All stories by Natasha Tripney on BroadwayStars

Wednesday, December 11, 2019

Daniel Monks: ‘It’s really important that only disabled actors play disabled roles’ by Natasha Tripney

Australian actor Daniel Monks has realised a dream of playing both Joseph Merrick and Richard III. As Teenage Dick, an adaptation of

SOURCE: The Stage Registration at 07:46AM

The Duchess of Malfi review at Almeida Theatre, London – ‘Lydia Wilson is stunningly good’ by Natasha Tripney

Having worked wonders on Tennessee Williams’ under-appreciated and pretty flawed play Summer and Smoke, director Rebecca Frecknall works a similar magic on

SOURCE: The Stage Registration at 05:24AM
Tuesday, December 10, 2019

Joan of Leeds review at New Diorama, London – ‘irreverent, carnal, anarchic’ by Natasha Tripney

Breach made its name with a series of shows exploring the idea of re-enactment, most notably It’s True, It’s True, It’s True,

SOURCE: The Stage Registration at 12:27PM
Monday, December 9, 2019

Top 5 theatre shows to see this week (December 9-15) by Natasha Tripney

Joan of Leeds – New Diorama, London Breach, creator of hit fringe show It’s True, It’s True, It’s True, returns with a

SOURCE: The Stage Registration at 02:00AM
Sunday, December 8, 2019

Cyrano de Bergerac review at Playhouse Theatre, London – ‘James McAvoy radiates charisma’ by Natasha Tripney

Words are everything in Jamie Lloyd’s stripped-down and shaken-up Cyrano. Martin Crimp’s adaptation plays fast and loose with Edmond Rostand’s 1897 play

SOURCE: The Stage Registration at 06:59PM
Friday, December 6, 2019

Christmas Carol – A Fairy Tale review at Wilton’s Music Hall – ‘a feminist twist on Dickens’ by Natasha Tripney

Of all the many versions of Charles Dickens’ classic Christmas fable being staged this winter, this is one of the most inventive.

SOURCE: The Stage Registration at 12:17PM
Thursday, December 5, 2019

A Christmas Carol review at Old Vic, London – ‘charming and atmospheric’ by Natasha Tripney

Returning to the Old Vic for the third year running, Jack Thorne’s adaptation of Charles Dickens’ classic morality tale manages to be

SOURCE: The Stage Registration at 05:41AM
Monday, December 2, 2019

Top 5 theatre shows to see this week (December 2-8) by Natasha Tripney

Strange Tales – Traverse Theatre, Edinburgh Grid Iron’s new show for the Traverse is based on the stories of Chinese writer Pu

SOURCE: The Stage Registration at 02:00AM
Friday, November 29, 2019

The top 10 alternative Christmas shows in 2019 (no pantomime included) by Natasha Tripney

The Snow Queen – Sherman Theatre, Cardiff The Sherman Theatre’s festive show is Tessa Walker’s production of Hans Christian Andersen’s seasonal favourite,

SOURCE: The Stage Registration at 01:00PM
Wednesday, November 27, 2019

Natasha Tripney: It’s not ‘tricky’, just programme more women writers by Natasha Tripney

Last year, a writer introduced me to the term ‘cul-de-sac-ing’. She used it to describe her frustration at the fact that, having

SOURCE: The Stage Registration at 02:00AM
Tuesday, November 26, 2019

The Lion, the Witch and the Wardrobe review at Bridge Theatre, London – ‘a wonder-filled production’ by Natasha Tripney

The Bridge Theatre transports its audience to Narnia for its Christmas show, itself transported from Leeds Playhouse where it opened in 2017.

SOURCE: The Stage Registration at 08:08AM
Monday, November 25, 2019

Cinderella review at Lyric Hammersmith, London – ‘heartfelt and joyous’ by Natasha Tripney

The Lyric Hammersmith pantomime has a tradition of getting new writing and directing talent to put a contemporary spin on the form.

SOURCE: The Stage Registration at 06:42AM

Top 5 theatre shows to see this week (November 25-December 1) by Natasha Tripney

The Arrival – Bush Theatre, London Olivier-winning director Bijan Sheibani – whose past productions include the majestic Barber Shop Chronicles – helms

SOURCE: The Stage Registration at 02:00AM
Friday, November 22, 2019

Richard III review at Sam Wanamaker Playhouse, London – ‘splatter and swagger’ by Natasha Tripney

The candlelit Sam Wanamaker Playhouse, one of London’s most enchanting spaces, is made to feel menacing in this exhilarating conclusion to Shakespeare’s

SOURCE: The Stage Registration at 11:58AM

Henry VI review at Sam Wanamaker Playhouse, London – ‘a lively and lucid staging’ by Natasha Tripney

Shakespeare’s Globe continues its cycle of history plays – which kicked off with an all-female version of Richard II in the Sam

SOURCE: The Stage Registration at 06:09AM
Wednesday, November 20, 2019

Land Without Dreams review at Gate Theatre, London – ‘a slippery thought experiment’ by Natasha Tripney

The house lights are up. The stage is bare. A woman enters the space. She smiles. She talks about the audience and

SOURCE: The Stage Registration at 07:10AM
Monday, November 18, 2019

Top 5 theatre shows to see this week (November 18-24) by Natasha Tripney

Dear Evan Hansen – Noel Coward Theatre, London Benj Pasek and Justin Paul’s hit Broadway musical, about a teenage boy who writes

SOURCE: The Stage Registration at 02:00AM
Friday, November 15, 2019

Touching the Void review at Duke of York’s Theatre, London – ‘strikingly designed and excruciatingly tense’ by Natasha Tripney

The vertical often gets overlooked in theatre. Tom Morris’ production of Joe Simpson’s 1988 memoir about his against-all-odds survival of a mountaineering

SOURCE: The Stage Registration at 07:34AM
Thursday, November 14, 2019

Kosovan firebrand Jeton Neziraj: 'Theatre should side with the victims' by Natasha Tripney

His plays have brought threats, vandalism – and international acclaim. Now the fearless dramatist is retooling Ibsen to lay bare corruption in his homeland Jeton Neziraj has clear views ab…

SOURCE: The Guardian at 12:12PM

Theatre in Kosovo – holding power to account and helping people heal by Natasha Tripney

There’s a tendency when writing about theatre to bandy about words like ‘necessary’ and ‘bold’, in a way that can dilute their

SOURCE: The Stage Registration at 09:00AM
Tuesday, November 12, 2019

Spiderfly review at Theatre503, London – ‘an intriguing and tense two-hander’ by Natasha Tripney

John Webber’s intriguing debut play bides its time. Esther (Lia Burge) and former cab driver Keith (Matt Whitchurch) sit across a table

SOURCE: The Stage Registration at 10:06AM
Monday, November 11, 2019

Voila! Europe review – ‘London’s festival of European theatre features an intriguing and eclectic range of work’ by Natasha Tripney

The Voila! Festival in London, now in its seventh year, provides audiences with an opportunity to see an eclectic range of work

SOURCE: The Stage Registration at 06:18AM

Top 5 theatre shows to see this week (November 11-17) by Natasha Tripney

Spiderfly – Theatre503, London Theatre503 has had an impressive hit rate of late when it comes to new writing. Next up is

SOURCE: The Stage Registration at 02:00AM
Monday, November 4, 2019

Top five theatre shows to see this week (November 4-10) by Natasha Tripney

Death of a Salesman – Piccadilly Theatre, London Marianne Elliott and Miranda Cromwell’s acclaimed production of Arthur Miller’s play transfers to the

SOURCE: The Stage Registration at 02:00AM
Monday, October 28, 2019

Top five theatre shows to see this week (October 29-November 5) by Natasha Tripney

Light Falls – Royal Exchange Theatre, Manchester Sarah Frankcom’s final production as the Royal Exchange’s artistic director sounds like a corker. A

SOURCE: The Stage Registration at 04:00AM
Friday, October 25, 2019

Botticelli in the Fire review at Hampstead Theatre, London – ‘a muddled mash-up’ by Natasha Tripney

Canadian writer Jordan Tannahill’s 2016 play is an intriguingly anachronistic mash-up that splices Renaissance Italy with the 21st-century art scene. The characters

SOURCE: The Stage Registration at 09:40AM
Wednesday, October 23, 2019

Hedda Gabler review at Sherman Theatre, Cardiff – ‘a very human Hedda’ by Natasha Tripney

“Am I unnatural?” Hedda Gabler herself asks in tones most women will recognise. Chelsea Walker’s production of Ibsen’s play cuts to the

SOURCE: The Stage Registration at 05:45AM
Tuesday, October 22, 2019

Translations review at National Theatre, London – ‘atmospheric and richly performed’ by Natasha Tripney

Ian Rickson’s atmospheric staging of Brian Friel’s intricate and lyrical 1980 play about language, communication and colonialism returns to the National Theatre

SOURCE: The Stage Registration at 09:28AM
Monday, October 21, 2019

Top five theatre shows to see this week (October 21-28) by Natasha Tripney

Vassa – Almeida Theatre, London Tinuke Craig directs Mike Bartlett’s new adaptation of Maxim Gorky’s play about a family unravelling. A late

SOURCE: The Stage Registration at 02:00AM
Friday, October 18, 2019

[Blank] review at Donmar Warehouse, London – ‘written with exquisite precision’ by Natasha Tripney

As a text Alice Birch’s [Blank] is a phenomenal thing. The play began as a co-commission between National Theatre Connections and theatre

SOURCE: The Stage Registration at 06:17AM
Thursday, October 17, 2019

There Are No Beginnings review at Leeds Playhouse – ‘sensitively handled and warmly performed’ by Natasha Tripney

This, to be clear, is not a play about the Yorkshire Ripper. That story has been told often enough, his name is

SOURCE: The Stage Registration at 05:33AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic