All stories by Peter Marks on BroadwayStars

Friday, July 26, 2013

For actors, theatricality begins at Home by Peter Marks

Jordan Friend, a recent graduate of Georgetown Day School and a budding theatrical dynamo, went looking for a place to put on a play this summer with a bunch of his old high school pals. Dau…

SOURCE: Washington Post at 12:50PM
Sunday, July 21, 2013

In ‘A Killing Game,’ viewers die laughing by Peter Marks

“A Killing Game” is, at last, dead-on. Those other-centered folks at Dog & Pony D.C. — the company that wants to put you in the actor’s seat — have brought back their disease-m…

SOURCE: Washington Post at 06:22PM
Thursday, July 18, 2013

‘Fallbeil’ wrestles with murky moral questions by Peter Marks

In the solemn “Fallbeil,” a young German woman whose soldier-brother has been horrifically maimed in a terror attack gains strength from her encounters with the ghost of a young German w…

SOURCE: Washington Post at 07:15PM

Marks: New ‘Spin’ for Signature Theatre by Peter Marks

The path from offbeat movie inspiration to generic musical passes directly through “Spin,” the bouncy work-in-progress that is christening Signature Theatre’s new Siglab musical develo…

SOURCE: Washington Post at 06:21PM
Wednesday, July 17, 2013

Peter Marks reviews ‘Rocky Horror Show’ at Studio Theatre by Peter Marks

The moment has come for delving into that hypnotic stage ritual that can cause you to space out on sensation — like you’re under sedation. To achieve this altered state, you have to jump…

SOURCE: Washington Post at 06:39PM

‘Marsha’: A little girl, a cold village by Peter Marks

With a slight nod to “Carrie,” the monodrama “Marsha” tells the story of a troubled, neglected little girl, who, left to her own devices in a cold and insular town, wreaks a kind of …

SOURCE: Washington Post at 06:33PM
Tuesday, July 16, 2013

Second City returns to the Capital City by Peter Marks

With their customary assortment of gags, jabs, songs and jibes, the jokesters of Chicago’s venerable Second City are back in town. And if the shivs they plunge into an array of soft target…

SOURCE: Washington Post at 04:29PM
Saturday, July 13, 2013

At Fringe, ‘How to be a Terrorist’ explores Scouting by Peter Marks

As a title, “How to be a Terrorist” is the fringe equivalent of click bait. Monologist Jimmy Grzelak of Southwick, Mass., newly graduated from Williams College, knows just how to pique t…

SOURCE: Washington Post at 05:37PM
Friday, July 12, 2013

Daisey’s ‘Agony’ in another key by Peter Marks

First, he was a storyteller. Then he was a scandal. And now, at last, he’s a musical. You know who I’m talkin’ about: the controversial Mike Daisey, immortalized in the rhythms of soft…

SOURCE: Washington Post at 06:45PM

Taking a Korean film out for a ‘Spin’ by Peter Marks

For success these days with a new American musical, try adding a little Seoul. Neil Bartram and Brian Hill are doing exactly that, staying in a Shirlington flat as they whip into shape their…

SOURCE: Washington Post at 01:04PM
Thursday, July 11, 2013

‘Book of Mormon’ restores faith in musicals by Peter Marks

Don’t believe what they say. Money can buy happiness. It’s yours for the price of a ticket to “The Book of Mormon.” And if you’re already in possession of one, then you’ve wisely…

SOURCE: Washington Post at 10:16PM
Wednesday, July 10, 2013

From the Capital Fringe Festival to 42nd Street come ‘The Brontes’ by Peter Marks

NEW YORK — Although the Capital Fringe Festival isn’t beginning its eighth installment in and around Mount Vernon Square until Thursday, it has already opened its doors in a city 220 mil…

SOURCE: Washington Post at 07:48PM
Monday, July 1, 2013

The Universe, in Capable Hands by Peter Marks

“Baby Universe” is adorable. And a nightmare. We’ve come to that point, it seems, when tales of the end of human history are no longer the exclusive domain of wild-eyed prognosticators…

SOURCE: Washington Post at 07:02PM
Friday, June 28, 2013

Across the pond, a National treasure by Peter Marks

LONDON — God save the king — of theaters. By virtue of its extraordinary range and acumen, the National Theatre, the 50-year-old company that since 1976 has operated out of a bulky moder…

SOURCE: Washington Post at 04:30PM
Thursday, June 27, 2013

In Silver Spring, Round House Theatre is giving up a coveted space by Peter Marks

In another sign of intensifying competition for performance spaces in and around the D.C. region, Round House Theatre is giving up its successful satellite theater in Silver Spring next June…

SOURCE: Washington Post at 01:33PM
Friday, June 7, 2013

Tonys go down to wire — a very thin one by Peter Marks

By the time of the late local news on Sunday, “Matilda” should be waltzing. Dancing away, that is, with most of the Tony Awards for which the musical is eligible during the 67th annua…

SOURCE: Washington Post at 10:19AM
Wednesday, June 5, 2013

In segregated, wartime America, making art against the odds by Peter Marks

In the early 1940s, a young man named John Biggers enrolled at Hampton Institute, a black college near Norfolk, at the same time that Viktor Lowenfeld, a painter and art scholar who had fled…

SOURCE: Washington Post at 12:01PM
Tuesday, June 4, 2013

In Signature’s marvelous ‘Company,’ Bobby and friends almost make sense by Peter Marks

The laughs are as big as the perplexities of personality are deep in Signature Theatre’s creditable, vocally adept version of Stephen Sondheim and George Furth’s oft-revived “Company.�…

SOURCE: Washington Post at 11:12AM
Thursday, May 30, 2013

Theater review: ‘The Guardsman’ marches grandly at Kennedy Center by Peter Marks

When you gaze at the person you’ve chosen to spend your life with, what do you really see? Or more to the point, as the Kennedy Center’s beguiling “The Guardsman” asks: What don’t …

SOURCE: Washington Post at 10:07PM
Tuesday, May 28, 2013

At the National, a new song in the air by Peter Marks

If there’s a stairway to musical-theater heaven, it will be winding next season through Washington. With the announcement Tuesday of a bold new four-show Broadway subscription series at th…

SOURCE: Washington Post at 05:53PM
Monday, May 27, 2013

‘Real Thing’ revived at Studio Theatre by Peter Marks

Vows do not mean much to Henry, the adulterous playwright at the center of “The Real Thing.” But words do. He’s so high-minded about language, in fact, that he refuses to help his seco…

SOURCE: Washington Post at 05:36PM
Friday, May 24, 2013

Kennedy Center unmasks ‘The Guardsman’ by Peter Marks

“The Guardsman”? Really? That Paleolithic bit of Broadway foolery? The farcical vehicle that once upon a time (1924, to be exact) starred the erstwhile duke and duchess of the American …

SOURCE: Washington Post at 10:07AM
Monday, May 20, 2013

Beyond “Clybourne”: “Beneatha’s Place” by Peter Marks

BALTIMORE — Of all the nerve! Kwame Kwei-Armah, CenterStage’s exuberant artistic director, believes theater is such a vital aspect of the culture that a Pulitzer Prize-winning play on th…

SOURCE: Washington Post at 11:45PM

A ‘Winter’s Tale’ for all seasons by Peter Marks

If only life offered the second chance Shakespeare so magnanimously grants the monstrously miscalculating Leontes of his late-career romance “The Winter’s Tale.” Sixteen years of penit…

SOURCE: Washington Post at 07:37AM

An English actress, transformed by Washington by Peter Marks

In a town possessed of more than its fair share of residents with impressive credentials, Hannah Yelland manages to stand out. Yes, Washington is home to ambassadors and generals and Cabinet…

SOURCE: Washington Post at 07:37AM
Wednesday, May 8, 2013

A madcap but middling ‘Twelfth Night’ by Peter Marks

Sometimes, in its ongoing bout with Shakespeare’s canon, Folger Theatre goes for the outright pin. At other times, it seems content with a draw. Its new “Twelfth Night” qualifies in th…

SOURCE: Washington Post at 06:17PM
Tuesday, May 7, 2013

Love and turmoil heat up ‘Other Desert Cities’ at Arena Stage by Peter Marks

Amid the cacti and tennis courts, betrayal lies in wait. The comfortably arid retirement of Lyman and Polly Wyeth — impeccably groomed survivors of Old Hollywood and California Republican …

SOURCE: Washington Post at 10:14PM
Friday, May 3, 2013

For Jon Robin Baitz, all politics is verbal by Peter Marks

In the expansive living room of their bright Tribeca apartment, Jon Robin Baitz and his friendly, three-legged dog Trip both pad about restlessly, looking for comfortable places to alight. F…

SOURCE: Washington Post at 01:31PM
Sunday, April 28, 2013

As another season on Broadway ends, more proof that it’s much better Off- by Peter Marks

NEW YORK — The beat of David Byrne’s sexy new life-of-Imelda-Marcos musical, “Here Lies Love,” never rests. And neither, for that matter, does the audience. In a black-box-turned-dis…

SOURCE: Washington Post at 09:33PM
Friday, April 19, 2013

Theater's Prince, crowned yet again by Peter Marks

NEW YORK — Lest you imagine the career’s a wrap for 85-year-old Harold Prince, imagine again. Not only is he working on a retrospective musical, “The Prince of Broadway,” based on hi…

SOURCE: Washington Post at 12:31PM
Thursday, April 18, 2013

Robert Pinsky adapts ‘Wallenstein’ for Shakespeare Theatre by Peter Marks

“First of all, forget about the Thirty Years’ War,” the conflict-hardened and battle-weary Gen. Albrecht Wallenstein advises an audience in the first seconds of Shakespeare Theatre Com…

SOURCE: Washington Post at 08:14PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic