Monday, March 18, 2019
The Taming of the Shrew – Royal Shakespeare Theatre, Stratford-upon-Avon In the second production this month to gender-flip this most problematic of Shakespeare’s
SOURCE: The Stage Registration at 03:00AMWednesday, March 13, 2019
Harold Pinter’s Betrayal is a play that’s easier to admire than to love. Structurally, it’s masterful, charting the emotional fallout from a
SOURCE: The Stage Registration at 07:45PMTuesday, March 12, 2019
The all-female cast, crew and creative team of Emilia briefly dethroned William Shakespeare from his home at the Globe last year. Charity
SOURCE: The Stage Registration at 08:30AMBefore his first season as artistic director of the Unicorn Theatre opens, Justin Audibert is directing a gender-swapped version of The Taming
SOURCE: The Stage Registration at 04:00AMMonday, March 11, 2019
God of Chaos – Theatre Royal Plymouth Phil Porter returns to the Theatre Royal Plymouth following 2016’s The Man With the Hammer, with
SOURCE: The Stage Registration at 03:00AMMonday, March 4, 2019
Inside Bitch – Royal Court, London Conceived by Deborah Pearson and Stacey Gregg, this Clean Break co-production is a devised ensemble performance created
SOURCE: The Stage Registration at 02:00AMWednesday, February 27, 2019
A large part of the appeal of Gingerline’s immersive dining experiences is secrecy. Not knowing what you’re getting and where you’re going
SOURCE: The Stage Registration at 12:20PMMonday, February 25, 2019
The Trick – Bush Theatre, London Nine Night director Roy Alexander Weise helms an intriguing new play by Eve Leigh that interweaves themes of
SOURCE: The Stage Registration at 02:00AMTwo new takes on The Taming of the Shrew radically alter the dynamic by setting the play in a matriarchal society
The first time Jo Clifford was asked to adapt The Taming of the Shrew, she h…
SOURCE: The Guardian at 02:00AMTuesday, February 19, 2019
Running for seven series in the 1980s and early 1990s (not to mention numerous Christmas specials), John Sullivan’s sitcom can reasonably lay claim
SOURCE: The Stage Registration at 08:05PMCounting Sheep, an immersive show about the 2014 Ukrainian revolution, is the headline production at this year’s Vault Festival. Its changed shape
SOURCE: The Stage Registration at 08:06AMMonday, February 18, 2019
Come from Away – Phoenix Theatre, London Irene Sankoff and David Hein’s “daring and original” new musical based on a heartwarming true story
SOURCE: The Stage Registration at 02:00AMSunday, February 17, 2019
Hayley Wareham’s debut play Bottled initially comes across as a familiar coming of age story. Katie is about to turn 15 and is
SOURCE: The Stage Registration at 10:33AMFriday, February 15, 2019
Peter Strickland’s 2012 cult film Berberian Sound Studio is a very sensory cinematic experience – aurally and visually disorientating, almost hallucinatory in
SOURCE: The Stage Registration at 05:35AMThursday, February 14, 2019
Amy Hodge’s production of Brecht’s epic play of conflict and commerce sets out its stall from the start. The Royal Exchange stage
SOURCE: The Stage Registration at 05:27AMTuesday, February 12, 2019
As a film, All About Eve is pretty close to perfect. Written and directed by Joseph L Mankiewicz in 1950, it’s also one
SOURCE: The Stage Registration at 07:12PMThough a big hit when first staged, Githa Sowerby’s 1912 play went unperformed for decades until a relatively recent resurgence of interest
SOURCE: The Stage Registration at 07:01PMMonday, February 11, 2019
All About Eve – Noel Coward Theatre, London Gillian Anderson plays the magnificent Margo Channing opposite Lily James’ manipulative, would-be star Eve in Ivo
SOURCE: The Stage Registration at 02:00AMSunday, February 10, 2019
The Moscow Pushkin Drama Theatre production of Brecht’s The Good Person of Szechuan contains one of the most impressive performances you’re likely
SOURCE: The Stage Registration at 08:41AMLast year’s Babe.net article in which a woman detailed her disastrous date with comedian Aziz Ansari, while an ethically questionable piece of
SOURCE: The Stage Registration at 05:49AMWednesday, February 6, 2019
Jamie Lloyd’s lavishly cast and intelligently programmed season of Harold Pinter’s one-act works draws to a close with a double bill of
SOURCE: The Stage Registration at 07:34PMVladimir Mirzoev’s visually striking, psychologically nuanced staging of Chekhov’s The Cherry Orchard, one of three productions being staged in London by Moscow
SOURCE: The Stage Registration at 10:56AMMonday, February 4, 2019
Joe Wright’s solo show about the Irish homelessness crisis, one of a number of pieces coming to the Vault Festival from the
SOURCE: The Stage Registration at 12:16PMBlue/Orange – Birmingham Repertory Theatre Daniel Bailey, associate director at Birmingham Repertory Theatre, directs a revival of Joe Penhall’s intelligent examination of institutional
SOURCE: The Stage Registration at 02:00AMSunday, February 3, 2019
The premise for Bebe Sanders’ Violet – a recently dumped millennial gains a new appreciation for life through a friendship with a
SOURCE: The Stage Registration at 06:12AMFriday, February 1, 2019
There are some incredibly tender moments in Martyna Majok’s 2018 Pulitzer Prize-winning play about the intricate interpersonal relationship between two disabled people
SOURCE: The Stage Registration at 06:02AMMonday, January 28, 2019
Father – Barbican Theatre, London Peeping Tom’s new piece, a follow-up to the distinctive Mother, “a strange and unsettling piece of dance theatre,
SOURCE: The Stage Registration at 02:00AMSunday, January 27, 2019
Yasmin and Casey have one of those heady adolescent friendships fuelled by envy as much as affection. They know just the right
SOURCE: The Stage Registration at 09:52AMSaturday, January 26, 2019
Holly Beasley-Garrigan’s intensely personal debut solo sets out to shine light on much of British theatre’s, and by extension society’s, galloping inadequacy
SOURCE: The Stage Registration at 01:31PMWednesday, January 23, 2019
When this production was first announced, excitement and demand over renowned director Katie Mitchell working with Hollywood star Cate Blanchett was so
SOURCE: The Stage Registration at 07:06PMAmerican poets Elizabeth Bishop and Robert Lowell had a rich, complicated relationship. Over a 30-year period they wrote each other more than
SOURCE: The Stage Registration at 05:45AM 
