A young woman leaves an unnamed war-riven Slavic country for a new life in Dublin. But she falls through the cracks, ends
SOURCE: The Stage Registration at 08:53AMWho’s Afraid of Virginia Woolf? – Tobacco Factory Theatres, Bristol David Mercatali – a director who’s something of an expert in intensity
SOURCE: The Stage Registration at 02:00AMTerry Downes was a world middleweight boxing champion known in his day as the “Paddington Express”. James McNicholas, the sports writer, comedian
SOURCE: The Stage Registration at 11:54AMWritten in 2002, A Number is often described as Caryl Churchill’s ‘cloning’ play, but it’s so much more than that. It’s as
SOURCE: The Stage Registration at 05:14PMAt last week’s Critics Circle Awards, Juliet Stevenson, receiving an award for her performance in Robert Icke’s production of The Doctor, argued
SOURCE: The Stage Registration at 04:00AMI Think We Are Alone – King’s Theatre, Edinburgh Scott Graham and Kathy Burke co-direct Frantic Assembly’s touring production of a new
SOURCE: The Stage Registration at 02:00AMIt’s the time of year when a large section of London’s theatre community relocates underground to the dank caverns and pungent tunnels
SOURCE: The Stage Registration at 02:00AMCaryl Churchill’s Far Away is a short play, but it’s not a small play: it’s global in scope, untethered by time, part
SOURCE: The Stage Registration at 05:49AMIn her fresh take on Ibsen’s 1879 play about a woman trapped in a stifling marriage, Stef Smith splits Nora’s story into
SOURCE: The Stage Registration at 09:34AMNora: A Doll’s House – Young Vic, London Stef Smith’s re-imagining of Ibsen’s play visits three Noras – played by Amaka Okafor,
SOURCE: The Stage Registration at 02:00AMFifteen young, Brazilian performers are at the heart of a show at Battersea Arts Centre, which charts the movement that swept through
SOURCE: The Stage Registration at 08:00AMAsk Me Anything – Live Theatre, Newcastle-upon-Tyne The Paper Birds’ gently immersive new show takes its inspiration from the agony aunts of
SOURCE: The Stage Registration at 02:00AMSpawning numerous sequels, remakes and homages, George A Romero’s micro-budget 1968 movie changed the horror genre forever. His vision of a relentless
SOURCE: The Stage Registration at 06:18AMFaustus has been cast as a woman before – at Shakespeare’s Globe in 2018 – but Chris Bush’s idea-stuffed reimagining of the
SOURCE: The Stage Registration at 07:09AMThe Sugar Syndrome – Orange Tree Theatre, London Following the acclaimed production of Lucy Prebble’s A Very Expensive Poison, Oscar Toeman directs
SOURCE: The Stage Registration at 02:00AMUncle Vanya feels like such a natural fit for Toby Jones that it’s a wonder he hasn’t played the role before now.
SOURCE: The Stage Registration at 03:14AMLucy Kirkwood is a writer who continually tests and stretches herself, shifting from workplace satire to butcher-shop dystopia to an intense promenade
SOURCE: The Stage Registration at 05:33AMNew year. New class. Dan Gillespie Sells and Tom MacRae’s uplifting musical Everybody’s Talking About Jamie enters its third year in the
SOURCE: The Stage Registration at 05:27AMFor many people, no matter how deep their love of theatre, the phrase “90 minutes, no interval” is still one of the
SOURCE: The Stage Registration at 02:00AMScenes With Girls – Royal Court, London The Royal Court starts the year with a new play by Miriam Battye about female
SOURCE: The Stage Registration at 02:00AMChaplin Chapin and Stan Laurel arrived in the United States on the same ship. They’d both honed their slapstick skills as part
SOURCE: The Stage Registration at 06:57AMLondon’s subterranean arts festival gets bigger every year. Occupying a series of tunnels under Waterloo Station and increasingly spilling out into the
SOURCE: The Stage Registration at 02:00AMScrounger – Finborough Theatre, London Athena Stevens stars in her new play about the realities of living as a disabled person in
SOURCE: The Stage Registration at 02:00AMThe potential for things going wrong is a fundamental part of any magic act. The best magicians use it to their advantage;
SOURCE: The Stage Registration at 05:08AM“I’m sorry. How much?” I asked, assuming I must have misheard, but no. £20 for two normal sized, in no way remarkable
SOURCE: The Stage Registration at 02:00AMOperation Mincemeat – Southwark Playhouse, London Spitlip’s dizzyingly inventive musical based on a fascinating true story from the Second World War was
SOURCE: The Stage Registration at 07:25AMBlack Beauty – Southbank Centre, London Created by Andy Manley, Andy Cannon and Shona Reppe, this show for ages five and over
SOURCE: The Stage Registration at 02:00AM“Together, we remake things.” This is said towards the end of Ella Hickson’s Swive [Elizabeth] at the Sam Wanamaker Playhouse. Hickson’s witty
SOURCE: The Stage Registration at 10:59AMSnowflake – Kiln Theatre, London Mike Bartlett (Cock, Bull, Albion) brings his play about a complicated father-daughter relationship, which premiered last year
SOURCE: The Stage Registration at 02:00AM“How can I be a head of a country and yet subject to a husband?” A reasonable question posed by Queen Elizabeth
SOURCE: The Stage Registration at 12:44PMAustralian actor Daniel Monks has realised a dream of playing both Joseph Merrick and Richard III. As Teenage Dick, an adaptation of
SOURCE: The Stage Registration at 07:46AM
