All stories by Natasha Tripney on BroadwayStars

Monday, December 19, 2016

Saint Joan starring Gemma Arterton – review at the Donmar Warehouse, London by Natasha Tripney

Gemma Arterton is the only woman on stage amid a sea of men. As the Maid of Orleans – the illiterate young

SOURCE: The Stage Registration at 06:56PM
Thursday, December 15, 2016

Natasha Tripney: It’s time for my seasonal panto rant by Natasha Tripney

It’s not as if I haven’t tried. But I still find panto a puzzle. I just don’t understand the appeal. Okay, maybe

SOURCE: The Stage Registration at 02:00AM
Tuesday, December 13, 2016

Love review at National Theatre, London – ‘potent and emotive’ by Natasha Tripney

Alexander Zeldin’s follow up to the painstakingly directed, Beyond Caring, is an even more emotionally devastating piece of theatre. Love explores the

SOURCE: The Stage Registration at 07:03PM
Monday, December 12, 2016

Ivo van Hove’s Hedda Gabler review at National Theatre, London – ‘bold but cold’ by Natasha Tripney

Hedda Gabler is one of those roles: she is slippery and difficult, brilliant and appalling; she digs her own holes with her

SOURCE: The Stage Registration at 07:24PM

Sinbad the Sailor review at Theatre Royal Stratford East, London – ‘a treasure’ by Natasha Tripney

This year’s Theatre Royal Stratford East is a treasure. It’s funny, smart, accessible and big-hearted. It also has a lot of fun

SOURCE: The Stage Registration at 07:14AM
Friday, December 9, 2016

Benighted review at the Old Red Lion, London – ‘entertaining and atmospheric’ by Natasha Tripney

JB Priestley’s early novel, Benighted, was filmed by James Whale as The Old Dark House in 1932. In his stage adaptation, playwright

SOURCE: The Stage Registration at 07:20AM
Tuesday, December 6, 2016

Once in a Lifetime review at the Young Vic Theatre, London – ‘slick but slight’ by Natasha Tripney

George S Kaufman and Moss Hart’s 1930 comedy is set in a time of great change in the entertainment industry. It takes

SOURCE: The Stage Registration at 05:49PM
Monday, December 5, 2016

Natasha Tripney: Is our reverence for Shakespeare holding us back? by Natasha Tripney

Near the beginning of Aleksandar Popovski’s fascinating production of Hamlet for Belgrade’s Jugoslovensko Dramsko Pozoriste, Hamlet – played by awesome Serbian actor

SOURCE: The Stage Registration at 02:00AM
Friday, December 2, 2016

Peter Pan review at National Theatre, London – ‘heart-filling’ by Natasha Tripney

Sally Cookson’s 2012 production of JM Barrie’s Peter Pan, revived and revised at the National Theatre for Christmas, sees her reuniting with

SOURCE: The Stage Registration at 07:21PM
Thursday, December 1, 2016

Buried Child review at Trafalgar Studios, London – ‘Ed Harris fills the stage’ by Natasha Tripney

Buried Child is the antithesis of a memory play. First produced in 1978, but not staged on Broadway until 1996 when it

SOURCE: The Stage Registration at 07:37PM

Rani Moorthy: ‘I’m interested in playing funny, loud, badly behaved women’ by Natasha Tripney

Having grown up in a Tamil community in Sri Lanka, Rani Moorthy describes herself as a minority within a minority. Natasha Tripney finds

SOURCE: The Stage Registration at 09:00AM
Monday, November 28, 2016

Aladdin review at Lyric Hammersmith, London – ‘wickedly good’ by Natasha Tripney

The villain gets all the best lines in this year’s Lyric Hammersmith panto. Vikki Stone revels in her role as green-faced, purple-quiffed

SOURCE: The Stage Registration at 12:15PM
Friday, November 25, 2016

The Children review at the Jerwood Theatre Downstairs, London – ‘provocative and accusatory’ by Natasha Tripney

Lucy Kirkwood is really good at pushing buttons. She follows NSFW and Chimerica, both provocative in their way, with The Children, an

SOURCE: The Stage Registration at 05:08AM

The Children review at the Royal Court, London – ‘provocative and accusatory’ by Natasha Tripney

Lucy Kirkwood is really good at pushing buttons. Really good. She follows NSFW and Chimerica, both provocative in their way, with The

SOURCE: The Stage Registration at 05:08AM
Wednesday, November 23, 2016

Natasha Tripney: The Donmar’s all-female Shakespeare isn’t just some casting stunt by Natasha Tripney

One of the many joys of the Donmar Warehouse’s all-female Shakespeare trilogy is not just that it gives some great actors a

SOURCE: The Stage Registration at 12:22PM
Tuesday, November 22, 2016

The Tempest review at King’s Cross Theatre – ‘a source of joy’ by Natasha Tripney

This third production in the Donmar Warehouse’s all-female Shakespeare trilogy is the one where, in many ways, the women’s prison setting makes

SOURCE: The Stage Registration at 06:50PM
Friday, November 11, 2016

An Inspector Calls review at Playhouse Theatre, London – ‘a timely revival’ by Natasha Tripney

Stephen Daldry’s 1992 National Theatre production of An Inspector Calls is a fascinating theatrical artefact, simultaneously a thing of its time and

SOURCE: The Stage Registration at 08:16AM
Thursday, November 10, 2016

London Stories: Made by Migrants review at Battersea Arts Centre – ‘an invitation to listen’ by Natasha Tripney

How long must you live in a place before you belong? How many months, years, decades? This is the second of Battersea

SOURCE: The Stage Registration at 09:22AM
Monday, November 7, 2016

Orca review at Southwark Playhouse, London – ‘promising’ by Natasha Tripney

Matt Grinter’s Orca, this year’s winner of the Papatango Prize for new writing, is full of promising nods to folk horror. The

SOURCE: The Stage Registration at 07:21AM
Friday, November 4, 2016

Natasha Tripney: Urban theatres have much to learn from rural touring by Natasha Tripney

“We’re going to need more chairs.”  I think this might be touring theatre’s equivalent of a Jaws moment. I’m at Leintwardine Community

SOURCE: The Stage Registration at 06:00AM
Thursday, November 3, 2016

All My Sons review at Rose Theatre, Kingston-upon-Thames – ‘richly performed’ by Natasha Tripney

Michael Rudman’s 1985 revival of Death of a Salesman won a Tony. He clearly knows his Arthur Miller and his production of

SOURCE: The Stage Registration at 01:28PM

Pentabus: 40 years of touring theatre to village halls by Natasha Tripney

How do you create theatre in village halls? “We tell people we’re based on a farm, but I don’t think they believe

SOURCE: The Stage Registration at 06:00AM
Tuesday, October 25, 2016

Natasha Tripney: It’s too late to ask if Emma Rice was right for the Globe by Natasha Tripney

Gutted. That’s how I and – looking at Twitter – many others felt on hearing that Emma Rice would be stepping down

SOURCE: The Stage Registration at 09:08AM
Monday, October 10, 2016

Natasha Tripney: Co-productions prove their worth at The UK Theatre Awards by Natasha Tripney

The UK Theatre Awards, presented on Sunday October 9 at London’s magnificent Guildhall, always provide an excellent snapshot of the richness and

SOURCE: The Stage Registration at 06:19AM
Wednesday, September 14, 2016

Natasha Tripney’s theatre picks: September 14 by Natasha Tripney

It’s 100 years since the birth of Roald Dahl, master of the revolting rhyme, and there are various events and performances taking

SOURCE: The Stage Registration at 02:00AM
Wednesday, September 7, 2016

Natasha Tripney’s theatre picks: September 7 by Natasha Tripney

After the flood comes the flood. The Edinburgh Fringe has disappeared like a half-dreamed thing, like Tom’s Midnight Garden, and the autumn

SOURCE: The Stage Registration at 02:00AM
Wednesday, August 31, 2016

Natasha Tripney’s theatre picks: August 31 by Natasha Tripney

Having fringe withdrawals? Feel like your day is incomplete if you haven’t seen three pieces of Belgian theatre by lunchtime or had

SOURCE: The Stage Registration at 02:00AM
Thursday, August 25, 2016

Natasha Tripney: Gender, housing and a birthday party – farewell to the fringe by Natasha Tripney

The topography of Edinburgh Festival Fringe shifts every year. Venues close, others spring up in their place. The streets subtly rearrange themselves.

SOURCE: The Stage Registration at 05:00AM
Wednesday, August 24, 2016

Natasha Tripney’s Edinburgh picks: August 24 by Natasha Tripney

We’re in the final stretch now: coffee for blood and eyes like tar pits.  I’ll sleep for a week when I get

SOURCE: The Stage Registration at 02:00AM
Monday, August 22, 2016

Natasha Tripney: Make no mistake, this year’s Edinburgh theme is gender by Natasha Tripney

RashDash’s Abbi Greenland is raging. She’s fed up of being labelled, sometimes she’s a man-woman, sometimes a woman-man. She’s as strong as

SOURCE: The Stage Registration at 02:00AM
Wednesday, August 17, 2016

Natasha Tripney’s Edinburgh picks: August 17 by Natasha Tripney

We’re hitting the midpoint now. A lot of shows have been watched. A lot of stars doled out. A lot of gin

SOURCE: The Stage Registration at 02:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime