skies open up over Broadway and out of the clouds come the April showers of new productions, all making landfall just under the Tony Awards dea…

SOURCE: Washington Post at 01:22AM
Friday, March 30, 2012

Dramatist rewrites script to run Baltimore's Centerstage by Peter Marks

BALTIMORE — For an artist from another land, Kwame Kwei-Armah is sure making himself comfortable here quickly. Just a few short months after arriving from London and taking over as artisti…

SOURCE: Washington Post at 01:15PM
Monday, March 26, 2012

Tiptoeing, gently, ‘Into the Woods’ by Peter Marks

BALTIMORE — The Wolf in Grandmother’s bed doesn’t seem quite so big and bad anymore. No, like other malicious aspects of Stephen Sondheim and James Lapine’s fractured fairy-tale musi…

SOURCE: Washington Post at 11:24PM
Thursday, March 22, 2012

Signature Theatre’s ‘Brother Russia’: Music reigns, but the Mad Monk is an enigma by Peter Marks

When a new musical is engaged in the complicated process of trying to find its voice, an audience has to be willing to listen to some misplaced notes, to hear it speak and sing in a sometime…

SOURCE: Washington Post at 10:50PM
Wednesday, March 21, 2012

Woolly Mammoth Theatre sticks by Mike Daisey amid documentary controversy by Peter Marks

The apologetic phone call from Mike Daisey was a painful one, says Woolly Mammoth Theatre’s artistic director, Howard Shalwitz. It came the day before the shattering news was made public, …

SOURCE: Washington Post at 06:50PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic