Wednesday, January 23, 2019
American poets Elizabeth Bishop and Robert Lowell had a rich, complicated relationship. Over a 30-year period they wrote each other more than
SOURCE: The Stage Registration at 05:45AMTuesday, January 22, 2019
From The Cherry Orchard with no trees to a Russian-language Shakespeare in Love, Pushkin Drama Theatre artistic director Evgeny Pisarev tells Natasha
SOURCE: The Stage Registration at 07:30AMMonday, January 21, 2019
Jack Lear – Hull Truck Theatre Barrie Rutter directs and plays the title role in Ben Benison’s updating of King Lear about a Humber
SOURCE: The Stage Registration at 02:00AMFriday, January 18, 2019
Beverly, the suburban hostess of Mike Leigh’s 1977 comic drama, is one of theatre’s great monsters. She’s toweringly awful, controlling, aggressive and
SOURCE: The Stage Registration at 10:13AMThursday, January 17, 2019
In 1981, a group of girls at a Catholic school in Rwanda claimed to have had visions of the Virgin Mary. Over
SOURCE: The Stage Registration at 06:03AMMonday, January 14, 2019
Approaching Empty – Kiln Theatre, London Kiln Theatre joins forces with Tamasha and Live Theatre to present the premiere of Ishy Din’s new
SOURCE: The Stage Registration at 02:00AMFriday, January 11, 2019
Physical theatre company Rhum and Clay’s new show is inspired by Orson Welles’ notorious 1938 radio broadcast. Welles’ famously retold HG Wells’
SOURCE: The Stage Registration at 10:00AMTuesday, January 8, 2019
Time Is Love – Finborough Theatre, London The Finborough kicks off its year with Che Walker’s Time Is Love, starring and featuring music
SOURCE: The Stage Registration at 05:30AMSunday, January 6, 2019
One of the most enjoyable things about this run of Pinter’s short plays is the way they have been programmed – not
SOURCE: The Stage Registration at 07:43AMSaturday, January 5, 2019
We’ve reached the fifth instalment of Jamie Lloyd’s season of Pinter’s one-act plays, but only now do we arrive at The Room,
SOURCE: The Stage Registration at 04:33AMMonday, December 24, 2018
Orpheus – Battersea Arts Centre, London Little Bulb’s jazz club re-imagining of the story of Orpheus and Eurydice is one of the most
SOURCE: The Stage Registration at 02:00AMThursday, December 20, 2018
Lynn Nottage’s prescient American play demonstrates how little it takes to stir up racial unrest and anti-immigrant feeling when people’s livelihoods are
SOURCE: The Stage Registration at 05:39AMWednesday, December 19, 2018
It was a year of rebirth and re-imagining, cultural transformation, hits such as The Lost O’Casey and Nine Night and misses: step
SOURCE: The Stage Registration at 04:00AMMonday, December 17, 2018
Caroline, Or Change – Playhouse Theatre, London Sharon D Clarke reprises her acclaimed performance in Michael Longhurst’s production of Tony Kushner’s musical,
SOURCE: The Stage Registration at 02:00AMFriday, December 14, 2018
On December 8, Alexander Zeldin’s play Love, first performed in 2016 at the National Theatre, was broadcast as part of the BBC’s
SOURCE: The Stage Registration at 11:20AMWhile David Edgar’s take on A Christmas Carol plays on the Royal Shakespeare Company’s main stage, the Swan is home to Shakespeare’s
SOURCE: The Stage Registration at 05:01AMThursday, December 13, 2018
The National Theatre has bravely chosen to give one of its festive December slots to Anthony Neilson for a stage adaptation of
SOURCE: The Stage Registration at 08:45AMMonday, December 10, 2018
The Scarlet Pimpernel – The Egg, Theatre Royal, Bath Created by the team behind last year’s Little Mermaid – winner of the best
SOURCE: The Stage Registration at 02:00AMTuesday, December 4, 2018
With panto season now underway, here’s a list of the best shows of the year so far, as reviewed by The Stage’s
SOURCE: The Stage Registration at 04:51AMMonday, December 3, 2018
True West, Vaudeville Theatre, London Kit Harington and Johnny Flynn – so wonderfully menacing in Martin McDonagh’s Hangmen – star in Matthew Dunster’s
SOURCE: The Stage Registration at 02:00AMTuesday, November 27, 2018
As Tennessee Williams’ little-revived play Summer and Smoke transfers to the West End, its star, Patsy Ferran, tells Natasha Tripney how she
SOURCE: The Stage Registration at 06:54AMMonday, November 26, 2018
This year’s Lyric Hammersmith pantomime, now in its 10th year, rather hearteningly takes the form of a celebration of the welcome that
SOURCE: The Stage Registration at 05:34AMTorch – St Helens town centre ANU Productions makes immersive, unsettling site-responsive performance work. Previous production The Lost O’Casey was a highlight of
SOURCE: The Stage Registration at 02:00AMThursday, November 22, 2018
Jean Genet’s psychosexual three-hander The Maids is a spectacularly elastic play. Inspired by a notorious real-life murder from the 1930s in which
SOURCE: The Stage Registration at 05:08AMWednesday, November 21, 2018
Rebecca Frecknall’s emotionally rich production of Tennessee Williams’ previously unloved play loses very little of the intimacy or delicacy in its transfer
SOURCE: The Stage Registration at 06:26AMMonday, November 19, 2018
The Kneebone Cadillac – Theatre Royal Plymouth Simon Stokes’ last production at Theatre Royal Plymouth will be the new play by Carl Grose, recently
SOURCE: The Stage Registration at 02:00AMSunday, November 18, 2018
Miriam Sherwood’s late grandfather Laco Kalina lived a life large enough to fill five volumes of autobiography. Born in 1913, under the
SOURCE: The Stage Registration at 04:11AMWednesday, November 14, 2018
Despite opening less than a decade ago and having a capacity of only 80 seats, the New Diorama Theatre in central London
SOURCE: The Stage Registration at 04:04AMMonday, November 12, 2018
The fourth instalment in Jamie Lloyd’s ambitious anthology of Harold Pinter’s shorter works consists of an intriguing if uneven double-bill of one-act
SOURCE: The Stage Registration at 06:05AMHadestown – National Theatre, London Created by singer-songwriter Anais Mitchell and director Rachel Chavkin, and starring Eva Noblezada, this musical reworking of the
SOURCE: The Stage Registration at 02:00AMSunday, November 11, 2018
Jamie Lloyd’s dauntingly ambitious and carefully curated season of Harold Pinter’s entire body of shorter works continues with a series of pieces
SOURCE: The Stage Registration at 05:44AM 
