All stories by Peter Marks on BroadwayStars

Thursday, April 3, 2014

Denzel Washington in Broadway’s resonant new “A Raisin in the Sun” by Peter Marks

NEW YORK--After a lukewarm stab at “A Raisin in the Sun” a decade ago, director Kenny Leon has returned to Lorraine Hansberry’s definitive story of African-American aspiration with a p…

SOURCE: Washington Post at 09:09PM

‘Arguendo’ at Woolly Mammoth Theatre appeals for viewers to see comedy in the court by Peter Marks

The serious legal scholarship of Monty Python meets the comedy stylings of the U.S. Supreme Court in “Arguendo,” a verbatim re-enactment of a constitutional case like none you’d ever s…

SOURCE: Washington Post at 01:13PM
Wednesday, April 2, 2014

Taylor Mac’s ‘Hir’ Won’t be here, at Studio Theatre by Peter Marks

A misunderstanding about who would direct Taylor Mac’s play “Hir” (pronounced “Here”) has prompted the New York-based actor and playwright to withdraw his work from Studio Theatre�…

SOURCE: Washington Post at 05:56PM
Tuesday, April 1, 2014

The Welders find their ‘Grail’ by Peter Marks

“I’m a storyteller,” the protagonist, Diana, declares in the opening moments of Allyson Currin’s “The Carolina Layaway Grail,” and what an appropriate prologue for the introducto…

SOURCE: Washington Post at 07:18PM

Next Season Preview: Folger Theatre 2014-15 season by Peter Marks

Today, theater lovers and other curious readers, we lay out for you Folger Theatre ‘s 2014-15 season, the 10th of our dives into the theater waves of Washington’s future. Folger’s plan…

SOURCE: Washington Post at 06:20AM
Sunday, March 30, 2014

Sleeker, smarter, more exhilarating ‘If/Then’ musical hits Broadway by Peter Marks

NEW YORK — The new “If/Then” is sleeker, smarter and runs far more efficiently than last year’s ungainlier model, the one that had its test-drive in Washington last fall. Its heart i…

SOURCE: Washington Post at 10:27PM

Talented actors struggle to give discordant ‘Solomon and Marion’ an even tone by Peter Marks

The great Janet Suzman and her energetic co-star, Khayalethu Anthony, form an endearing partnership in “Solomon and Marion” — so agreeable, in fact, that you’re doubly disappointed b…

SOURCE: Washington Post at 12:55PM

Next Season Preview: Studio Theatre by Peter Marks

Studio Theatre‘s 2014-15 season is the subject of today’s gaze into the dramatic future, and it includes the world premiere of a comedy, “Laugh,” by Beth Henley (“Crimes of the Hea…

SOURCE: Washington Post at 10:25AM
Thursday, March 27, 2014

‘Not by Bread Alone’ at Kennedy Center’s World Stages fest: A challenge for the senses by Peter Marks

“Not by Bread Alone,” the most exotic entry in the Kennedy Center’s 15-production World Stages festival, comes across less as a play or performance piece than as a kind of drama therap…

SOURCE: Washington Post at 07:20PM
Wednesday, March 26, 2014

Wrenching Israeli drama “The Admission” premieres at Theater J by Peter Marks

In Theater J’s spellbinding premiere of Motti Lerner’s “The Admission,” the legacy of Israel’s violent birth seems to bubble and swirl continually, as if being fed by a bottomless …

SOURCE: Washington Post at 06:57PM
Tuesday, March 25, 2014

Baltimore Rock Opera Society’s ‘Grundlehammer’ rocks out medieval style by Peter Marks

BALTIMORE — Release the Grundle? Oh, no, no, NO! Well, wait. Okay, new thought: do, do, DO release the Grundle, that bellicosely fleshy rocker-monster who uses an extra set of arms to play…

SOURCE: Washington Post at 07:20PM
Thursday, March 20, 2014

Style Blog: “Aladdin” opens on Broadway by Peter Marks

NEW YORK--”Animated” doesn’t begin to describe the frantic, screwball version of Disney’s “Aladdin” that opened Thursday night on Broadway at the New Amsterdam Theatre, with a bu…

SOURCE: Washington Post at 09:16PM

Thé âtre de l’Atelier’s ‘Savannah Bay’ beguiles at Kennedy Center’s World Stages festival by Peter Marks

The notion of human beings as solo travelers is poignantly challenged in Marguerite Duras’s “Savannah Bay,” a play from France that is as freshly and lovingly cultivated as a newly mow…

SOURCE: Washington Post at 01:50PM
Tuesday, March 18, 2014

Sheryl Crow, Barry Levinson to bring musical ‘Diner’ to Washington by Peter Marks

Get ready to hear the guys from “Diner” crooning a score by Sheryl Crow in a familiar theater in Arlington. . A new musical version of the acclaimed 1982 movie, with music and lyrics by …

SOURCE: Washington Post at 06:12PM

Style Blog: Next Season Preview: Signature Theatre by Peter Marks

Lucky No. 7 in our series of theater previews occurs today with an exploration of the 2014-15 season at Arlington’s Signature Theatre. It’s a lineup that includes three world premiere m…

SOURCE: Washington Post at 06:07PM

Style Blog: Next Season Preview: Ford’s Theatre by Peter Marks

Ford’s Theatre’s 2014-15 schedule comes under the microscope in the 8th installment of our previews of forthcoming theater in the D.C. region, and the image coming into focus most vividl…

SOURCE: Washington Post at 06:07PM
Friday, March 14, 2014

Arena’s ‘Camp David’ tries to turn the grind of diplomacy into the stuff of drama by Peter Marks

When practiced deftly, diplomacy is likened to an art. But can it also be an entertainment? The question is being taken up at the moment at Arena Stage, where a journalist-playwright and a …

SOURCE: Washington Post at 02:56PM

Style Blog: Next Season Preview: Synetic Theater presents ‘Hunting Cockroaches’ by Peter Marks

We turn our attention today to Arlington, Va. for the sixth installment of our 2014-15 previewing, and a look at the forthcoming shows of scrappy Crystal City-based Synetic Theater, oversee…

SOURCE: Washington Post at 12:39PM
Thursday, March 13, 2014

Theater review: ‘Rocky’: A musical thrilla that’s vanilla by Peter Marks

NEW YORK — With the electrifying climax they’ve come up with for the new musical version of “Rocky,” director Alex Timbers and his creative team reveal themselves to be true lords of…

SOURCE: Washington Post at 09:15PM

Rupert Murdoch play at Kennedy Center is like a really boring biography of the media mogul by Peter Marks

The list of Rupert Murdoch’s business conquests is long. “Rupert” feels even longer. A deal-by-deal account of the media titan’s voracious career, during which he’s gobbled up ever…

SOURCE: Washington Post at 11:46AM
Wednesday, March 12, 2014

World Stages festival: ‘The Suit’ is superbly tailored by Peter Marks

You’d be hard-pressed to launch an expedition to theater from around the globe more auspiciously than with “The Suit,” a movingly evocative South African fable about folly and unforgiv…

SOURCE: Washington Post at 08:43AM
Monday, March 10, 2014

After a D.C. tryout, creative team retools ‘If/Then’ for Broadway by Peter Marks

NEW YORK — Usually, talking during a performance is strictly a no-no. But in the final days last fall of the Washington tryout of their new musical “If/Then,” Brian Yorkey and Tom Kitt…

SOURCE: Washington Post at 07:53PM

‘Water by the Spoonful’ dispenses measured fury by Peter Marks

Addiction binds together the disparate characters of Quiara Alegria Hudes’s “Water by the Spoonful,” but an even more tenacious adversary has a hold on them: shame, of a kind that simm…

SOURCE: Washington Post at 05:13PM
Saturday, March 8, 2014

World Stages: ‘Fallujah,’ from Iraq and Canada by Peter Marks

“Fallujah” March 29, Terrace Gallery Countries: Iraq, Canada Description: A staged reading of a new chamber opera by Iraqi American playwright Heather Raffo and Canadian composer To…

SOURCE: Washington Post at 08:58PM

At World Stages: ‘Rupert,’ from Australia by Peter Marks

“Rupert” March 12-15, Eisenhower Theater Country: Australia Description: From the Melbourne Theatre Company comes David Williamson’s cabaret-influenced play about Australian-born …

SOURCE: Washington Post at 08:58PM

At World Stages: ‘Savannah Bay,’ from France by Peter Marks

“Savannah Bay” March 19-22, Family Theater Country: France Description: Marguerite Duras’s 1982 play is revived by Thé âtre de l’Atelier and tells the story of a young woman p…

SOURCE: Washington Post at 08:51PM

At World Stages: ‘Not by Bread Alone,’ from Israel by Peter Marks

“Not by Bread Alone” March 25-26, Terrace Theater Country: Israel Description: Eleven members of the Nalaga’at Theater Deaf-Blind Acting Ensemble give audiences a sense of the ext…

SOURCE: Washington Post at 08:45PM

At World Stages: ‘Solomon and Marion,’ from South Africa by Peter Marks

“Solomon and Marion” March 28-30, Terrace Theater Country: South Africa Description: Lara Foot’s play, in a production by the Cape Town-based Baxter Theatre Centre, details a clas…

SOURCE: Washington Post at 08:45PM

At World Stages: ‘The Suit,’ directed by Peter Brooks by Peter Marks

“The Suit” March 11-13, Terrace Theater Country: France Description: Peter Brook’s Paris-based Thé âtre des Bouffes du Nord performs this South African play by Can Themba, Motho…

SOURCE: Washington Post at 08:39PM
Friday, March 7, 2014

An international road map to the World Stages festival by Peter Marks

o the layout of the Kennedy Center, with its sweeping Hall of States and Hall of Nations, you can add the halls of global drama. ¶ From Tuesday until April 6, the stages of the august perfo…

SOURCE: Washington Post at 02:07PM
Thursday, March 6, 2014

Style Blog: Next Season Preview: Round House Theatre, “Fetch Clay, Make Man” by Peter Marks

Fifth in our series of glimpses of the theater future: Round House Theatre’s 2014-15 season. (We’ve previously taken tours of the forthcoming dramatic agendas of Shakespeare Theatre Co…

SOURCE: Washington Post at 05:52PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic