Friday, September 28, 2018
“One has to be so scrupulous about language,” purrs the interrogator in one of Harold Pinter most chilling plays, his short One for the
SOURCE: The Stage Registration at 05:35AMThursday, September 27, 2018
In her new production of William Golding’s novel about societal collapse and power’s capacity to corrupt, director Emma Jordan has re-imagined the
SOURCE: The Stage Registration at 05:53AMMonday, September 24, 2018
Rebus: Long Shadows – Birmingham Repertory Theatre Novelist Ian Rankin joins forces with Rona Munro to create a new Rebus story for the
SOURCE: The Stage Registration at 02:00AMMonday, September 17, 2018
Sylvia – Old Vic, London Beverley Knight and Genesis Lynea star in Katie Prince’s new hip hop musical about the suffragette movement and
SOURCE: The Stage Registration at 02:00AMTuesday, September 11, 2018
After making his name in theatre with True Brits for HighTide, Vinay Patel went on to write acclaimed television drama Murdered by
SOURCE: The Stage Registration at 07:30AMMonday, September 10, 2018
Holy Shit – Kiln Theatre, London The rebranded, refurbished Tricycle reopens as Kiln Theatre with a production of Alexis Zegerman’s new play about
SOURCE: The Stage Registration at 02:00AMThursday, September 6, 2018
Sweet Charity is an odd cocktail. A Broadway classic featuring a clutch of memorable numbers, it puts the character of Charity Hope
SOURCE: The Stage Registration at 05:01AMWednesday, September 5, 2018
Clare Barron’s Dance Nation, which premiered earlier this year at New York’s Playwrights Horizons, maps the treacherous terrain between childhood and adulthood.
SOURCE: The Stage Registration at 05:21AMMonday, September 3, 2018
Dance Nation – Almeida Theatre, London Bijan Sheibani follows The Brothers Size with the UK premiere of Clare Barron’s new play Dance Nation,
SOURCE: The Stage Registration at 02:00AMTuesday, August 28, 2018
Maddie Rice had the unenviable job of taking over from Phoebe Waller-Bridge in the touring production of Fleabag, but she slid into
SOURCE: The Stage Registration at 06:00AMNatasha Tripney writes on the time-bending, memory-layering properties of returning to Edinburgh for the festival fringe, year after year.
The post A Decade of Fringes appeared first on Exeu…
SOURCE: exeuntmagazine.com at 03:32AMThursday, August 23, 2018
In Geoff Sobelle’s intricately choreographed and designed show, a house is constructed on stage. The production begins with Sobelle stapling plastic sheeting
SOURCE: The Stage Registration at 07:51AMWednesday, August 22, 2018
Mark Down, director of puppet theatre company Blind Summit, welcomes the audience to what he assures them will be a masterclass, not
SOURCE: The Stage Registration at 10:12AMThe fourth show by horror-comedy maestros Kill the Beast is a majestically daft and incredibly funny. It’s the 1970s and movie director
SOURCE: The Stage Registration at 09:22AMTuesday, August 21, 2018
A figure sits shrouded in shadow wearing a dress of black chiffon and jet beads. This is Frau Welt, a woman who
SOURCE: The Stage Registration at 12:59PMAs a child Sam Ward was so entranced by a Volvo commercial that he wrote to the company asking if he could
SOURCE: The Stage Registration at 10:55AMWhile Nick Mohammed’s third outing as manic-but-endearing northern magician Mr Swallow lacks the impressive escapology set pieces of its predecessor, it in
SOURCE: The Stage Registration at 08:31AMStef O’Driscoll has long championed works that connects with audiences who feel excluded from traditional theatre. She tells Natasha Tripney how unconventional
SOURCE: The Stage Registration at 07:30AMSimon Evans’ and David Aula’s meta-magic show has been knocking around for a couple of years now. There’s even a sequel, The
SOURCE: The Stage Registration at 06:22AMMonday, August 20, 2018
Sparks is one of those shows that makes you want to call the people in your life that you love and hear
SOURCE: The Stage Registration at 06:47AMKatie Mitchell and Alice Birch’s adaptation of The Malady of Death, the 1982 novella by Marguerite Duras, is technically audacious. Using a
SOURCE: The Stage Registration at 06:44AMAlex Wood’s ambitious debut science-fiction play envisions a world in which women suddenly start to grow. Overnight their bodies expand and their
SOURCE: The Stage Registration at 06:33AMMark O’Rowe’s quietly powerful three-hander takes the form of series of conversations. Three women – Cora, Anna, and Denise – discuss the
SOURCE: The Stage Registration at 05:29AMThe End of Eddy – the Studio, Edinburgh Stewart Laing directs a new stage adaptation of Edouard Louis’ brutal autobiographical novel about
SOURCE: The Stage Registration at 02:00AMFriday, August 17, 2018
Jess Love offers audience members a cup of tea and a biscuit as we file into the room. Her solo show, which
SOURCE: The Stage Registration at 10:19AMIn Unconditional real-life mother and daughter Stefanie Mueller and Josie Dale-Jones play a mother and daughter putting on a show together. The
SOURCE: The Stage Registration at 10:09AMIn 2012, the elasti-lipped Valentijn Dhaenens made a splash with Bigmouth, a mash-up of historical oratory and a tour de force of
SOURCE: The Stage Registration at 08:28AMBuckle up. Flight is a 20-minute experience that takes place almost entirely in darkness and plays on a fear that most of
SOURCE: The Stage Registration at 05:56AMThursday, August 16, 2018
One of two shows by Irish company Malaprop at this year’s Fringe, Jericho again sees them, among many other things, exploring communication and
SOURCE: The Stage Registration at 06:09AMWednesday, August 15, 2018
Vincent Gambini’s previous show – called This Is Not a Magic Show even though it very definitely was one – combined sleight
SOURCE: The Stage Registration at 07:28AMIn The Bathhouse, a satirical play by the Russian Futurist poet Vladimir Mayakovsky, the protagonist builds a time machine. Time travel also
SOURCE: The Stage Registration at 05:59AM 
