Sunday, November 11, 2018
Jamie Lloyd’s dauntingly ambitious and carefully curated season of Harold Pinter’s entire body of shorter works continues with a series of pieces
SOURCE: The Stage Registration at 05:44AMFriday, November 9, 2018
First staged in 2016, the 400th anniversary of Cervantes’ death, James Fenton’s adaptation of Don Quixote compresses the sprawling novel into just
SOURCE: The Stage Registration at 05:24AMWednesday, November 7, 2018
Poet and performer Ross Sutherland relishes an experiment. He’s written palindrome plays and interactive comedy gigs, as well as the sublime fusion
SOURCE: The Stage Registration at 08:10AMAnnounced well over a year ago, this production was always intended to be a high point in Adam Penford’s first year as
SOURCE: The Stage Registration at 04:19AMMonday, November 5, 2018
Kosovar playwright Jeton Neziraj is helping to explore the national identity of the 10-year-old country, Europe’s youngest, with his company Qendra Multimedia.
SOURCE: The Stage Registration at 07:30AMIman Qureshi’s The Funeral Director, this year’s winner of the Papatango prize for new writing, is a sensitive and nuanced exploration of
SOURCE: The Stage Registration at 06:30AMWhite Teeth – Kiln Theatre, London The second production in the rechristened Kiln Theatre’s autumn season is an adaptation of Zadie Smith’s acclaimed debut
SOURCE: The Stage Registration at 02:00AMWednesday, October 31, 2018
Sarah DeLappe’s debut play, a 2017 Pulitzer prize-finalist, is a skilfully drawn coming-of-age tale set in a US girls’ junior soccer team.
SOURCE: The Stage Registration at 06:45AMTuesday, October 30, 2018
In 2016, the ban was lifted on women in the British army fighting in close combat roles. Kate Bowen’s new play takes this
SOURCE: The Stage Registration at 06:35AMMonday, October 29, 2018
The Wolves – Theatre Royal Stratford East, London Ellen McDougall directs the European premiere of Sarah DeLappe’s The Wolves, a play that uses
SOURCE: The Stage Registration at 03:00AMFriday, October 26, 2018
Lauren Gunderson is one of the most produced playwrights in America today. I and You is one of her most popular plays.
SOURCE: The Stage Registration at 04:15AMWednesday, October 24, 2018
Kate Bowen talks about her drama Close Quarters, exploring the aspirations and gender wars of three female squaddiesIn 2016, the ban on women in the British army fighting in close combat ro…
SOURCE: The Guardian at 07:06AMHe’s done it again. Having made Hamlet feel freshly hatched, Almeida associate Robert Icke does the same for Ibsen’s 1884 play. The
SOURCE: The Stage Registration at 05:39AMThe largest foreign-born community in the UK is Polish – it makes up 4.5% of London’s foreign-born population – yet still theatre
SOURCE: The Stage Registration at 03:00AMMonday, October 22, 2018
Macbeth – Barbican Theatre, London Polly Findlay’s Royal Shakespeare Company production, starring Christopher Eccleston and Niamh Cusack, received mixed reviews when it opened in
SOURCE: The Stage Registration at 02:00AMThursday, October 18, 2018
This is a labour of love if ever there was one. Emma Rice’s first new production, after her brief, troubled stint at
SOURCE: The Stage Registration at 07:01PMExploring the intergenerational fallout of war and diaspora from the perspective of a Polish woman, her daughter, and granddaughter, Silence is a
SOURCE: The Stage Registration at 12:23PMWednesday, October 17, 2018
The might of Arthur Miller’s Pulitzer-winning play lies in the way it works simultaneously as a commentary on capitalism as a contaminant
SOURCE: The Stage Registration at 05:15AMMonday, October 15, 2018
The Inheritance – Noel Coward Theatre, London Matthew Lopez’s ambitious and moving seven- hour, two-part update of EM Forster’s Howards End, exploring the
SOURCE: The Stage Registration at 02:00AMFriday, October 12, 2018
Inside a vast disused train station in Manchester, German composer and artist Heiner Goebbels is staging history. Co-commissioned by Artangel, a company
SOURCE: The Stage Registration at 05:55AMMeasure for Measure is all about the relationship between sex and power. It’s one of Shakespeare’s bleakest plays in terms of the
SOURCE: The Stage Registration at 04:25AMWednesday, October 10, 2018
Prolific French playwright Florian Zeller returns to familiar emotional terrain with his latest work to be staged in the UK, The Height
SOURCE: The Stage Registration at 04:29AMTuesday, October 9, 2018
Set in the 1860s, The Sweet Science of Bruising journeys into the little-known world of Victorian women’s boxing. Joy Wilkinson’s play tells
SOURCE: The Stage Registration at 06:04AMMonday, October 8, 2018
Come on in. Kwame Kwei-Armah kicks off his artistic directorship of the Young Vic with a condensed but extremely welcoming adaptation of
SOURCE: The Stage Registration at 07:01PMI’m a Phoenix, Bitch – Battersea Arts Centre, London Performer, theatremaker and the force behind A Pacifist’s Guide to the War on Cancer
SOURCE: The Stage Registration at 02:00AMThursday, October 4, 2018
The Dublin Theatre Festival, now in its 61st year, takes place over 18 days in venues all around the city. This is
SOURCE: The Stage Registration at 11:47AMWednesday, October 3, 2018
Music is central to Sheffield artistic director Robert Hastie’s colourful production of Shakespeare’s comedy. A piano sits in the centre of the
SOURCE: The Stage Registration at 04:41AMTuesday, October 2, 2018
Now in its 52nd year, BITEF continues to support cutting-edge theatre trends. Natasha Tripney reports from this year’s festival, which explores nationalism
SOURCE: The Stage Registration at 03:00AMMonday, October 1, 2018
Mrs Dalloway – Arcola Theatre, London Having set the world on fire in Morgan Lloyd Malcolm’s Emilia at Shakespeare’s Globe, Clare Perkins plays
SOURCE: The Stage Registration at 02:00AMSunday, September 30, 2018
Ruth Negga makes a mesmeric Hamlet in Yael Farber’s production for the Gate Theatre. At the start, she looks unbearably small and
SOURCE: The Stage Registration at 04:59AMFriday, September 28, 2018
“One has to be so scrupulous about language,” purrs the interrogator in one of Harold Pinter most chilling plays, his short One for the
SOURCE: The Stage Registration at 05:35AM 
